{"id":5452,"date":"2018-04-29T16:23:42","date_gmt":"2018-04-29T16:23:42","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/lo-que-la-verdad-esconde\/"},"modified":"2019-03-02T00:54:41","modified_gmt":"2019-03-01T23:54:41","slug":"the-hidden-truth","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/the-hidden-truth\/","title":{"rendered":"The Hidden Truth"},"content":{"rendered":"<p>Following the controversy created by the initiative of that group of Gypsy intellectuals who want the\u00a0<i>Junta de Andaluc\u00eda<\/i>to officially acknowledge the importance of this ethnic group in the creation of flamenco, I\u2019d like to make some considerations. First, I think it\u2019s unbelievable that anyone considers necessary to ask the government of Andalusia to acknowledge something that\u2019s already beyond acknowledged and accepted: the role of the Andalusian Gypsies in the creation of flamenco has been unquestionable for two centuries. Yet, non-Gypsies would have as much right to such public acknowledgement, and no one has ever tried such petition.<\/p>\n<p>That makes it seem as if Gypsies have been marginalized in flamenco, while what has been questioned since the beginnings of this art has been the contribution of non-Gypsies, who have often been considered as little more than intruders. There isn\u2019t even one pe\u00f1a named after\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Silverio-y-la-desmemoriada-Sevilla\/c112t\/5626e3090cf2c6c64380ea3b\">Silverio Franconetti<\/a>\u00a0in Seville, his hometown, and yet the city has monuments honoring\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Hablando-de-cante-con-Mairena\/c112t\/5760d1d50cf29542aa289730\">Antonio Mairena<\/a>,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Cuarenta-y-seis-a%C3%B1os-sin-Pastora\/c112t\/565548780cf2a1cf6d1811d5\">Ni\u00f1a de los Peines<\/a>\u00a0and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Manolo-Caracol\/c112t\/5670b1be0cf274f69813e76e\">Manolo Caracol<\/a>. Oddly, all of them have been sponsored by non-Gypsies. There has never been an instance when a Gypsy has sponsored a monument to a non-Gypsy flamenco artist.<\/p>\n<p>I fully support the acknowledgement not only of the importance of the Gypsy element in flamenco, but also of the fact that they have been performing and preserving it for two centuries. Yet, we have to be careful, because one thing is to acknowledge this, and quite another is to demand that flamenco is an art form created solely by Gypsies, because we may end up denying the non-Gypsy element in flamenco, something that started with\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/1\/31\/%C2%BFQu%C3%A9-pas%C3%B3-con-Dem%C3%B3filo\">Dem\u00f3filo<\/a>\u00a0and has now resulted in the claim of \u201cwhitewashing\u201d. That is, it\u2019s claimed that there are too many non-Gypsies in this art. \u201cFalse idols\u201d, like Antonio Mairena referred to\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Aquel-jilguero-de-Marchena\/c112t\/5661105c0cf25333685e0a03\">Pepe Marchena<\/a>, whose comp\u00e1s, duende y and pellizco was never acknowledged by many non-Gypsies.<\/p>\n<p>If some Gypsies had their way, non-Gypsies would never be allowed to perform flamenco, except the so-called \u201cwhite Gypsies\u201d, that is, non-Gypsies who have learned flamenco directly from Gypsies. Such as\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Paco-de-Lucia-Light-and-Shade\/c112t\/55f74ed90cf20cc524a8ee8e\">Paco de Luc\u00eda<\/a>, for example, who by the way didn\u2019t do anything to stop this long-running controversy of whether flamenco was a Gypsy art, a Spanish art or an Andalusian art. Paco de Luc\u00eda even said that he had lived as a Gypsy, which is not true. He was rather the opposite of a Gypsy, and it\u2019s time that someone says it.<\/p>\n<p>The one who lived like a Gypsy was\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Diego-del-Gastor\/c112t\/55f7536a0cf2db6dcfb5bdd2\">Diego del Gastor<\/a>, and not Paco de Luc\u00eda. Among other things, because Diego was indeed a Gypsy, and not a non-Gypsy with a complex of inferiority, like so many who would even deny their roots as long as people acknowledge their flamenco feel in their artistic expressions, even if they\u2019re fake. I remember, for example, when\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/04\/20\/Honores-a-Menese-en-Guadalajara\">Jos\u00e9 Menese<\/a>\u00a0would talk about non-Gypsies in flamenco with disgust.<\/p>\n<p>Behind the initiative of those Gypsy intellectuals there is something more than a simple attempt to obtain an official acknowledgement from the Junta de Andaluc\u00eda, who is totally pro-Gypsy, although they want us to believe that the Junta is behind some conspiracy to eliminate the Gypsy element from flamenco, as if that were possible, according to part of the report that has been presented. Attempting to eliminate the Gypsy element from flamenco? That is as absurd as claiming that women have been marginalized in flamenco or that their role in this art has never been acknowledged. That\u2019s the hidden truth.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following the controversy created by the initiative of that [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[5469],"class_list":["post-5452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo","tag-flamenco-en-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Hidden Truth - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/the-hidden-truth\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Hidden Truth - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Following the controversy created by the initiative of that [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/the-hidden-truth\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-29T16:23:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-01T23:54:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/04\/arbolcantecx-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"802\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/the-hidden-truth\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/the-hidden-truth\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"The Hidden Truth\",\"datePublished\":\"2018-04-29T16:23:42+00:00\",\"dateModified\":\"2019-03-01T23:54:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/the-hidden-truth\\\/\"},\"wordCount\":606,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/the-hidden-truth\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/arbolcantecx-1.jpg\",\"keywords\":[\"flamenco\"],\"articleSection\":[\"Blog El Bordonazo\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/the-hidden-truth\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/the-hidden-truth\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/the-hidden-truth\\\/\",\"name\":\"The Hidden Truth - 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