{"id":5201,"date":"2018-09-23T17:20:55","date_gmt":"2018-09-23T17:20:55","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/una-decada-sin-mario-maya\/"},"modified":"2019-02-16T08:13:06","modified_gmt":"2019-02-16T07:13:06","slug":"ten-years-without-mario-maya","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/ten-years-without-mario-maya\/","title":{"rendered":"Ten years without Mario Maya"},"content":{"rendered":"<p>My colleague Antonio Ortega Rubio gave me the news of his death. Two days earlier, I had spoken with Mario on the phone and asked if I could pay him a visit at his home, but he told me to wait a few days, \u201cwhen hopefully I\u2019ll look better\u201d. He knew that we would never see each other again, because his time was up. As soon as I heard about his death, I called Pepe Y\u00e1nez to ask about the details, and I barely said a word. I loved Mario like a brother, and I think the feeling was mutual.<\/p>\n<p>He was always alone in Seville, in his huge house at the Puerta de la Carne district, and he used to call me to invite me to drink young wine in Valencina or to watch a soccer game together. I never refused such invitations, because I was worried about his loneliness and, above all, because I learned a lot with Mario, and not just about\u00a0<i>baile<\/i>, but about flamenco in general and about the things of life: art, politics, human nature, the environment\u2026<\/p>\n<p>I\u2019ve always said that I\u2019ve had two great idols in\u00a0<i>baile<\/i>: Antonio Montoya Flores,\u00a0<em><a href=\"http:\/\/www.expoflamenco.net\/#!Farruco\/c112t\/566e47370cf2bbe8cab82498\">El Farruco<\/a><\/em>, and\u00a0<a href=\"https:\/\/www.expoflamenco.net\/single-post\/2015\/09\/25\/Mario-Maya\">Mario Maya Fajardo<\/a>, and I was fortunate to befriend both of them. Although they were both Gypsies, they were also very different from each other, and not just in their way of dancing. Farruco was a Gypsy very attached to the roots of his people, almost a character from the 19th century, uncompromising and with an impressive sincerity. Mario, having the same age as Farruco, also adored his own roots, but just so he wouldn\u2019t forget where he came from and who he was. To explain it better, it\u2019s as if Farruco saw the world from a small window, and Mario from a lighthouse.<\/p>\n<p>I\u2019ve never met a flamenco artist as cultured as Mario Maya. He didn\u2019t brag about it, but he possessed a vast cultural knowledge. I spent three or four days with him in New York, and as we walked in that city he would tell me about the lives of the great geniuses of music, theater and literature. When he talked about his teachers and mentors, he did it always with respect and boundless admiration. For example, talking about Pilar L\u00f3pez he would say often \u201cI learned from her the sense of discipline\u201d. Mario believed that without discipline and organization it was impossible to succeed in\u00a0<i>baile<\/i>\u00a0or having a dance company.<\/p>\n<p>Mario had two things that got him in a lot of trouble: he was excessively critical and very demanding, perhaps way too much. He believed he had the legitimate right and authority to criticize, due to his career and experience. In the last years of his life he didn\u2019t like most things. We would go together to the shows of the\u00a0<i>Bienal<\/i>\u00a0and he seldom enjoyed it. He ended up passing those traits on me. \u201cI\u2019ll read your review tomorrow, but this has been a\u2026 well, I\u2019ll read your review\u201d. The following morning, after reading my review (he was a regular reader of\u00a0<i>El Correo de Andaluc\u00eda<\/i>\u00a0newspaper) he would call or send me an email to either object or to congratulate me. \u201cYou are braver than El Guerra\u201d, he would often tell me.<\/p>\n<p>The world of\u00a0<i>baile<\/i>\u00a0admires this master, generally speaking, but I still think it\u2019s not conscious about his importance. It wouldn\u2019t be a bad thing to acknowledge his career and contribution in a city like Seville, where he lived for many years and where he created many of his productions. He also passed away in Seville. He loved the capital of Andalusia for many reasons, but particularly for its rich flamenco history. \u201cSeville is\u00a0<i>baile<\/i>\u201d, he used to say, acknowledging the worth of the many stars of this genre, from Miracielos to Farruquito. When we walked by La Alameda de H\u00e9rcules, he would get excited talking about Antonio, La Macarrona and La Malena.<\/p>\n<p>I can hardly believe it\u2019s been ten years since his death already. When we want to stop the clock, it just goes faster. Every day I remember Mario from some reason. I\u2019ll never forget him.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My colleague Antonio Ortega Rubio gave me the news [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ten years without Mario Maya - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/ten-years-without-mario-maya\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ten years without Mario Maya - 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