{"id":5110,"date":"2018-11-16T18:05:17","date_gmt":"2018-11-16T18:05:17","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/entonemos-el-mea-culpa\/"},"modified":"2019-04-05T22:20:24","modified_gmt":"2019-04-05T20:20:24","slug":"its-our-fault","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/its-our-fault\/","title":{"rendered":"It&#8217;s our fault"},"content":{"rendered":"<p>We Andalusians, particularly the government, are partly to blame for the attacks on Andalusia. Every time that our culture is scorned, as it happened this week regarding the marketing campaign against Spanish cliches, where flamenco was included, we retort that famous Spanish personalities such as Vel\u00e1zquez, the Machado brothers, Picasso, Lorca, Juan Ram\u00f3n Jim\u00e9nez or Vicente Aleixandre were all born in Andalusia. Yet, we never say that <strong>Silverio, Chac\u00f3n, Manuel Torres, Ni\u00f1a de los Peines, Pepe Marchena, Antonio Mairena, Enrique Morente, Lebrijano <\/strong>or<strong> Camar\u00f3n<\/strong> were also from this Spanish region.<\/p>\n<p>In fact, we still have a complex of inferiority and it\u2019s ourselves who don\u2019t regard as important this art we love so much. Even the artists who speak up in defense of flamenco do it not so much because it\u2019s an essential part of our culture, the heritage of our ancestors that makes us stand out in the whole world, but because flamenco allows them to live like gods, drive expensive cars, live in the fancy houses of luxurious neighborhoods and enjoy a spectacular lifestyle.<\/p>\n<p>A few weeks ago, I finished giving a series of four lectures about current flamenco topics that create controversy in the social networks: the <em>Bienal<\/em> festival, the role of women in flamenco, the role of flamenco critics and the apathy of the people of Seville regarding the important flamenco history of this foremost city in Andalusia. Dozens of aficionados showed up for these lectures each Saturday, at <em>pe\u00f1a<\/em> Torres Macarena, but no artists, only the <em>bailaora<\/em> <strong>La Debla<\/strong>, perhaps because she came to accompany her husband, the guitarist <strong>Antonio G\u00e1mez<\/strong>. The same goes for flamenco critics, as only my colleague<strong> Luis P\u00e9rez<\/strong> attended. It\u2019s true that perhaps I don\u2019t have enough renown to appeal to those groups of professionals, yet what mattered wasn\u2019t who gave the lectures, but their purpose, which was to encourage the exchange of ideas.<\/p>\n<p>I don\u2019t know if you\u2019ve analysed this before, but in interviews of flamenco artists, in the old days, they never mentioned flamenco as an important part of Andalusian culture. I\u2019m referring to interviews of <strong>Mochuelo<\/strong>, Chac\u00f3n or Ni\u00f1a de los Peines. The fact is that in those days they were unaware of the true meaning of flamenco. An extraordinary effort was necessary to create awareness among some people (not a lot) that flamenco is an art form which represents us in the whole world and it\u2019s an essential part of Andalusian culture in particular, and Spanish culture in general.<\/p>\n<p>Out of all artists who spoke last Wednesday in defense of flamenco against the attack of that unfortunate marketing campaign, how many did so because of its cultural importance, and how many did so to protect their own livelihood? In a few days, the whole thing will be forgotten and the artists in general will go back to minding their own business, just like us flamenco critics, as the Andalusian public institutions wait for the time of elections, when they\u2019ll tell us how great flamenco is.<\/p>\n<p>Let\u2019s just hope that one day we don\u2019t have to use this headline for an article: \u201cEveryone killed it and it died by itself\u201d.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We Andalusians, particularly the government, are partly to blame for the attacks on Andalusia.<\/p>\n","protected":false},"author":6,"featured_media":6844,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>It&#039;s our fault - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/its-our-fault\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"It&#039;s our fault - 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