{"id":5793,"date":"2018-01-09T17:04:10","date_gmt":"2018-01-09T17:04:10","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/javier-molina-el-brujo-de-jerez\/"},"modified":"2019-03-30T22:31:21","modified_gmt":"2019-03-30T21:31:21","slug":"javier-molina-the-wizard-of-jerez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/javier-molina-the-wizard-of-jerez\/","title":{"rendered":"Javier Molina: the wizard of Jerez"},"content":{"rendered":"<p>In May this year we\u2019ll celebrate the 150th birthday of\u00a0<a href=\"https:\/\/www.expoflamenco.net\/single-post\/2018\/01\/09\/Manuel-Torres-y-Javier-Molina\">Javier Molina Cundi<\/a>, the most important flamenco guitarist from Jerez de la Frontera. He was born on May 4, 1868 on Merced street, in the heart of the Santiago neighborhood, son of Francisco Molina L\u00f3pez, a day labourer, and Antonia Cundi S\u00e1nchez. Three decades later, this kid would become the great master of Jerez\u2019s guitar, after learning his trade from great masters such as Paco el Barbero and the unfortunate Antonio Sol, the former born in Sanl\u00facar de Barrameda and the later in Jerez.<\/p>\n<p>Oddly, none of Javier Molina\u2019s masters was a Gypsy, not even the celebrated Pati\u00f1o de C\u00e1diz or some other Francisco Cantero (who was not Paco El Barbero) or Paco de Lucena. I mention this because\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!El-abuelo-y-Manuel-Morao\/c112t\/575e46ab0cf2a5fcbcd08742\">Manuel Morao<\/a>\u00a0is sometimes inflexible in his belief that non-Gypsy flamencos are almost intruders in their own land. Yet, Javier Molina wasn\u2019t Gypsy and didn\u2019t learn to play the guitar in any Gypsy school of\u00a0<i>toque<\/i>, something which didn\u2019t exist in Jerez anyway (or in any other place in Andalusia, incidentally, although I don\u2019t mean to cause any flamencological controversy).<\/p>\n<p>Although Javier experienced the flamenco environment since he was a child in his own neighborhood, being acquainted with\u00a0<i>cantaores<\/i>\u00a0such as Loco Mateo, Antonio and Diego El Marrurro, Joaqu\u00edn Lacherna and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/03\/09\/Cien-a%C3%B1os-de-la-marcha-de-Frijones\">Frijones<\/a>, among others, his career was greatly helped by the tour he did with\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Antonio-Chac%C3%B3n\/c112t\/56771a790cf28854b38dc92e\">Chac\u00f3n<\/a>\u00a0and his own brother Antonio, a bailaor aficionado. In those travels through Andalusian towns, particularly in the provinces of C\u00e1diz, Seville and Huelva, Javier not only learned how to play better, but also to live the hard life of an artist, which in the late 1800s was a very harsh life.<\/p>\n<p>Meeting Salvaorillo de Jerez (who was actually born in Benamej\u00ed, C\u00f3rdoba) in Huelva was not only important for Chac\u00f3n, but also for Javier Molina. Salvaorillo wasn\u2019t living in Huelva in those years to enjoy the beaches and good weather, but because\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Silverio-y-la-desmemoriada-Sevilla\/c112t\/5626e3090cf2c6c64380ea3b\">Silverio<\/a>\u00a0and Juan de Dios had opened\u00a0<i>caf\u00e9s cantantes<\/i>\u00a0in that city of Andalusia and Salvaorillo was Franconetti\u2019s trusted right-hand man. This\u00a0<i>cantaor<\/i>\u00a0from C\u00f3rdoba was a great friend of Maestro P\u00e9rez (who was from Seville) and P\u00e9rez in turn was a good friend of Paco El Barbero, who not only owned a\u00a0<i>tabanco<\/i>\u00a0in Seville\u2019s downtown in those days, but also had a guitar academy in the San Esteban neighborhood, where Silverio had grown up.<\/p>\n<p>Paco El Barbero, Maestro P\u00e9rez and Antonio Sol, the pillars of flamenco guitar, where living in Seville when Javier Molina arrived in that city for the first time, joined by Chac\u00f3n, his brother Antonio and Salvaorillo. Thus, Seville would have been crucial for the development of whom would be later called the wizard of flamenco guitar by the celebrated\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/01\/10\/Fernando-el-de-Triana\">Fernando de Triana<\/a>.<\/p>\n<p>From being a follower of those great masters of guitar, Javier Molina became a master to other guitarists from Seville, or others who had grown up in that city, such as Antonio Moreno, who was from C\u00f3rdoba, or Currito el de la Jeroma, who was from Jerez. With so much talent in Seville, it\u2019s not surprising that in the early 20th century a new genius of\u00a0<i>toque<\/i>\u00a0came up:\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Ni%C3%B1o-Ricardo\/c112t\/569584120cf2e099256bbfdd\">Ni\u00f1o Ricardo<\/a>, who heralded a new age in flamenco guitar and created modern\u00a0<i>toque<\/i>, together with\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Ram%C3%B3n-Montoya\/c112t\/5695df660cf263fc5a881f60\">Montoya<\/a>,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Sabicas-Recital-de-Guitarra-Flamenca\/c112t\/55f748230cf24af6ea3c1d07\">Sabicas<\/a>\u00a0and Javier himself.<\/p>\n<p>A pending homework for Jerez is to research its guitar school, which wasn\u2019t noteworthy in the 1800s but later earned the renown it has today, with the unquestionable influence of the Moraos and other outstanding guitarists such as\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Parrilla-de-Jerez\/c112t\/561e96690cf297bd68641f9d\">Parrilla<\/a>,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Don-Mora%C3%ADto-no-se-fue-del-todo\/c112t\/1\">Mora\u00edto Chico<\/a>,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!La-Guitarra-Flamenca-de-Paco-Cepero\/c112t\/55f7516d0cf24e84f76a0b5f\">Paco Cepero<\/a>, Ni\u00f1o Jero or\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/01\/17\/Gerardo-N%C3%BA%C3%B1ez\">Gerardo N\u00fa\u00f1ez<\/a>.<\/p>\n<p>It all started with the brilliant Javier Molina Cundi more than one hundred and twenty years ago, so everything done to honor his memory won\u2019t be enough to make him justice.<\/p>\n<p><small><i>Translated by P. Young\u00a0<\/i><\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In May this year we\u2019ll celebrate the 150th birthday [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":11173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[174],"class_list":["post-5793","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo","tag-jerez-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Javier Molina: the wizard of Jerez - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/javier-molina-the-wizard-of-jerez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Javier Molina: the wizard of Jerez - 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