{"id":5645,"date":"2018-02-06T16:36:49","date_gmt":"2018-02-06T16:36:49","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/veintidos-anos-sin-el-gran-antonio\/"},"modified":"2019-03-16T21:37:59","modified_gmt":"2019-03-16T20:37:59","slug":"twenty-two-years-without-the-great-antonio","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/twenty-two-years-without-the-great-antonio\/","title":{"rendered":"Twenty-two years without the great Antonio"},"content":{"rendered":"<p>I had the privilege of meeting him in person, of watching him dance on and off stage, and of being his bodyguard for three days in C\u00f3rdoba, in 1986, when he was attending the National Contest. When I was introduced to him in Casa Salinas, in the Jewish quarter, he looked at me up and down, very seriously, and asked me: \u201cWould you like being my bodyguard these days in C\u00f3rdoba?\u201d. I agreed, and each day he would grab by arm as we walked down the streets, with people staring at us, and me, a start-up flamenco critic, very proud of going hand in hand with the greatest artist of\u00a0<i>baile<\/i>\u00a0and dance in a city, C\u00f3rdoba, quite suited for such a scene.<\/p>\n<p>It\u2019s been twenty-two years since the passing away of Antonio Ruiz Soler, the great gran\u00a0<i><a>Antonio el Bailar\u00edn<\/a><\/i>, a very forgotten artist in his own hometown, Seville. I remember that when he talked about the city where he first saw light, at La Alamenda de H\u00e9rcules, his eyes would shine with the spark of emotion, yet there would also be a certain bitterness, perhaps because he sensed that the capital of Andalusia would end up forgetting him. It\u2019s true that he was honored in the Bienal festival, and that some of his belongings are kept by the Junta de Andaluc\u00eda and Seville\u2019s City Hall, but that\u2019s about it.<\/p>\n<p>How many cities around the world can boast of having among its sons artists such as Antonio, a genius of\u00a0<i>baile<\/i>? This artist took the\u00a0<i>baile<\/i>\u00a0of Seville to where it had never been taken before and he was a true revolutionary, a creator. This becomes apparent when we compare videos and movies of himself with those of other\u00a0<i>bailaores<\/i>\u00a0of his time, showing that he was ahead of his time in many aspects of\u00a0<i>baile<\/i>, possessing a prodigious and innovative technique and a stunning self-confidence. He was clearly born to be a dancer, just like\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Sabicas-Recital-de-Guitarra-Flamenca\/c112t\/55f748230cf24af6ea3c1d07\">Sabicas<\/a>\u00a0was born to be a guitarist and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Aquel-jilguero-de-Marchena\/c112t\/5661105c0cf25333685e0a03\">Ni\u00f1o de Marchena<\/a>\u00a0was born to sing. That\u2019s what I call being gifted, and Antonio surely was.<\/p>\n<p>Beside being born gifted, he was born in a city thriving with\u00a0<i>baile<\/i>\u00a0or dance, whichever term you prefer to use. In those years (this genius was born in 1921), La Alameda de H\u00e9rcules was teeming with flamenco artists and Seville was renowned the world over for its\u00a0<i>bailaoras<\/i>\u00a0and\u00a0<i>bailaores<\/i>. This fame had started in the previous century, but during Antonio\u2019s childhood there was a particularly high number of stars of\u00a0<i>baile<\/i>. Antonio had those stars close at hand, in some cases next door, as was the case with Maestro Otero, Rafael Ortega and his sister Rita and Carlota, Frasquillo and La Quica, Gabriela Ortega, Ram\u00edrez, the Junquera sisters, the Ant\u00fanez, Josefa La Chorr\u00faa, La Macarrona and La Malena, just to name a few. Besides, in those days of academies and dance halls, it was very common to dance in the neighborhood tenements, which, as this artist himself told me, were essential schools of\u00a0<i>baile<\/i>.<\/p>\n<p>What should Seville do for one of its most illustrious sons, Antonio? Nothing, it\u2019s better that they leave it all like it is. They could do something, of course, like opening a\u00a0<i>baile<\/i>\u00a0academy on his name, or a museum, or honoring him with a statue at La Alameda de H\u00e9rcules. He would already have such things if he had been born in some other city, like (say) Vienna, but since he was born in Seville instead, that would be asking too much. Although we never know, because sometimes the city shocks us erecting monuments to honor people no one has ever heard of.<\/p>\n<p>Twenty-two years without Antonio, and incredible and unique artist. Wherever he is now, I thank him for all he did.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I had the privilege of meeting him in person, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":10605,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Twenty-two years without the great Antonio - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/twenty-two-years-without-the-great-antonio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Twenty-two years without the great Antonio - 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