{"id":5584,"date":"2018-02-25T17:18:17","date_gmt":"2018-02-25T17:18:17","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/entender-o-sentir-las-dos-cosas\/"},"modified":"2019-03-16T11:41:13","modified_gmt":"2019-03-16T10:41:13","slug":"understanding-feeling-or-both-things","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/","title":{"rendered":"Understanding, feeling, or both things?"},"content":{"rendered":"<p>Music is an universal language, and any kind of music from a given country can be felt and understood in another. Flamenco can be catchy, but it may be hard to understand, particularly by someone with a non-Spanish cultural background. Feeling is not constrained by cultural or geographical barriers, though. I have cried in New York listening to a street musician without understanding any of his lyrics, and yet his music, particularly all the emotion he put into it, really got me.<\/p>\n<p>I remember when, about twenty years ago, I was at the\u00a0<i>Pe\u00f1a Torres Macarena<\/i>\u00a0in Seville listening to the master\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/12\/13\/Los-intocables-del-cante\">Jos\u00e9 el de la Tomasa<\/a>. I noticed a kid, about 10 years old, so close to the stage that he was leaning his elbows on it. When Jos\u00e9 sang\u00a0<i>por seguiriyas<\/i>, very inspired, with a lot of feeling, I glanced at the kid and he looked quite upset, devastated. His heart was hurting, the\u00a0<i>cante por seguiriyas<\/i>\u00a0had got him.<\/p>\n<p>Could such thing happen to another kid from another country who comes to Seville with his parents and listens to a\u00a0<i>cantaor<\/i>\u00a0or a\u00a0<i>cantaora<\/i>? I\u2019m sure it could. Yet, I have always argued that when we learn about an art, it is not only better understood, but also better felt. All in moderation, though, because when we study or research too much, we become overly demanding aficionados or critics.<\/p>\n<p>I have talked about this with great masters of\u00a0<i>cante<\/i>\u00a0and I have come across all sorts of different opinions, but I have my own theory. When\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/1\/19\/Calixto-S%C3%A1nchez-y-Eduardo-Rebollar\">Calixto S\u00e1nchez<\/a>\u00a0won the\u00a0<i>Giraldillo del Cante<\/i>\u00a0trophy in 1980, I was seated in the stalls at Seville\u2019s Lope de Vega theater. Calixto had just finished singing the\u00a0<i>fandangos de Cepero y El Carbonero<\/i>\u00a0which helped him snatch that trophy, and I felt completely overwhelmed in my seat. Those fandangos had really touched me, particularly the second one,\u00a0<i>Por las l\u00e1grimas se va<\/i>, a\u00a0<i>cante<\/i>\u00a0originally created by Jos\u00e9 Rebollo (from Moguer, Huelva) and re-arranged by El Carbonerillo to suit his own style, creating a wonderful musical piece.<\/p>\n<p>At that time, I barely knew anything about El Carbonero, but that fandango really got me. The next day I started to look for his recordings and for the elders who may have met him or listened to him live. I researched him so much that I ended up writing his biography. Getting to know his life, where he was from, who were his parents, who was that girlfriend who broke his heart and how he ended up his days, dying of pulmonary tuberculosis when he was 31 years old, helped me better understand his\u00a0<i>cante<\/i>, and perhaps to feel it in a different way, too.<\/p>\n<p>When young aficionados ask me about this topic, I always tell them that knowledge doesn\u2019t hurt and that any art is better understood when it is well known. Yet, the emotion created by a seguiriya has nothing to do with understanding\u00a0<i>arte jondo<\/i>\u00a0or not. Then I tell them that story about the kid at Pe\u00f1a Torres Macarena who got really upset watching Jos\u00e9 el de la Tomasa singing some haunting\u00a0<i>seguiriyas<\/i>\u00a0of Manuel Torres.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music is an universal language, and any kind of [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":10511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Understanding, feeling, or both things? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Understanding, feeling, or both things? - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Music is an universal language, and any kind of [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-25T17:18:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-16T10:41:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/02\/carbonerillo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"801\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Understanding, feeling, or both things?\",\"datePublished\":\"2018-02-25T17:18:17+00:00\",\"dateModified\":\"2019-03-16T10:41:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/\"},\"wordCount\":542,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/carbonerillo.jpg\",\"articleSection\":[\"Blog El Bordonazo\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/\",\"name\":\"Understanding, feeling, or both things? - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/carbonerillo.jpg\",\"datePublished\":\"2018-02-25T17:18:17+00:00\",\"dateModified\":\"2019-03-16T10:41:13+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/carbonerillo.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/carbonerillo.jpg\",\"width\":1300,\"height\":801},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-feeling-or-both-things\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Understanding, feeling, or both things?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\",\"name\":\"Manuel Boh\u00f3rquez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"caption\":\"Manuel Boh\u00f3rquez\"},\"description\":\"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Understanding, feeling, or both things? - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/","og_locale":"en_US","og_type":"article","og_title":"Understanding, feeling, or both things? - Archivo Expoflamenco","og_description":"Music is an universal language, and any kind of [&hellip;]","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2018-02-25T17:18:17+00:00","article_modified_time":"2019-03-16T10:41:13+00:00","og_image":[{"width":1300,"height":801,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/02\/carbonerillo.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"Understanding, feeling, or both things?","datePublished":"2018-02-25T17:18:17+00:00","dateModified":"2019-03-16T10:41:13+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/"},"wordCount":542,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/02\/carbonerillo.jpg","articleSection":["Blog El Bordonazo"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/","name":"Understanding, feeling, or both things? - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/02\/carbonerillo.jpg","datePublished":"2018-02-25T17:18:17+00:00","dateModified":"2019-03-16T10:41:13+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/02\/carbonerillo.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/02\/carbonerillo.jpg","width":1300,"height":801},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-feeling-or-both-things\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Understanding, feeling, or both things?"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/5584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=5584"}],"version-history":[{"count":2,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/5584\/revisions"}],"predecessor-version":[{"id":10514,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/5584\/revisions\/10514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/10511"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=5584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=5584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=5584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}