{"id":5246,"date":"2018-09-02T19:39:26","date_gmt":"2018-09-02T19:39:26","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/las-flamencas-floreros\/"},"modified":"2019-02-16T12:41:30","modified_gmt":"2019-02-16T11:41:30","slug":"flamenco-eye-candy","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/flamenco-eye-candy\/","title":{"rendered":"Flamenco eye candy"},"content":{"rendered":"<p>There is something peculiar happening, which hasn\u2019t been condemned by any artist yet. I mean the artists of the \u201cflaminist\u201d movement, term coined by myself which annoys them so much, although I don\u2019t really know why, because it\u2019s just a composite word meant to signify flamenco feminists, and I think it\u2019s great because feminism is now trendy. However, none of those feminists have condemned the fact that, whenever there is a presentation of some flamenco event or political initiative, the politicians surround themselves with beautiful flamenco women, as it happened the other day when Susana D\u00edaz, president of the\u00a0<i>Junta de Andalusia<\/i>, during the presentation of the\u00a0<i>Bienal<\/i>, announced a \u201cstrategic plan\u201d for our art. Another one? I don\u2019t know how many of these have been drafted, but flamenco still has no budget in Andalusia, just some subsidies and contributions here and there.<\/p>\n<p>I remember when Carmen Calvo (who is now the vice-president of the Spanish Government, no less) was the Culture Council in the\u00a0<i>Junta<\/i>\u00a0and she would announce with great fanfare that there was more than forty million euros available for flamenco, but there was a catch. I\u2019ll explain. It was all spread over several years and all they did was to add up all the little contributions and subsidies, so it would look like a big number. At any event, no one seems to know for sure what ever happened to those forty million euros that\u00a0<i>do\u00f1a Carmen<\/i>\u00a0talked about. Yet, it\u2019s all good now, as it looks like Susana has a strategic plan for flamenco, which includes teaching about flamenco in the schools of Andalusia, something already promised by the last president, Gri\u00f1\u00e1n, Susana\u2019s mentor.<\/p>\n<p>Will the\u00a0<i>cantaora<\/i>\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/03\/30\/Roc%C3%ADo-M%C3%A1rquez-se-pira-del-cante\">Roc\u00edo M\u00e1rquez<\/a>\u00a0say anything about flamenco artists being used as eye candy in the presentations of the great festivals? She once condemned a lecturer who asked her to be on stage while he gave his lecture. She felt used as eye candy and rightly refused the vile invitation. Will she now be able to condemn the flamenco eye candy used in this presentation by Susana D\u00edaz and Antonio Zoido, president of the Bienal? Beautiful smiling\u00a0<i>flamencas<\/i>\u00a0standing by, while the president spread out the dough, at least in words.<\/p>\n<p>Everyone knows I have strong opinions about the topic of male chauvinism in flamenco, which was never a problem in this art. This issue is getting me in trouble with the flamenco feminists, not only female but also male, as there are the male feminists, too. It doesn\u2019t matter, because I\u2019m sure I\u2019m on the right track. I celebrate that a\u00a0<i>maestra<\/i>\u00a0of the stature of\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Carmen-Linares-Buler%C3%ADas-por-Sole%C3%A1\/c112t\/5638ed1b0cf28330832af8dd\">Carmen Linares<\/a>\u00a0said in Archidona (M\u00e1laga), on occasion of Ortiz Nuevo\u2019s \u201c<i>Cabildo Flamenco<\/i>\u201d project, that she never witnessed male chauvinism in flamenco. At least not as much as it\u2019s claimed nowadays. It\u2019s not the first time she says that, by the way. Yet, it doesn\u2019t matter, because some female flamencologists and critics are bent on \u201cgetting even\u201d with flamenco men, perhaps because they realize they can make some money out of it, as there\u2019s a lot of public money to be handed out for events and lectures about women in flamenco. Before this money became available, I never heard anyone complaining about this issue.<\/p>\n<p>Male chauvinism must be eradicated, because, sadly, it exists in the world. It also exists in flamenco, of course, because flamenco is not isolated from the world. Yet, it\u2019s a mistake to create a problem where it never existed. On the contrary, it has always been said that flamenco has been a model of artistic coexistence between the two genres, which started two centuries ago, when women barely had any rights whatsoever.<\/p>\n<p><span style=\"font-size: xx-small;\">Translator\u2019s note: \u201c<i>feminijondo<\/i>\u201d in the original text.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is something peculiar happening, which hasn\u2019t been condemned [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Flamenco eye candy - 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