{"id":5733,"date":"2016-04-11T17:19:59","date_gmt":"2016-04-11T17:19:59","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/arturo-pavon-un-cantaor-de-armas-tomar\/"},"modified":"2019-03-01T00:29:23","modified_gmt":"2019-02-28T23:29:23","slug":"arturo-pavon-a-gun-toting-cantaor","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/arturo-pavon-a-gun-toting-cantaor\/","title":{"rendered":"Arturo Pav\u00f3n, a gun-toting cantaor"},"content":{"rendered":"<p>Arturo Pav\u00f3n Cruz, the eldest brother of\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Cuarenta-y-seis-a%C3%B1os-sin-Pastora\/c112t\/565548780cf2a1cf6d1811d5\">Ni\u00f1a de los Peines<\/a>, is one of the great forgotten\u00a0<i>cantaores<\/i>. His name actually wasn\u2019t\u00a0<i>Arturo<\/i>, but\u00a0<i>Jos\u00e9 \u00c1ngel<\/i>\u00a0instead, yet his father, El Pait\u00ed, was a great fan of the King Arthur novels, and eventually started calling him\u00a0<i>Arturo<\/i>. He wasn\u2019t born in the city of Seville, but in Arahal, a town in the province of Seville (also the birthplace of his mother), on Juan P\u00e9rez Street, in 1882. He did settle with his family in the city of Seville when he was a young boy, growing up in the Puerta Osario neighborhood, and living the rest of his life at La Alameda de H\u00e9rcules. Arturo was the first professional\u00a0<i>cantaor<\/i>\u00a0of his family, a child prodigy of\u00a0<i>cante<\/i>\u00a0who had a spectacular voice. Yet, with puberty his voice changed, and it was no longer suitable for the stage, particularly for the theatres, so he would only sing in social gatherings and private parties. Sometimes he would sing in public, but not often. However, in the opinion of many outstanding\u00a0<i>cantaores<\/i>\u00a0of those days, such as\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!El-a%C3%B1o-de-Juan-Valderrama\/c112t\/560dd5620cf2a7bb74c22e90\">Juan Valderrama<\/a>\u00a0and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Antonio-P%C3%A9rez-Guerrero-El-Sevillano\/c112t\/56d603920cf20d226f1a6d92\">El Sevillano<\/a>, Arturo was the best\u00a0<i>cantaor<\/i>\u00a0of his family, so he ought to be really good, because Pastora and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!El-abuelo-recuerda-a-Tom%C3%A1s-Pav%C3%B3n\/c112t\/56ef66b60cf276e9de24fb4d\">Tom\u00e1s<\/a>\u00a0were truly brilliant.<\/p>\n<p>He was renowned for the purity of his\u00a0<i>cante<\/i>\u00a0and, above all, for his impressive command of the most difficult\u00a0<i>palos<\/i>\u00a0of flamenco.\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Aquel-jilguero-de-Marchena\/c112t\/5661105c0cf25333685e0a03\">Pepe Marchena<\/a>\u00a0stated in one interview that one night he watched a\u00a0<i>duelo martinetero<\/i>between Arturo and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Antonio-Chac%C3%B3n\/c112t\/56771a790cf28854b38dc92e\">Chac\u00f3n<\/a>, in Madrid, lasting more than two hours, and none of them sang the same style twice. Arturo was a master of the\u00a0<i>ton\u00e1s gitanas<\/i>, in particular, and he also was a great singer of\u00a0<i>seguiriyas<\/i>. When he was no longer able to sing professionally, he focused on promoting his siblings, specially Pastora, but since he had a bad temper he would often quarrel with\u00a0<i>se\u00f1oritos<\/i>\u00a0and with other agents. Arturo was gritty and driven, and that sometimes got him into trouble, even making headlines in the country\u2019s newspapers, since he was the brother of a famous celebrity like Pastora. Just look at this article published in Madrid\u2019s newspaper\u00a0<i>La Libertad<\/i>, on August 5, 1920:<\/p>\n<p><b><i>The end of the party<\/i><\/b><br \/>\n<i>The resident of a town in the outskirts of this city [Seville], who came a few days ago to close several business deals, decided to celebrate, partying for three days with cantaoras, tocaores and bailaoras in the most popular venues of the city. Last night he was with his party companions in a tavern on La Alameda de H\u00e9rcules and declared the party over. Yet, when his party companions requested a payment for their services, he refused, arguing that they had had as much fun as himself, and it had cost them nothing, while he had covered all expenses. This argument of overwhelming logic did not satisfy one of the tocaores, Arturo, brother of the celebrated cantaora Ni\u00f1a de los Peines, who argued with the party boss until, exasperated, took out his gun and fired, missing the shot. Then he tried to fight one of the guards who came to arrest him. The partygoers ended up in the slammer.<\/i><\/p>\n<p>The \u201cslammer\u201d was La Alameda\u2019s jailhouse. We don\u2019t know how all that ended, but it\u2019s noteworthy that Arturo carried a gun, although in those days that was as common as carrying a knife fastened at the waist in the older days, specially in the days of the\u00a0<i>caf\u00e9 cantantes<\/i>, where some\u00a0<i>cantaores<\/i>\u00a0were killed in quarrels, such as the celebrated\u00a0<i>cantaor<\/i>\u00a0Canario de \u00c1lora, a crime committed in August 1885.<\/p>\n<p>In another occasion, Arturo Pav\u00f3n also had to settle an account with a celebrated personality of La Alameda de H\u00e9rcules, one Juan el Tanque, a sort of party broker, a very good friend and sponsor of\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Antonio-Mairena\/c112t\/55f74f7c0cf2de902a868807\">Antonio Mairena<\/a>. When Tom\u00e1s Pav\u00f3n was no longer in his prime, specially due to his poor health, in the 1940s, El Tanque would go around saying that the new king of La Alameda was going to be Antonio Mairena, who at the time was a little-known\u00a0<i>cantaor<\/i>\u00a0making a living in private parties. One night, in a tavern, Juan El Tanque showed up and Arturo demanded an explanation of why he was saying that Tomasito was basically finished and Mairena was going to succeed him. Juan refused to back down, so the eldest borther of Tom\u00e1s and Pastora took a bottle and broke it on the head of big-mouthed El Tanque, ending up yet again in the slammer<\/p>\n<p>A gun-toting\u00a0<i>cantaor<\/i>, no doubt. Yet, he was also the basis for the\u00a0<i>cante<\/i>\u00a0of Pastora and Tom\u00e1s, and that\u2019s quite something.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arturo Pav\u00f3n Cruz, the eldest brother of\u00a0Ni\u00f1a de los Peines, is one of the great forgotten\u00a0cantaores.<\/p>\n","protected":false},"author":6,"featured_media":9352,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arturo Pav\u00f3n, a gun-toting cantaor - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/arturo-pavon-a-gun-toting-cantaor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arturo Pav\u00f3n, a gun-toting cantaor - 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