{"id":5450,"date":"2018-05-01T16:22:36","date_gmt":"2018-05-01T16:22:36","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/la-nina-de-los-peines-y-chacon\/"},"modified":"2019-03-02T00:37:01","modified_gmt":"2019-03-01T23:37:01","slug":"nina-de-los-peines-and-chacon","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/nina-de-los-peines-and-chacon\/","title":{"rendered":"Ni\u00f1a de los Peines and Chac\u00f3n"},"content":{"rendered":"<p><a href=\"http:\/\/www.expoflamenco.net\/#!Cuarenta-y-seis-a%C3%B1os-sin-Pastora\/c112t\/565548780cf2a1cf6d1811d5\">Pastora Pav\u00f3n<\/a>,\u00a0<i>Ni\u00f1a de los Peines<\/i>, (Seville, 1890-1969), was born in the Puerta Osario district of this city, on Butr\u00f3n street, in the house of her aunt Manuela, one of the sisters of her mother. She was a Gypsy and her mother, Pastora Cruz Vargas, was born in Arahal, daughter of a Gypsy blacksmith named Tom\u00e1s and known as\u00a0<i>T\u00edo Calilo<\/i>. Her father, Francisco Pav\u00f3n Cruz, nicknamed\u00a0<i>El Pa\u00edti<\/i>, born in Viso del Alcor (Seville province), grew up in the a nearby town, Tocina, and was a reputable blacksmith, a masher to be precise, renowned for his strength.<\/p>\n<p>Both of Pastora\u2019s parents were very good singers, her father excelling in\u00a0<i>ton\u00e1s<\/i>\u00a0and her mother in\u00a0<i>tangos<\/i>. The first child of this couple was born in 1882: Jos\u00e9 \u00c1ngel Pav\u00f3n Cruz, a.k.a.\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Arturo-Pav%C3%B3n-un-cantaor-de-armas-tomar\/c112t\/570b0d5f0cf21d11795676f4\">Arturo Pav\u00f3n<\/a>, the first\u00a0<i>cantaor<\/i>\u00a0of the family. Soon they left Arahal and moved to Puerta Osario in Seville, as El Pait\u00ed found employment in the L\u00e9rida forge on Sol street, in Seville\u2019s San Rom\u00e1n district. At the time, there were many Gypsy blacksmiths living in that district with surnames common in Triana, such as Berm\u00fadez, Fern\u00e1ndez, Camacho and Rodr\u00edguez. Pastora grew up in that environment, and the same goes for her brother Arturo and her younger brother, the brilliant\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!El-abuelo-recuerda-a-Tom%C3%A1s-Pav%C3%B3n\/c112t\/56ef66b60cf276e9de24fb4d\">Tom\u00e1s<\/a>, born in 1893 on Leoncillos street, located in the San Ildefonso Parish.<\/p>\n<p>The Pav\u00f3n siblings didn\u2019t grow up at La Alameda de H\u00e9rcules as some people have said, but in this district, Puerta Osario, where other renowned flamenco performers were also born and where other important flamenco artists lived, such as Brujo del Puerto, Juanaca de M\u00e1laga and the great guitarist from Sanl\u00facar, Paco el Barbero. Before moving to La Alameda, the family lived in Triana, but, oddly, not in the celebrated\u00a0<i>Cava de Gitanos<\/i>\u00a0(<i>Cava Nueva<\/i>), but on Castilla street, in the potter\u2019s district, near the birthplace of the great master of\u00a0<i>cante trianero<\/i>,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!El-m%C3%A9dico-del-cante-jondo\/c112t\/56fb55960cf20a08ed0b1678\">Ram\u00f3n el Ollero<\/a>, who lived on Procurador street, which extends from the Hotel Triana to Castilla street.