{"id":5570,"date":"2018-03-11T17:12:15","date_gmt":"2018-03-11T17:12:15","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/silverio-franconetti-vive-3\/"},"modified":"2019-03-14T23:14:51","modified_gmt":"2019-03-14T22:14:51","slug":"el-carpeta-at-the-festival-of-jerez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/el-carpeta-at-the-festival-of-jerez\/","title":{"rendered":"El Carpeta at the Festival of Jerez"},"content":{"rendered":"<p>This year, I was only able to attend the closing of the Festival de Jerez, starred by El Carpeta, the youngest of the Farruco siblings, in a show which, some time ago, became entangled in a controversy created by\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/1\/14\/Antonio-Canales\">Antonio Canales<\/a>\u2019 very harsh words against this festival, what prompted El Carpeta to remove Canales as invited guest from his original lineup, and replacing him with his brother\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2015\/12\/14\/Farruquito-y-Juan-Ram%C3%Adrez\">Farruquito<\/a>, who, incidentally, came on stage after half of the public had already left, to apologize for not having performed due to an injury.<\/p>\n<p>The Festival of Jerez is one of the main flamenco events of the year, among the best, and that\u2019s why it has to take good care of everything. Frankly, El Carpeta, bailaor from Seville, is not the best suited artist to close a festival of such magnitude, less so at the Villamarta theater. I\u2019m not saying that his show wasn\u2019t good enough to feature in this festival, even as I personally didn\u2019t like it, but having this show, \u201c<i>A Bailar<\/i>\u201d (\u201c<i>Let\u2019s Dance<\/i>\u201d), as the closing event of the festival is beyond understanding. First, it didn\u2019t have the high standard required for these things. Second, because El Carpeta is not the kind of\u00a0<i>bailaor<\/i>\u00a0and choreographer for such undertaking. He dances, for whoever likes him, and that\u2019s about it. Yet, one thing is to have a touch of art and grace, and quite another is to create a world-class show.<\/p>\n<p>The grandson of the great Antonio\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Farruco\/c112t\/566e47370cf2bbe8cab82498\">El Farruco<\/a>\u00a0has a lot of self-confidence and mighty strength in his legs. However, dancing flamenco is much more than that, and I\u2019m not even getting into what it means to produce a show, create choreographies, set up the stage lights, lead the ensemble, and performing the whole thing. I\u2019ve seen\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Antonio-Gades-La-%C3%A9tica-de-la-danza\/c112t\/569859160cf2e94e3fb86c74\">Antonio Gades<\/a>,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Siete-a%C3%B1os-sin-Mario-Maya\/c112t\/5604c1250cf2375d99dbfea0\">Mario Maya<\/a>\u00a0or Cristina Hoyos do that. What kind of show is having a\u00a0<i>bailaor<\/i>\u00a0come out, make three or four flamenco poses, stomp three times and parade around the stage, coming and leaving at will? Not to mention the excess of concert guitars, the awful lightning and many other essential things in a show.<\/p>\n<p>Fortunately, at least the music had interesting things when it came to cante, it was outstanding in toque, and it was well devised. Also, seeing\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/08\/03\/Rosario-Montoya-La-Farruca\">La Farruca<\/a>\u00a0dance is always a joy, due to her\u00a0<i>pellizcos<\/i>, although not quite dancing the version of\u00a0<i>La Salvaora<\/i>\u00a0arranged for her, even less so in a theater where\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Manolo-Caracol\/c112t\/5670b1be0cf274f69813e76e\">Caracol<\/a>\u00a0and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Lola-Flores\/c112t\/578fef460cf2a8522f92b0bf\">Lola Flores<\/a>had such great success.<\/p>\n<p>I didn\u2019t go to Jerez to write a review, I simply wanted to attend the closing act of this festival as one more spectator. I paid for the trip and the hotel room out of my own pocket, although this doesn\u2019t really matter. If I ended up writing a review, it\u2019s because I believe that, without trying to discredit this young\u00a0<i>bailaor<\/i>, these things should not happen in a festival of such stature, and the closing acts should be reserved for the very best.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year, I was only able to attend the [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":10355,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66,70],"tags":[],"class_list":["post-5570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo","category-chronicles"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El Carpeta at the Festival of Jerez - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/el-carpeta-at-the-festival-of-jerez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Carpeta at the Festival of Jerez - 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