{"id":5114,"date":"2018-11-13T11:21:12","date_gmt":"2018-11-13T11:21:12","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/las-escuelas-flamencas-de-triana\/"},"modified":"2019-02-11T00:18:19","modified_gmt":"2019-02-10T23:18:19","slug":"the-flamenco-schools-of-triana","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/the-flamenco-schools-of-triana\/","title":{"rendered":"The flamenco schools of Triana"},"content":{"rendered":"<p>Even as it\u2019s often said and written that the Gypsy parties at Cava Nueva in 19th-century Triana were closed to outsiders, that wasn\u2019t the case. Sometimes even journalists or romantic travellers from different countries in Europe who came to see the Andalusian art were welcomed in. The same happened with non-Gypsy performers, and that\u2019s why there\u2019s so little difference in the styles of Gypsy and non-Gypsy\u00a0<i>cantaores<\/i>\u00a0in the early years, when flamenco started to be performed in public. Let me give you a clear example.<\/p>\n<p>In Seville, the first\u00a0<i>cantaores<\/i>\u00a0who performed in the bolero academies of Miguel and Manuel de la Barrera were non-Gypsies. They were Lorente (from Seville), Perea del Puerto, Sartorio de San Fernando, Juraco de Alcal\u00e1 de Guada\u00edra and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Silverio-y-la-desmemoriada-Sevilla\/c112t\/5626e3090cf2c6c64380ea3b\">Silverio<\/a>. Where did they learn how to sing? Where did the guitarists learn to play the guitar? Where did the\u00a0<i>bailaores<\/i>\u00a0and\u00a0<i>bailaoras<\/i>\u00a0learned to dance? Probably the Gypsy world wasn\u2019t as closed as stated by\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/01\/10\/Fernando-el-de-Triana\">Fernando el de Triana<\/a>\u00a0or\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/01\/26\/Centenario-de-Ricardo-Molina\">Ricardo Molina<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.expoflamenco.net\/single-post\/2016\/06\/14\/Hablando-de-cante-con-Mairena\">Antonio Mairena<\/a>. Among other things, this was because Triana didn\u2019t have any ghettoes. That is, Gypsies show up living side by side with non-Gypsies in the same tenements and streets: Puerto, Cava Nueva, Ardilla, Verbena, San Juan Evangelista, Febo, etc.<\/p>\n<p>Gypsies lived perfectly integrated in Triana, just like it happened in Jerez, Puerto de Santa Mar\u00eda or Utrera. Whenever there was a Gypsy party in one of the tenements, I doubt that non-Gypsies were asked to leave the premises, so they would have been spectators and, in many cases, active participants in these parties. A descendant of Cagancho told me one day that well-known flamenco\u00a0<i>cantaores<\/i>\u00a0and guitarist used to visit his tenement and were always welcomed. One of these artists was\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Cincuenta-y-seis-a%C3%B1os-sin-Vallejo\/c112t\/57a7f29a0cf2fdb0f74c5fa8\">Vallejo<\/a>, who always came in with other Gypsies who did the\u00a0<i>palmas<\/i>\u00a0and danced.<\/p>\n<p>A son of Manuel Cagancho, Antonio, stated in the ABC newspaper of Seville that\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Antonio-Chac%C3%B3n\/c112t\/56771a790cf28854b38dc92e\">Chac\u00f3n<\/a>\u00a0and the bullfighter Fuentes used to visit them, and all performed for them. I can only imagine the things that the young Chac\u00f3n would have learned at Cava de los Gitanos. He would have figured out the\u00a0<i>cantes por ton\u00e1s<\/i>\u00a0listening to Juan el Pelao and Curro Puya, the first of the dynasty.<\/p>\n<p>In Triana there was a school of\u00a0<i>cante jondo<\/i>, just like there was one in C\u00e1diz, Jerez, San Fernando, Puerto de Santa Mar\u00eda or Utrera. Without those schools, flamenco would not exist. This is something that must be acknowledged, as it has always been. There were also other non-Gypsy schools of\u00a0<i>cante<\/i>\u00a0at the time, such as the one in Triana. It\u2019s well known that Cava Vieja (also known as Cava de los Civiles) was the potter\u2019s neighborhood, where a very nice, sweet cante was sung: the\u00a0<i>soleares<\/i>\u00a0that we know today as\u00a0<i>soleares del Zurraque<\/i>\u00a0or\u00a0<i>soleares alfareras<\/i>.<\/p>\n<p><a href=\"https:\/\/www.expoflamenco.com\/archivo\/blog-archivo\/el-medico-del-cante-jondo\">Ram\u00f3n el Ollero<\/a>\u00a0(also known as Ramoncillo de Triana) was from that area, and also Garfias, who created a very unique\u00a0<i>sole\u00e1 alfarera<\/i>. Incidentally, La Andonda and\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Cuarenta-y-seis-a%C3%B1os-sin-Pastora\/c112t\/565548780cf2a1cf6d1811d5\">Ni\u00f1a de los Peines<\/a>\u00a0also lived in that neighborhood, on Castilla street, to be precise. That is, the Gypsy and non-Gypsy\u00a0<i>cantaores<\/i>\u00a0lived together, listening to one another and learning among themselves.<\/p>\n<p>Originally, there were two distinct schools, but as time went by, they became fused together, something that also happened in\u00a0<i>baile<\/i>, with the fusion of the\u00a0<i>bolero<\/i>\u00a0school and the Gypsy school. In\u00a0<i>cante<\/i>\u00a0there is still significant difference between the Gypsy and non-Gypsy schools, but it\u2019s essentially the same\u00a0<i>cante<\/i>\u00a0with the characteristics of Gypsy and non-Gypsy performers. As it has always been.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even as it\u2019s often said and written that the Gypsy parties at Cava Nueva in 19th-century Triana were closed to outsiders, that wasn\u2019t the case.<\/p>\n","protected":false},"author":6,"featured_media":6842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The flamenco schools of Triana - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/the-flamenco-schools-of-triana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The flamenco schools of Triana - 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