{"id":5203,"date":"2018-09-20T17:22:00","date_gmt":"2018-09-20T17:22:00","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/los-que-abandonan-el-barco\/"},"modified":"2019-02-16T08:26:51","modified_gmt":"2019-02-16T07:26:51","slug":"those-who-leave-the-ship","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/those-who-leave-the-ship\/","title":{"rendered":"Those who leave the ship"},"content":{"rendered":"<p>No one, just for belonging to a Gypsy family renowned for the most traditional\u00a0<i>cante jondo<\/i>, has the obligation to continue that tradition, if they believe they have the skill and talent for other things and think they can evolve as artists in other fields, or innovating in\u00a0<i>cante<\/i>\u00a0itself. I didn\u2019t attend to the concert of\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/11\/17\/Tom%C3%A1s-de-Perrate\">Tom\u00e1s Perrate<\/a>\u00a0last Wednesday, at the\u00a0<i>Bienal<\/i>, but according to some critics it was depressing. Tom\u00e1s has diverse musical interests and he likes to do other things, and what he\u2019s being doing really well since a young age is to sing traditional flamenco. Yet, I have sometimes asked myself, because I care about him, where is he going? Is it really worth stepping into the mud?<\/p>\n<p>If the good ones leave the ship (and I don\u2019t mean just Tom\u00e1s), what will happen to flamenco? I get that those who sing\u00a0<i>por sole\u00e1<\/i>\u00a0and\u00a0<i>por seguiriya<\/i>\u00a0often have a hard time trying to make a living off their art and sometimes have to perform in run-down\u00a0<i>pe\u00f1as<\/i>\u00a0and obscure festivals. I also get that doing other things they may have the opportunity of performing in better stages and earn enough money to live well. That\u2019s why I admire so much those\u00a0<i>cantaores<\/i>\u00a0who stuck to purity (yes, purity), knowing that they would remain in poverty while others enjoyed the good life.<\/p>\n<p><a href=\"http:\/\/www.expoflamenco.net\/#!El-abuelo-recuerda-a-Tom%C3%A1s-Pav%C3%B3n\/c112t\/56ef66b60cf276e9de24fb4d\">Tom\u00e1s Pav\u00f3n<\/a>,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Juanito-Mojama-%C2%BFredescubriendo-a-un-genio\/c112t\/5600abed0cf25fa7fe12dd39\">Juanito Mojama<\/a>,\u00a0<a href=\"https:\/\/www.expoflamenco.com\/archivo\/blog-archivo\/cumpleanos-de-antonio-el-chaqueta\">El Chaqueta<\/a>, El Gloria and La Moreno experienced dire poverty, but we venerate them today because of what they did and for the legacy they left us, although La Moreno never recorded. Tom\u00e1s Pav\u00f3n would hunt cats at night so he\u2019d have something to eat, during the 1936 Spanish Civil War, because he had to fend for himself when his sister, who used to provide for him, moved to Madrid. Juan Mojama made a meagre living as a shoe shiner just before dying as poor as a rat. I don\u2019t mean to say that today\u2019s artist should do those things, and besides these are different times and\u00a0<i>cante<\/i>\u00a0jondo is better paid now than in those days. I say this just to put things into perspective.<\/p>\n<p>On the other hand, artists must know their limitations and how far they can go. I will never write a novel because I believe I\u2019m just good enough for what I do (and barely, at that). I also think that I\u2019ll end my days writing about flamenco, which is the only thing I\u2019m truly passionate about in my work as a journalist and writer. That\u2019s why I don\u2019t understand how come some people ruin their careers with failed adventures, in most cases.<\/p>\n<p>I remember that some artists tried to get back to traditional flamenco after making a lot of money with commercial music, but found the door shut. Perhaps it wasn\u2019t fair, but it happened.\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!El-a%C3%B1o-de-Juan-Valderrama\/c112t\/560dd5620cf2a7bb74c22e90\">Valderrama<\/a>\u00a0admitted to me how hurt he felt when he quit the theaters and commercial music, but then would barely have an opportunity to perform in flamenco festivals. And we\u2019re talking about a genius, among the greatest in flamenco. Another genius,\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Manolo-Caracol\/c112t\/5670b1be0cf274f69813e76e\">Caracol<\/a>, lamented one night in his own tablao that\u00a0<a href=\"https:\/\/www.expoflamenco.net\/single-post\/2016\/06\/14\/Hablando-de-cante-con-Mairena\">Antonio Mariena<\/a>\u00a0was more highly regarded than himself in\u00a0<i>cante<\/i>. Let\u2019s be careful, then, when leaving the ship, because those things happen. Besides, the ship of traditional\u00a0<i>cante<\/i>\u00a0is not a bad way to navigate the flamenco seas and make a dignified living off art.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No one, just for belonging to a Gypsy family [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Those who leave the ship - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/those-who-leave-the-ship\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Those who leave the ship - 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