The debate this Saturday at Seville\u2019s\u00a0pe\u00f1a<\/i>\u00a0Torre Macarena will be about women\u2019s role in flamenco, a topic that has become popular, although we hope this is not just a passing fad. Have women ever been discriminated in flamenco in any of its historical periods? Are women discriminated in flamenco nowadays? Is it harder for women to succeed in flamenco, because of their gender? These are question that should have answers, and that\u2019s the point, finding the answers.<\/p>\n
I never bothered dwelling much about this topic because I never sensed that women were discriminated in flamenco, compared to men. It\u2019s true that, in the early days, some\u00a0pe\u00f1as flamencas<\/i>\u00a0only admitted men, and I didn\u2019t quite understand why. Sometimes women would come with their husbands, but if any women came by herself, she was often looked down, even by other women. That soon changed, though, and today is not unusual that women are not just members, but also presidents of\u00a0pe\u00f1as<\/i>.<\/p>\n
When flamenco started to be performed on stages, women were already there. We can confirm this just by checking newspapers and books. In that celebrated party in Seville described by Est\u00e9banez Calder\u00f3n,\u00a0Un baile en Triana<\/i>\u00a0(1842), La Perla and Mar\u00eda de las Neives reportedly performed with Juan de Dios, El Planeta, El Jerezano and El Fillo. The writer didn\u2019t make a big deal of the fact these women took part in this party, I suppose because it was completely normal. Was this normal in Gypsy families, too? Yes, it was.<\/p>\n
As I\u2019ve already mentioned in other opportunities, in the mid 19th century one Peicker organized parties for tourists in Triana where both Gypsy dancers and non-Gypsy\u00a0boleras<\/i>\u00a0took part, and when these parties were held in some hall or academy in Seville, Gypsy women from Triana were always hired to performed and liven up the parties. They were\u00a0flamencas<\/i>, certainly the wives, sisters or daughters of\u00a0cantaores<\/i>\u00a0from Triana such as Manuel Cagancho, Juan el Pelao and Curro Puya.<\/p>\n
Mar\u00eda Borrico, La Sarneta, La Andonda, La Cuenca, Concha la Carbonera and La Rubia de M\u00e1laga were women who performed in\u00a0caf\u00e9s cantantes<\/i>\u00a0or in theaters. They also created new styles of\u00a0seguiriyas<\/i>\u00a0and\u00a0sole\u00e1s<\/i>, so they didn\u2019t just make a living off flamenco, but also contributed melodies and lyrics to its repertoire. There were also female entrepreneurs such as Tomasa Junquera, sister of Juan Junquera, the entrepreneur and\u00a0cantaor<\/i>\u00a0from Jerez. A Gypsy woman being an entrepreneur of\u00a0caf\u00e9s cantantes<\/i>, in Jerez? Indeed, although Silverio is the one blamed for commercializing (\u201cprostituting\u201d) Gypsy\u00a0cante<\/i>.<\/p>\n
Women played an important role I the creation of flamenco, and their role nowadays is absolutely crucial, as they work in relevant positions of public or private organizations. Women today manage\u00a0pe\u00f1as<\/i>, magazines and radio shows, as well as important flamenco festivals and\u00a0tablaos<\/i>. There are women with doctorates in flamenco, writing flamenco articles, books and reviews. Thus, it doesn\u2019t seem logical that there is such controversy these days about women in flamenco, precisely when they have such a prominent role in this art, due to their own merits, without a doubt.<\/p>\n
We\u2019ll be talking about all this tomorrow at Torres Macarena, like we did last Saturday about the\u00a0Bienal<\/i>. It will be an interesting debate, and you\u2019re all invited, of course.<\/p>\n
Translated by P. Young<\/span><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Have women ever been discriminated in flamenco in any of its historical periods? Are women discriminated in flamenco nowadays? Is it harder for women to succeed in flamenco, because of their gender?<\/p>\n","protected":false},"author":6,"featured_media":6800,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[178],"class_list":["post-5157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo","tag-torres-macarena-en-2"],"yoast_head":"\n