{"id":5507,"date":"2018-04-15T16:54:34","date_gmt":"2018-04-15T16:54:34","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/el-mas-tonto-hace-un-reloj\/"},"modified":"2019-03-02T23:51:05","modified_gmt":"2019-03-02T22:51:05","slug":"ship-of-fools","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/ship-of-fools\/","title":{"rendered":"Ship of fools"},"content":{"rendered":"<p>A couple of weeks ago, someone important in the world of flamenco and public institutions told me that the best way to get hired to give lectures was to propose topics which had to do with the role of women in flamenco, because public money was going to be available for this. There is already money for this, indeed. I can tell that it wasn\u2019t just me who heard this tip, because this is becoming a deluge. When I wrote the book about the best\u00a0<i>cantaora<\/i>\u00a0of all time,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Cuarenta-y-seis-a%C3%B1os-sin-Pastora\/c112t\/565548780cf2a1cf6d1811d5\">Ni\u00f1a de los Peines<\/a>, eighteen years ago, money was scarce, and I had to spend a lot of my own money to publish that biography. Yet, nowadays people are getting paid for saying that the role of women in flamenco has been important, as if we didn\u2019t know that already. As if no one had ever written anything about\u00a0<i>cantaora<\/i>s,\u00a0<i>bailaora<\/i>s and female guitarists. What about the books by Est\u00e9banez Calder\u00f3n, Jos\u00e9 Luis Ortiz Nuevo, Dem\u00f3filo, N\u00fa\u00f1ez del Prado, Fernando el de Triana, Rafael Pareja, Ricardo Molina and Blas Vega, to name just a few authors?<\/p>\n<p>So, it looks like if anyone wants to have a show featured in any major flamenco festival, all they have to do is to present a proposal about the role of women in flamenco. Although it would also be essential mentioning flamenco\u2019s male chauvinism, Juan Talega\u2019s testosterone and the fact that\u00a0<i>flamencas<\/i>\u00a0were used as eye candy in\u00a0<i>tablaos<\/i>. Wouldn\u2019t it be better if the public institutions allocated resources for flamenco research instead? Yes, general research, although we could focus on female artists who have indeed fallen into oblivion (male artists, too). I could write a long list of\u00a0<i>cantaoras<\/i>\u00a0and\u00a0<i>bailaoras<\/i>\u00a0who deserve a good biography written about them, and the same goes for male flamenco artists. Yet, there\u2019s not one euro available for such things, public or private, and that\u2019s truly shameful.<\/p>\n<p>It\u2019s also shameful, by the way, the contest of flamenco lyrics sponsored by the\u00a0<i>Junta de Andaluc\u00eda<\/i>, with the aim that flamenco verses acknowledge the importance of women. I\u2019m unaware of what came out of it, but I came across dozens of lyrics about this in the social networks, as a trial I guess, and some were really pathetic. I\u2019m afraid that one of these days someone will say that we\u2019ll have to burn all books and destroy all records which include some flamenco verse unflattering to women, as if it were possible to eliminate with a decree a portion of flamenco lyrics which reflects a specific historical period. Sure, let\u2019s start with women and then we deal with the lyrics offensive to the Church and then those offensive to politicians.<\/p>\n<p>I guess Dem\u00f3filo\u2019s book,\u00a0<i>Cantes Flamencos<\/i>\u00a0(1881) should be banned, because it contains these lyrics:<\/p>\n<p><i>En la esquina te espero;<br \/>\nchiquiya como no vengas<br \/>\naonde te encuentre te pego.<\/i><\/p>\n<p><small>(I\u2019ll wait for you in the corner<br \/>\nIf you don\u2019t show up<br \/>\nI\u2019ll slap you wherever I find you)<\/small><\/p>\n<p>Is that the way we\u2019re going? Not at all. New authors would never write such lyrics. I write lyrics myself and this would be simply unthinkable.<\/p>\n<p>I\u2019m not looking to get hired to give lectures, and I certainly don\u2019t want to propose any topics. Yet, if someone asked me to organize a conference about male chauvinism in flamenco I\u2019d tell them to get lost. I rather organize a conference about the role of women in flamenco, particularly to make it clear once and for all that when this art was born the women of Andalusia were already singing, dancing and playing the guitar on stages and private parties, side by side with men. There were even women who managed\u00a0<i>caf\u00e9s cantantes<\/i>. Gypsies, no less, such as Tomasa Junquera, sister of Juan Junquera, who was born in the mid 1850s.<\/p>\n<p>Have you heard about the ship of fools? indeed. Every man for himself.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A couple of weeks ago, someone important in the [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9628,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5507","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ship of fools - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/ship-of-fools\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ship of fools - 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