{"id":5228,"date":"2018-09-07T17:27:52","date_gmt":"2018-09-07T17:27:52","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/el-flamenco-no-deber-ser-una-romeria\/"},"modified":"2019-02-16T11:53:26","modified_gmt":"2019-02-16T10:53:26","slug":"flamenco-shouldnt-be-a-procession","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/flamenco-shouldnt-be-a-procession\/","title":{"rendered":"Flamenco shouldn\u2019t be a procession"},"content":{"rendered":"<p>I don\u2019t quite agree that this idea of taking flamenco to the streets, like a procession, is a good idea to promote it. Rather, it\u2019s a way to vulgarize it, as it happened with\u00a0<i>sevillanas<\/i>\u00a0many years ago. It\u2019s seems like the goal is to get the whole world dancing\u00a0<i>por buler\u00edas<\/i>, which is not just impossible, but also absurd. It\u2019s true that good aficionados will always be able to tell good from bad flamenco, but I don\u2019t think this ever happens in any other musical genres, like, say, opera.<\/p>\n<p>People may think that I\u2019m suggesting to put flamenco back in private rooms, like in the old days. No, this is not what I mean. That was a time of great artists of\u00a0<i>cante<\/i>, but it\u2019s not a matter of going back to the fringes. I once talked about this with two\u00a0<i>cante<\/i>\u00a0heavyweights,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Hablando-de-cante-con-Mairena\/c112t\/5760d1d50cf29542aa289730Ssss\">Antonio Mairena<\/a>\u00a0y\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/02\/19\/Un-caballero-del-cante-y-la-palabra\">Luis Caballero<\/a>, both already gone from this world, and they both agreed that\u00a0<i>cante<\/i>\u00a0needed to come out of the private rooms of the\u00a0<i>se\u00f1oritos<\/i>\u00a0and take over the world and its best theaters. None of them knew that in the 19th century there were already flamenco artists and even companies performing all over the world, particularly in Europe and South America.<\/p>\n<p>I won\u2019t deny that nowadays flamenco is much better known than it was half a century ago, and perhaps it has a better image. A lot of work in behalf of flamenco have been done, and it\u2019s already bearing fruit, because our artists are working year-round, both in Spain and overseas. Theaters are packed during the\u00a0<i>Festival de Jerez<\/i>\u00a0and the\u00a0<i>Bienal<\/i>\u00a0because many aficionados come here from all over the world. Those aficionados bring in money that they spend on trips, hotels and restaurants. A significant amount of money is spent in Seville as a result of the\u00a0<i>Bienal<\/i>.<\/p>\n<p>Yet, none of this justifies the vulgarization of\u00a0<i>arte flamenco<\/i>\u00a0in our own land, Andalusia, where nowadays just anybody is allowed to perform on a theater stage. Perhaps now is the time when we have to be most careful about what we offer to those who come from other countries to enjoy flamenco and sometimes don\u2019t get the real thing. Probably that\u2019s because there is a very high demand, but not as many good artists, I don\u2019t know. I believe there are lots of good artists, but many of them haven\u2019t rolled up their sleeves and have been left behind or just perform in\u00a0<i>pe\u00f1as<\/i>\u00a0and\u00a0<i>tablaos<\/i>.<\/p>\n<p>Those who organize big festivals have a big responsibility, they must look after quality and ensure authenticity. However, this doesn\u2019t always happen. I think that the\u00a0<i>Bienal<\/i>\u00a0de Sevilla, the best festival in the world, or the most influential, should stop doing small numbers on the streets and take better care of its programming. It should not be as repetitive, and they should stop this practice of letting just anyone perform in a theater.<\/p>\n<p>The\u00a0<i>Bienal<\/i>\u00a0has just started and time will tell how it will turn out. Let\u2019s hope for a good atmosphere and enjoy it as much as we can.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I don\u2019t quite agree that this idea of taking [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8463,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Flamenco shouldn\u2019t be a procession - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/flamenco-shouldnt-be-a-procession\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flamenco shouldn\u2019t be a procession - 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