<\/p>\n<p>I\u2019m telling all this because even as Pastora was Gypsy and was raised among Gypsies (from Utrera\u2019s Pelao family) since an early age, she had an idol:\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Antonio-Chac%C3%B3n\/c112t\/56771a790cf28854b38dc92e\">Don Antonio Chac\u00f3n<\/a>. Whenever she was asked about her favorite\u00a0<i>cantaores<\/i>, she would always reply \u201cAmong the non-Gypsies, Chac\u00f3n\u201d. That was the foundation of her repertoire. She admired this genius of Jerez so much that when he passed away, in 1929, Pastora recorded songs in his honor, under the Polydor label, singing some of his\u00a0<i>cantes<\/i>, such as the\u00a0<i>media grana\u00edna<\/i>, the\u00a0<i>malague\u00f1a<\/i>\u00a0and\u00a0<i>caracoles<\/i>, an honor she didn\u2019t bestow upon\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Aquel-genial-Ni%C3%B1o-de-Torres\/c112t\/5785bdb80cf2e25833791608\">Manuel Torres<\/a>, her other idol, when he died four years later, in 1933.<\/p>\n<p>Pastora was a Gypsy but that didn\u2019t prevent her from adoring that great non-Gypsy\u00a0<i>cantaor<\/i>\u00a0from Jerez, and it didn\u2019t prevent her from admiring Manuel Escacena either, a\u00a0<i>cantaor<\/i>\u00a0from Seville with whom she had a sentimental relationship until his death in 1928, or\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Cincuenta-y-seis-a%C3%B1os-sin-Vallejo\/c112t\/57a7f29a0cf2fdb0f74c5fa8\">Manuel Vallejo<\/a>, whom she called \u201c<i>King of cante<\/i>\u201d in a recording of this genius. Pastora also adored\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Aquel-jilguero-de-Marchena\/c112t\/5661105c0cf25333685e0a03\">Pepe Marchena<\/a>\u00a0and she would sometimes ask him to sing for her alone. That is, Pastora never had any prejudices when it came to admire non-Gypsy artists, even as she was a Gypsy herself and had among her idols Gypsy\u00a0<i>cantaoras<\/i>\u00a0such as La Sarneta, a revered name in the Pav\u00f3n household.<\/p>\n<p>In her late years, she liked\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!La-Paquera-de-Jerez\/c112t\/55f74acd0cf2de902a86840d\">Paquera de Jerez<\/a>, whom she considered her successor. Pastora was also a great admirer of\u00a0<i>copla<\/i>\u00a0artists such as Juanita Reina (whose songs she would perform\u00a0<i>por buler\u00eda<\/i>\u00a0like no other) and of great composers of classical music, such as Chopin, the idol of her brother Tom\u00e1s. Even Antonio Mach\u00edn was among the artists she admired. Maybe this was the reason why some old Gypsies never warmed up to her, such as\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Juan-Talega-y-Diego-del-Gastor\/c112t\/56ef6b400cf276e9de24fd1a\">Juan Talega<\/a>, who thought she was \u201cwhitewashed\u201d, that is, too influenced by non-Gypsy\u00a0<i>cantaores<\/i>, such as Chac\u00f3n, for example.<\/p>\n<p>Pastora Pav\u00f3n was an example of an artist without prejudices, who learned from everyone and who never had any problem acknowledging the importance of Chac\u00f3n or the worth of Manuel Vallejo. She performed many times with Chac\u00f3n, sometimes in\u00a0<i>mano-a-manos<\/i>\u00a0with him in some theater of Seville such as the\u00a0<i>Cervantes<\/i>, an occasion when this master of Jerez nicknamed her\u00a0<i>La Fiera<\/i>\u00a0(\u201c<i>The Fierce<\/i>\u201d). Yet, if Pastora were alive today, people would be saying that she was contributing to\u00a0<i>cante<\/i>\u2019s \u201cwhitewashing\u201d. It goes to show how little we\u2019ve learned.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pastora Pav\u00f3n,\u00a0Ni\u00f1a de los Peines, (Seville, 1890-1969), was born [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ni\u00f1a de los Peines and Chac\u00f3n - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/nina-de-los-peines-and-chacon\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ni\u00f1a de los Peines and Chac\u00f3n - 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