{"id":5438,"date":"2018-05-15T16:16:16","date_gmt":"2018-05-15T16:16:16","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/tres-anos-sin-manuel-molina\/"},"modified":"2019-03-01T23:01:06","modified_gmt":"2019-03-01T22:01:06","slug":"three-years-without-manuel-molina","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/three-years-without-manuel-molina\/","title":{"rendered":"Three years without Manuel Molina"},"content":{"rendered":"<p>Last Monday, a bust of the late\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Manuel-Molina\/c112t\/55f750b60cf20cc524a8f06b\">Manuel Molina<\/a>\u00a0was unveiled in the courtyard of the new premises of the\u00a0<i>Fundaci\u00f3n Cristina Heeren<\/i>\u00a0in Triana, on the long and narrow Pureza street. I was invited by his brother Jes\u00fas, but I had inescapable commitments and it was impossible for me to attend. On May 19th will be the third anniversary of the death of Molina, one of the most influential and charismatic flamenco musicians of the last few decades.<\/p>\n<p>I don\u2019t think it was important to unveil a bust of Manuel in the courtyard of an academy, because he was more the type who wandered the streets, spending his time in taverns chatting about flamenco, but this wasn\u2019t a bad gesture, either. I haven\u2019t been to the new premises of this flamenco foundation yet, so perhaps that\u2019s another reason for me to pay a visit. Incidentally, Seville\u2019s Town Hall awarded to City Medal to Cristina Heeren, a very well-deserved accolade, without a doubt, but it hurts a little that this award was granted to someone from outside, instead of to any of the numerous local people who have worked and still work hard in behalf of our art. I\u2019m sorry, but I had to say this, despite my deep personal admiration for this woman who is so\u00a0<i>flamenca<\/i>.<\/p>\n<p>Every time I go to Triana (something I do whenever I can, although I live far from this district), I clearly imagine Manuel Molina walking on Betis, Altozano or Pag\u00e9s del Corro streets. Seeing Manuel walking on some of these iconic streets in this old neighborhood was comforting, and even as he died three years ago, I want and need to keep seeing such endearing image in a district which is losing its\u00a0<i>flamencos<\/i>, not just its Gypsies.<\/p>\n<p>Manuel was concerned with everything to do with Triana, even as he was born in Ceuta. Just like El Fillo, Fa\u00edco or his mother La Josefa, Manuel wasn\u2019t born in that district, but he arrived there as a child and became a\u00a0<i>trianero<\/i>. His music was the music of Triana, that new Triana which flourished in the 1960s, after expulsion of poor people which took place in the 1950s (although Ricardo Pach\u00f3n insists in talking about an \u201celimination of Gypsies\u201d, clearly manipulating history).<\/p>\n<p>One of the things that Manuel was particularly worried about was that time would erase such a rich flamenco past. He marvelled when we walked around Triana and I showed him the places where famous artists had lived or were born, such as El Fillo, Juan and Jos\u00e9 el Pelao, Francisco la Perla, Fa\u00edco, El Pancho (with his tavern on Cava Nueva), La Andonda,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!El-m%C3%A9dico-del-cante-jondo\/c112t\/56fb55960cf20a08ed0b1678\">Ram\u00f3n El Ollero<\/a>\u00a0or\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/01\/10\/Fernando-el-de-Triana\">Fernando el de Triana<\/a>. Let\u2019s hope that the Fundaci\u00f3n Cristina Heeren one day decides to tell the history of flamenco in Triana, besides continuing it\u2019s teaching, since no one else is doing it.<\/p>\n<p>It\u2019s unbelievable that a district with so much history, one of the main cradles of flamenco, doesn\u2019t have a flamenco archive center or a good book about its artists yet. The director of the Fundaci\u00f3n Cristina Heeren de Arte Flamenco tried writing it but failed. That was also the case of \u00c1ngel Vela. Sadly, while Triana has given us great artists, it has terrible flamencologists.<\/p>\n<p>Let\u2019s hope that, one day, the bust of Manuel Molina which was put in this Foundation faces a room where academics can study flamenco documents. That would be a great tribute to Manuel and to all those who created this wonderful thing called flamenco, and who died without never being honored in any way.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last Monday, a bust of the late\u00a0Manuel Molina\u00a0was unveiled [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9456,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Three years without Manuel Molina - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/three-years-without-manuel-molina\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three years without Manuel Molina - 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