{"id":49689,"date":"2024-04-18T15:17:57","date_gmt":"2024-04-18T13:17:57","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=49689"},"modified":"2024-04-18T15:17:57","modified_gmt":"2024-04-18T13:17:57","slug":"el-gineto-de-cadiz-memories-of-a-time-a-place-a-feeling","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/el-gineto-de-cadiz-memories-of-a-time-a-place-a-feeling\/","title":{"rendered":"El Gineto de C\u00e1diz: memories of a time, a place, a feeling"},"content":{"rendered":"

On July 7th, 2001, I attended the Reunion de Cante Jondo of La Puebla de Cazalla in which the excellent program featured artists from the city of C\u00e1diz such as Santiago Donday, Felipe Scapachini and Encarnita Anillo.<\/p>\n

 <\/p>\n

Towards the end of the first part, an older man, who didn\u2019t actually sing or dance, sprinkled the large patio with all the salty flavor of his hometown in generous quantities, and refreshed us with the joy of his cheerful presence. Juan Jim\u00e9nez Gineto, <\/em>(C\u00e1diz 1925-2010), uncle of singer Juan Villar (Juanito el de la Gineta <\/em>when he started out), approached the microphone limping. Murmuring among the audience gave away the general skepticism in light of the gentleman\u2019s physical appearance. This man with a still handsome face even in old age, addressed the audience, speaking without really saying anything in particular, beginning to sound like buler\u00edas. He spoke, danced, declared, sang, sentenced, laughed, gesticulated\u2026 The large patio filled with the aroma of times past, black and white flamenco times when there were no mobile phones or lactose-free milk, and everything was of the moment. What a wonderful mystery of how there could be so much art in so little, and the audience showed their appreciation with warm spontaneous applause at every moment.<\/p>\n

 <\/p>\n

Like everyone else, I fell in love with El Gineto<\/strong>,<\/strong> widely known in C\u00e1diz at the time, but nearly unknown elsewhere. I resolved to interview him someday, a meeting that did not take place until the summer of 2007 at Gineto\u2019s<\/strong> home. By then, he was dealing with serious health issues which made communication challenging. Nevertheless, we were able to chat animatedly, and Gineto<\/strong> illuminated the cozy living room with his enthusiasm and a huge smile.<\/p>\n

 <\/p>\n

I hardly asked him any questions<\/strong>, he simply unravelled memories of his childhood and youth, amidst parties, travels and anecdotes, a flamenco life<\/strong> that no longer existed other than in his mind<\/strong>.<\/strong> <\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

Pablito de C\u00e1diz con su hermano El Gineto. Feria de Sevilla. Foto: archivo familiar<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

Gineto speaks<\/h2>\n

I\u2019m a first cousin of Perla de C\u00e1diz, and brother of Pablito de C\u00e1diz<\/strong>,<\/strong> known by everyone as El Gineto de C\u00e1diz<\/strong>. <\/strong>My grandfather gave me that nickname. I used to go to the livestock fairs and was a skilled rider. My sister Pilar was called La Gineta<\/strong>,<\/strong> Juan Villar\u2019s mother. Juan was also known as \u201cel de la Gineta\u201d<\/strong> (son of La Gineta).<\/p>\n

 <\/p>\n

I\u2019m from here, the Santa Mar\u00eda neighborhood. As a kid I saw many terrific dancers. The place where people have sung and danced best in the world is right here in C\u00e1diz. Jerez too, but different. Many many people from here were terrific dancers and singers, like my aunt Rosa la Papera, mother of La Perla, and my sister\u2019s mother as well. And Anzonini, what arms and what hip movements! And Paco Valdepe\u00f1as, what a dancer! Without being from C\u00e1diz. And Fa\u00edco, I was with him in Torres Bermejos in Madrid with La Perla and La Piquer, they always took me to the parties, and I drank a lot of alcohol to make it through the night.<\/p>\n

