{"id":5314,"date":"2018-07-05T15:47:54","date_gmt":"2018-07-05T15:47:54","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/exprimiendo-el-flamenco\/"},"modified":"2019-02-16T20:52:28","modified_gmt":"2019-02-16T19:52:28","slug":"squeezing-flamenco","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/squeezing-flamenco\/","title":{"rendered":"Squeezing flamenco"},"content":{"rendered":"<div class=\"paragraph\">\n<p>The city of Seville still wants the\u00a0<i>Bienal de Flamenco<\/i>\u00a0festival to be one of its main sources of income. It\u2019s the event that attracts the most tourists, after the Holy Week celebrations and its April Fair. That\u2019s why it\u2019s considered important, not because flamenco is an art that represents us all over the world, an art with history, because the City Council of the capital of Andalusia is not really interested in those things. What they\u2019re really after is bringing tourists to the city so they can spend their euros in restaurants, hotels, bars, taverns, shops, etc. That is, what matters is the business aspect, squeezing an art so important for Seville, which has, in fact, been abandoned by the City Council.<\/p>\n<p>It\u2019s true that the Council organizes the\u00a0<i>Bienal<\/i>, but what about everything else? I mean, how come Seville is mostly unaware of its flamenco history? I\u2019ve complained many times about this, and I\u2019ll keep doing so. One of Seville\u2019s most illustrious sons, the great\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Silverio-y-la-desmemoriada-Sevilla\/c112t\/5626e3090cf2c6c64380ea3b\">Silverio Franconetti Aguilar<\/a>\u00a0(Seville, 1831-1889), pioneer of what we now call \u201cflamenco\u201d, doesn\u2019t even have a damn\u00a0<i>pe\u00f1a<\/i>\u00a0named in his honor in the city where he was born. There is nothing in this city to his memory, reminding us he was from here, that he was born in the Alfalfa district and that he spent his childhood experiencing the atmosphere of the\u00a0<i>bolero<\/i>\u00a0academies and, after spending a few years in Mor\u00f3n, as an adult, he undertook a task in behalf of flamenco that no one ever thanked him for. The same goes for Manuel and Miguel de la Barrera, El Burrero, \u00c1ngel Pericet, La Campanera, Maestro Otero and Maestro P\u00e9rez. Not to mention\u00a0<i>boleras<\/i>\u00a0like Petra C\u00e1mara and Manuela Perea, Sevillian women who revolutionized our art in the 1800s all over Europe, but whom the people of Seville have virtually never heard of.<\/p>\n<p>The history of flamenco in Seville has never been written and the City Council doesn\u2019t care about this at all. No publisher has any interest in telling the story of those flamenco pioneers who created and elevated this wonderful art which is now used to attract tourists. Come the Bienal, and we\u2019ll see all businesses thriving: restaurants, travel agencies, hotels,\u00a0<i>tablaos<\/i>\u00a0and souvenir shops. Tourists will come to restaurants and order garlic\u00a0<i>martinetes<\/i>, pickled\u00a0<i>malague\u00f1as<\/i>\u00a0or potatoes\u00a0<i>por buler\u00edas<\/i>. And we\u2019ll see\u00a0<i>flamencos<\/i>\u00a0on the street doing circus acts, because everything goes in order to be part of the\u00a0<i>Bienal<\/i>.<\/p>\n<p>Certainly, there will be guided tours by people who have no clue about flamenco and will rush to read a few books about it, so they can tell the tourists who El Burrero was, or where La Campanera lost her virginity. They\u2019ll take the tourists to the bridge of Triana to tell them that Canario de \u00c1lora was murdered right there, and to Pages del Corro street in Triana to tell then it was called\u00a0<i>Cava Nueva<\/i>\u00a0or\u00a0<i>Cava de Gitanos<\/i>\u00a0at the time Silverio was travelling in South America. The guides won\u2019t say (because they won\u2019t know this) that having tourists pay to enjoy and see the graceful art of Gypsies and non-Gypsies have been done since the mid 1800s.<\/p>\n<p>Seville doesn\u2019t have any flamenco archive center. This is incredible, but true. If some of those tourists who come to try lentils\u00a0<i>por tangos<\/i>\u00a0or meatballs a la five-and-a-half ask where they could find out more about flamenco in the 1800s, where will they be taken? To my house, or that of any other serious flamenco researcher and collector?<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The city of Seville still wants the\u00a0Bienal de Flamenco\u00a0festival [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Squeezing flamenco - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/squeezing-flamenco\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Squeezing flamenco - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"The city of Seville still wants the\u00a0Bienal de Flamenco\u00a0festival [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/squeezing-flamenco\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2018-07-05T15:47:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-16T19:52:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/07\/DT06-38-Sevilla-18jul07.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/squeezing-flamenco\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/squeezing-flamenco\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Squeezing flamenco\",\"datePublished\":\"2018-07-05T15:47:54+00:00\",\"dateModified\":\"2019-02-16T19:52:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/squeezing-flamenco\\\/\"},\"wordCount\":621,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/squeezing-flamenco\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/07\\\/DT06-38-Sevilla-18jul07.jpg\",\"articleSection\":[\"Blog El Bordonazo\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/squeezing-flamenco\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/squeezing-flamenco\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/squeezing-flamenco\\\/\",\"name\":\"Squeezing flamenco - 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