{"id":5054,"date":"2018-12-18T10:51:24","date_gmt":"2018-12-18T10:51:24","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/entendiendo-al-maestro-canales\/"},"modified":"2019-02-10T14:39:57","modified_gmt":"2019-02-10T13:39:57","slug":"understanding-master-canales","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/","title":{"rendered":"Understanding master Canales"},"content":{"rendered":"

We flamenco critics evolve, although it may not seem so, and we usually change our minds during our careers, which in my case already spans forty years. This is not about being a turncoat, as there are lots of those in flamenco, but about rectifying certain behaviours or opinions as years go by. The way I look at\u00a0baile<\/i>\u00a0today is not the same I looked at it forty years ago. I\u2019ll get to the point, as there are limitations of space and I believe I\u2019ve piqued your interest.<\/p>\n

Antonio Canales<\/a>\u00a0is a\u00a0bailaor<\/i>\u00a0and choreographer whom I had trouble understanding. There was something about him that I didn\u2019t like because, probably, I certainly had different tastes. I really liked\u00a0Farruco<\/a>\u00a0and\u00a0Mario Maya<\/a>, who were very different from each other, and the fact is that Canales was more like the former, being a Gypsy from Triana, Seville, and having a popular style. Yet, it was hard for me to understand his way of dancing and I recall having written rather merciless reviews about him. It\u2019s not that I regret it, because what I wrote at that time was what I felt, and we should never regret saying well-thought words with conviction.<\/p>\n

This master also messed up with me sometimes. I remember when he said in a very popular news program, with an audience perhaps in the millions, that I was a \u201cswindler\u201d (\u201cmangante<\/i>\u201d). There was even a team from the\u00a0Antena 3<\/i>\u00a0TV channel who came to interview me, in case I wanted to refute his accusations. That\u2019s what they told me, seriously. I didn\u2019t care much about them, although I met them at my\u00a0El Correo<\/i>\u00a0newspaper office, which was located at Carretera Amarilla back then.<\/p>\n

That happened many years ago, and I must confess that nowadays I feel a great affection towards Canales, and also admiration, of course. I don\u2019t remember every single thing I wrote about him, but they were ugly. I won\u2019t even bother looking for them in my website, as it\u2019s all there, in my website\u2019s archive. Why should I? Back then I had my opinions, and now I have others. I believe now that master Antonio is a unique artist. With his defects and virtues, but unique.<\/p>\n

We follow each other in the social networks, and the more I read his comments, the more and the better I understand him. When I criticized him, because I couldn\u2019t understand his way of doing things (I won\u2019t repeat this again), I barely knew what type of person he was. I didn\u2019t know anything about him, only his artistic aspect. Now I know him better, I know his feelings about life and\u00a0baile<\/i>, his ideas about love, friendship, emotions, life\u2026<\/p>\n

Some people will say that, of course, now that they go out for drinks, have lunch or dinner together, he understands him better. That\u2019s not it, actually, because I don\u2019t recall ever having lunch or dinner with Canales at the same table. I\u2019ve never been at his house, and he\u2019s never been into mine, and we\u2019ve talked on the phone very few times. I\u2019ve become closer to him through Facebook, where I laugh with his comments and learn about his feelings and his artistic perspective. And sometimes I worry because I believe he\u2019s going through a difficult time in his personal life, although I don\u2019t know for sure. I read his comments and look at his pictures and I feel that perhaps he needs a friendly, sincere hug.<\/p>\n

I believe he\u2019ll be on the stage many more years, either dancing or teaching. I don\u2019t think he\u2019ll ever quit the stage, but if that ever happens, that day he\u2019ll start being considered one of the great stars in the history of\u00a0baile flamenco<\/i>. He\u2019s already a great star of\u00a0baile<\/i>, but his renown would grow, because he\u2019s the kind of artist who is re-launched by history when they retire. He works non-stop, teaching courses and performing in galas. It\u2019s impossible keeping track of him and knowing where he is, because one day he\u2019s in Triana, his neighborhood, with is\u00a0mom\u00e1<\/i>\u00a0Pastora, and a few days later he shows up in Turkey or in Barcelona. I don\u2019t know how he can manage, because he\u2019d travel dozens and dozes of miles each year, sleeping one day here and the next in the other side of the world. Only a wonder of nature, someone with an incredible strength, is able to keep such pace. He has the heart of a horse, although that can be broken, too, because there is always someone stronger than a horse.<\/p>\n

I\u2019m starting to understand you, master.<\/p>\n

Translated by P. Young<\/span><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

We flamenco critics evolve, although it may not seem so, and we usually change our minds during our careers, which in my case already spans forty years.<\/p>\n","protected":false},"author":6,"featured_media":6431,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5054","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"\nUnderstanding master Canales - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Understanding master Canales - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"We flamenco critics evolve, although it may not seem so, and we usually change our minds during our careers, which in my case already spans forty years.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2018-12-18T10:51:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-10T13:39:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/12\/mb_20181218_entendiendo-al-maestro-canales-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Understanding master Canales\",\"datePublished\":\"2018-12-18T10:51:24+00:00\",\"dateModified\":\"2019-02-10T13:39:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/\"},\"wordCount\":812,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/mb_20181218_entendiendo-al-maestro-canales-1.jpg\",\"articleSection\":[\"Blog El Bordonazo\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/\",\"name\":\"Understanding master Canales - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/mb_20181218_entendiendo-al-maestro-canales-1.jpg\",\"datePublished\":\"2018-12-18T10:51:24+00:00\",\"dateModified\":\"2019-02-10T13:39:57+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/mb_20181218_entendiendo-al-maestro-canales-1.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/12\\\/mb_20181218_entendiendo-al-maestro-canales-1.jpg\",\"width\":1300,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/understanding-master-canales\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Understanding master Canales\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\",\"name\":\"Manuel Boh\u00f3rquez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"caption\":\"Manuel Boh\u00f3rquez\"},\"description\":\"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Understanding master Canales - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/","og_locale":"en_US","og_type":"article","og_title":"Understanding master Canales - Archivo Expoflamenco","og_description":"We flamenco critics evolve, although it may not seem so, and we usually change our minds during our careers, which in my case already spans forty years.","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2018-12-18T10:51:24+00:00","article_modified_time":"2019-02-10T13:39:57+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/12\/mb_20181218_entendiendo-al-maestro-canales-1.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"Understanding master Canales","datePublished":"2018-12-18T10:51:24+00:00","dateModified":"2019-02-10T13:39:57+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/"},"wordCount":812,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/12\/mb_20181218_entendiendo-al-maestro-canales-1.jpg","articleSection":["Blog El Bordonazo"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/","name":"Understanding master Canales - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/12\/mb_20181218_entendiendo-al-maestro-canales-1.jpg","datePublished":"2018-12-18T10:51:24+00:00","dateModified":"2019-02-10T13:39:57+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/12\/mb_20181218_entendiendo-al-maestro-canales-1.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/12\/mb_20181218_entendiendo-al-maestro-canales-1.jpg","width":1300,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/understanding-master-canales\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Understanding master Canales"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/5054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=5054"}],"version-history":[{"count":2,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/5054\/revisions"}],"predecessor-version":[{"id":7829,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/5054\/revisions\/7829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/6431"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=5054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=5054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=5054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}