 <\/strong><\/p>\n

I knew many great artists who are no longer with us, I start talking about them and\u2026[he cries]. <\/em>But here we are, and life is so hard. I began as a small child with that famous show of Encarnaci\u00f3n L\u00f3pez Argentinita <\/em>and her sister Pilar L\u00f3pez who died not long ago at the age of 95, Las Calles de C\u00e1diz <\/em>it was called. I was very small for my age\u2026I went out dancing and the people loved it. There\u2019s a famous photo of the company with my brother Pablito, Adela la Chaqueta, la Macarrona\u2026 Ignacio Espeleta is also there in the role of a shoemaker, a huge guy, and fat, but he sang alegr\u00edas better than anyone else in Spain. When he died they put Peric\u00f3n in his place, he knew all the vocals: Plaza de la Catedral, es un verdadero encanto, porque se parece mucho a Melilla con su campo\u2026[The Plaza of the Cathedral, is truly enchanting, it reminds me of the fields of Melilla]. <\/em>Peric\u00f3n would take me to the fiestas, and Concha Piquer. La Jeroma was also there, and Malena Loreto, and my father who dressed up like a night watchman, and a girl called Paquita who\u2019s still alive, she\u2019s the same age as me\u2026it\u2019s so hard to remember all the people. Afterwards, Argentinita went to Am\u00e9rica and died there. And Pilar L\u00f3pez said, \u201cMy sister has died, I\u2019m going over there to make a really good company\u201d, but I was just a child and couldn\u2019t go.<\/p>\n

 <\/p>\n

Later on, when I was 20, I went to Madrid with a small suitcase, a suit, a jacket, trousers and 13 pesetas, and I made my way to Villa Rosa, a tablao they opened. This very well-dressed guy, very flamenco, comes over to me, says hello and \u201cwhere are you from boy?\u201d \u201cI\u2019m from C\u00e1diz sir\u201d. \u201cGo on! That\u2019s a terrific place, I\u2019ve sung there many times\u201d. It was Juan Talega! the best singer of sole\u00e1<\/em> in all Spain. And he asks \u201cwhat do you know how to do?\u201d I tell him I sing and dance my little things. So Talega tells me to go to the office, and in the hallway there are like twenty artists, but big stars! Manolo Caracol, la Ni\u00f1a de los Peines, Tom\u00e1s Pav\u00f3n, there were dancers from Triana, one from Jerez, el G\u00fciza, and another from Madrid, el Porra who drove people crazy with his dancing. And plenty of bottles, and endless trays of food, cured ham and all that, and I was famished, I swear by my mother. So I got cleaned up, found a cheap place to stay, and went out each night with the group to keep rhythm. I\u2019m not a great artist, but I\u2019m pure gypsy, no offense intended to anyone. I ended up working with Manolo de Huelva and Ni\u00f1o Ricardo, just imagine the level there was!<\/p>\n

 <\/p>\n

Afterwards, I spent three years with Lola Flores with her show La Guapa de C\u00e1diz, <\/em>and I made two movies with her, Una Se\u00f1ora Estupenda <\/em>and La Martingala. <\/em>After that I went with Valderrama who wanted a good C\u00e1diz dancer to do buler\u00edas in his show.  Manolo Vargas went with the show Ramillete, <\/em>but then there were problems, some people don\u2019t handle alcohol well, know what I mean? And he was out of work for some time, food was very expensive, so he went to Madrid.<\/p>\n

 <\/p>\n

Then in Madrid, I did the tablao circuit, Torres  Bermejas with Paquera, Faico and Bambino, and Canasteros with Manolo Caracol. And I met Jos\u00e9 Greco, what an artist! He wanted to take me and my brother to America, but Pablito went with Canalejas. Then there was el Quino de Mor\u00f3n, every year at the Seville fair at the fried doughnut place, my brother Pablo, Anzonini, Quino and yours truly, el Gineto, dancers from down here, when we got together at a fiesta it was the end of the world!<\/p>\n

 <\/p>\n

That famous bit everyone knows, the Bombero, <\/em>was an original buler\u00eda skit of Manuel Jesulito, what a crack-up he was, then Brillantina started doing it, and afterwards, Nano de Jerez. I also worked with Chano Lobato, Cojo Peroche, Curro la Gamba, Aurelio, Beni de C\u00e1diz, Los Gitanillos de C\u00e1diz…many many others, famous artists, I can\u2019t remember all the names, those times are gone forever.<\/p>\n

 <\/p>\n

I\u2019m 83 now, and I started out as a small child. I\u2019ve lived through a lot, girl, I don\u2019t want it to be forgotten, tell people what it was like\u2026<\/p>\n

 <\/p>\n

 <\/p>\n

\n

Juan Jim\u00e9nez P\u00e9rez, Gineto de C\u00e1diz,<\/em> died in April of 2010 at the age of 85.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

El ‘bombero’ Nano de Jerez.<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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