{"id":46071,"date":"2023-11-14T00:29:57","date_gmt":"2023-11-13T23:29:57","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=46071"},"modified":"2023-11-14T00:34:21","modified_gmt":"2023-11-13T23:34:21","slug":"riding-the-bus-with-angelita-vargas-my-footwork-is-like-im-stepping-on-my-sorrows","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/riding-the-bus-with-angelita-vargas-my-footwork-is-like-im-stepping-on-my-sorrows\/","title":{"rendered":"Riding the bus with Angelita Vargas: \u00abMy footwork is like I\u2019m stepping on my sorrows\u00bb"},"content":{"rendered":"<p>I do not remember what year it was, exactly, but we were riding the bus from Bilbao in northern Spain to Mont de Marsan, in France, to attend for several days that city\u2019s celebrated flamenco festival. Angelita was seated right next to me, and we talked for at least two hours and a half. I did not tape the conversation because I would never do this without the permission of the artist, and perhaps because of this that great <em>bailaora<\/em> from Triana spoke her mind to me like no other artist had even done before. \u201cManolo, son, in my <em>baile<\/em> there are things that no one sees, but that I feel: the hardships and sufferings of childhood, the beautiful dreams, and the nightmares\u201d, she said.<\/p>\n<p>Something similar was said one day by <strong>Tom\u00e1s Pav\u00f3n<\/strong>&nbsp;to a very young <strong>Juanito Valderrama<\/strong>: \u201cJuanito, son, they shout \u2018<em>Ol\u00e9<\/em>\u2019 when I sing, as if it were a party. But when I sing my soul comes out of my mouth, with all the sorrows and hardships\u2026\u201d. Whenever she danced, Angelita was like a time machine, showing us how her life had been, at a time when the Gypsy were zealous with their flamenco intimacy. While the concept of the \u201chermetic era\u201d in flamenco was made up by <strong>Mairena<\/strong>&nbsp;and&nbsp;<strong>Molina<\/strong>, it is true that it was not easy to come to their homes in the buildings where the Gypsy lived in Triana, to listen to their singing or to watch their ancestral <em>bailes<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><em>\u00abManolo, son, in my baile there are things that no one sees, but that I feel: the hardships and sufferings of childhood, the beautiful dreams, and the nightmares \u2014 Angelita Vargas told me.\u00bb<\/em><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>That day I noted the suffering in Angelita\u2019s words, the pain of the bad memories, the harshness of her life. \u201cI do no understand when a <em>bailaora<\/em> dances showing her teeth, Manuel, as if she were in a circus. When dancing <em>tanguillos <\/em>it is fine, but when dancing a <em>sole\u00e1<\/em> or a <em>seguiriya<\/em>, not at all\u201d. <strong>Manolito el de Mar\u00eda<\/strong>&nbsp;said once that he sang they way he sang because he \u201cremembered the life he lived\u201d. Does the life of an artist make a difference in the way they perform? Angelita had no doubts: \u201cMy footwork is like I\u2019m stepping on my sorrows, as if I wanted to kill everything that hurt me or hurt my loved ones\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p>I will not publish everything that Angelita told me, and certainly not all she told me about colleagues or businessmen. She did no say anything bad about anyone, but she felt hurt about many things. She did not understand, for example, why the greatest artists sometimes would endure hardships because they strived to preserve the purity of their <em>cante<\/em> or <em>baile<\/em>, as if it were a punishment. \u201cIt does not make sense that artists today endure hardships, because nowadays there is money for everything. I get that [flamenco artists from the old days like] <strong>La Macarrona, Fernanda Ant\u00fanez<\/strong>&nbsp;or <strong>Manolito el de Mar\u00eda<\/strong> lived in poverty. But myself, and some of my colleagues, it\u2019s not right\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>We arrived at Mont the Marsan and Angelita got out of the bus very tired, but we enjoyed our long conversation. When I got to the hotel, I wrote down everything we talked about, so I would never forget her words, all she told me about <strong>Matilde<\/strong>, <strong>Pulp\u00f3n<\/strong>, <strong>Farruco<\/strong>, <strong>Manuela<\/strong>, <strong>Miguel Acal<\/strong>\u2026 All spoken with her renowned sincerity and freshness, that of a woman who was, above all, a great person. As a <em>bailaora<\/em>, I have nothing new to say. <a href=\"https:\/\/elcorreoweb.es\/opinion\/columnas\/adios-a-la-bailaora-angelita-vargas-DL8940489\">She was Baile with capital B<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align: right;\">Image above: Angelita Vargas and Manuel Boh\u00f3rquez, Tac\u00f3n Flamenco de Utrera, February 2019. Photo by perezventana<\/h6>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c1ngela Vargas Vega (Seville, 1946 \u2014 Bormujos, 2023) was one of the greatest bailaoras in the history of flamenco, being one of the few who preserved the hallmarks of the Gypsy baile from Triana\u2019s Cava Nueva district. Here are some the thoughts she shared with me in our way to Mont de Marsan<\/p>\n","protected":false},"author":6,"featured_media":46051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66,256],"tags":[76,1625,5469],"class_list":["post-46071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo","category-bordonazo-new","tag-flamenco","tag-flamenco-en","tag-flamenco-en-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Riding the bus with Angelita Vargas: \u00abMy footwork is like I\u2019m stepping on my sorrows\u00bb - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/riding-the-bus-with-angelita-vargas-my-footwork-is-like-im-stepping-on-my-sorrows\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Riding the bus with Angelita Vargas: \u00abMy footwork is like I\u2019m stepping on my sorrows\u00bb - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"\u00c1ngela Vargas Vega (Seville, 1946 \u2014 Bormujos, 2023) was one of the greatest bailaoras in the history of flamenco, being one of the few who preserved the hallmarks of the Gypsy baile from Triana\u2019s Cava Nueva district. 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Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Riding the bus with Angelita Vargas: \u00abMy footwork is like I\u2019m stepping on my sorrows\u00bb - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/riding-the-bus-with-angelita-vargas-my-footwork-is-like-im-stepping-on-my-sorrows\/","og_locale":"en_US","og_type":"article","og_title":"Riding the bus with Angelita Vargas: \u00abMy footwork is like I\u2019m stepping on my sorrows\u00bb - Archivo Expoflamenco","og_description":"\u00c1ngela Vargas Vega (Seville, 1946 \u2014 Bormujos, 2023) was one of the greatest bailaoras in the history of flamenco, being one of the few who preserved the hallmarks of the Gypsy baile from Triana\u2019s Cava Nueva district. 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