{"id":5250,"date":"2018-08-26T14:55:55","date_gmt":"2018-08-26T14:55:55","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/asocial-o-con-dos-dedos-de-verguenza\/"},"modified":"2019-02-16T14:17:01","modified_gmt":"2019-02-16T13:17:01","slug":"asocial-or-principled","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/asocial-or-principled\/","title":{"rendered":"Asocial or principled?"},"content":{"rendered":"<p>I\u2019m not surprised at all that flamenco critics have acclaimed the \u201cgreat success\u201d of Mayte Mart\u00edn in Pamplona with her show\u00a0<i>Tempo rubato<\/i>. Was it a great success, even if that wasn\u2019t even a flamenco performance? Apparently, yes. It\u2019s been many years since the last time I\u2019ve been to these festivals where we are invited to sit tight and behave. I remember that, when I attended the\u00a0<i>Festival de las Minas<\/i>as an invited journalist in the 1990s, I criticized a few things and the director told me something along the lines of \u201cHow can you do this to us? We invited you!\u201d. He could have added that I ate like a pig at\u00a0<i>El Vinagrero<\/i>\u00a0at the festival\u2019s expense.<\/p>\n<p>I think I was among the first critics to write an article celebrating the creation of Pamplona\u2019s\u00a0<i>Flamenco On Fire<\/i>\u00a0festival, where I was invited as a journalist twice, if I remember well, but I declined those kind invitations due to various personal reasons, and also because they end up becoming expensive, and on top of that we\u2019re also supposed to behave. I know this because I\u2019ve been a flamenco critic for forty years, and that\u2019s a long time. Long enough to get tired about almost everything, but particularly about the fact we\u2019re supposed to look the other way or keep our opinions to ourselves because we are offered a free hotel room and get invited for dinner.<\/p>\n<p>I won\u2019t go to Pamplona to publicly praise the fact that a flamenco festival will feature things that aren\u2019t\u2019 flamenco or artists doing circus acts in the city\u2019s balconies. First-class artists at that, who should have some respect for the art they make a living off, the art they represent the world over. Yes, I think this is shameful, regardless of whether I like or not the festival\u2019s perspective, which I don\u2019t like much, or rather, I don\u2019t like at all. For the record,\u00a0<a href=\"https:\/\/www.expoflamenco.net\/single-post\/2015\/8\/26\/Pamplona-a-comp%C3%A1s\">I celebrated its creation<\/a>\u00a0and I think it\u2019s great that there is a flamenco festival in northern Spain, where there have been good aficionados for over a century.<\/p>\n<p>Sometimes I\u2019ve been told that I have a tendency to become isolated, to get away from people. The mayor of Mairena del Alcor, the popular Ricardo S\u00e1nchez, for whom I have the highest regard, told a friend of mine that I\u2019m asocial, that is, a person who refuses to become integrated in society or who doesn\u2019t follow conventional norms. I think that\u2019s true, but one thing I\u2019m not is a politician\u2019s sycophant, and whenever anyone has needed me in Mairena, I\u2019ve bee there to help, regardless if I\u2019m paid or not. The one thing I\u2019ll never do is to beg for the opportunity to give a lecture, in Mairena or in any other place.<\/p>\n<p>I get that it\u2019s not easy to make a living as a flamenco critic or writing about flamenco, and that it\u2019s quite appealing to be a guest of some of these festivals like the one in Pamplona or La Uni\u00f3n. I\u2019ve been one myself dozens of times, but one day I decided to put a stop to it, and if I ever go back to La Uni\u00f3n I\u2019ll be paying for my own gas. That is, I\u2019ll go as a tourist or like a humble aficionado, not as a flamenco critic. Besides, in those festivals there are ever fewer and fewer things to talk about without having to fake it.<\/p>\n<p>I want to make clear that I don\u2019t mean to say that those critics who have gone to Pamplona have been bought with the promise of a lecture opportunity or a juicy steak. Definitely that\u2019s not what I think. Yet, it\u2019s quite difficult to be sincere when we know we may no longer be invited. I\u2019m saying this out of my own experience. It\u2019s difficult, but not impossible.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019m not surprised at all that flamenco critics have [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Asocial or principled? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/asocial-or-principled\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Asocial or principled? 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