{"id":44180,"date":"2023-08-24T12:13:37","date_gmt":"2023-08-24T10:13:37","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=44180"},"modified":"2023-08-24T12:13:37","modified_gmt":"2023-08-24T10:13:37","slug":"joselero-de-moron-remembered","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/joselero-de-moron-remembered\/","title":{"rendered":"Joselero de Mor\u00f3n remembered"},"content":{"rendered":"

I met him for the first time at the Fonda Pascual in front of the Town Hall where newly-arrived foreigners to Mor\u00f3n de la Frontera would check in. Luis Torres C\u00e1diz, \u201cJoselero\u201d, was at the fonda that day giving a class in singing?…accompaniment?…joking around? He did his charming \u201cold guy dancing\u201d bit, while scholar Carol Whitney, preparing her thesis on flamenco, took notes with academic precision describing each movement, a puzzling scene to be sure. Things that went on in Mor\u00f3n in the early seventies of the last century.<\/p>\n

 <\/p>\n

As almost everyone knows, Joselero from Mor\u00f3n was neither named Jos\u00e9 nor was he from Mor\u00f3n. Luis Torres C\u00e1diz was born in La Puebla de Cazalla in 1910 to parents from Osuna and Estepa. He lived in Mor\u00f3n for forty years, from adolescence, working as a street vendor of lace and sewing items.<\/p>\n

 <\/p>\n

Joselero became the brother-in-law of Diego del Gastor, and was the father of the renowned singer and festive performer Andorrano, as well as of guitarist Diego de Mor\u00f3n, and dancer Ni\u00f1a Amparo. Pepe Torres, a current star of flamenco dance, is Joselero\u2019s grandson.<\/p>\n

 <\/p>\n

Mor\u00f3n de la Frontera had its flamenco atmosphere since the early days of the art-form, with the presence of major figures such as Silverio, as well as Andonda and El Fillo. In modern times, the town\u2019s environment is more focused on guitar and dance, with relatively less singing compared to other flamenco towns of the interior. Joselero de Mor\u00f3n is the exception that proves the rule. Encouraged by his brother-in-law Diego, his passion grew, and he devoted himself more and more intensely to singing, eventually winning important awards in Jerez’s 1962 competition for his sole\u00e1<\/em> and in \u00c9cija where he stood out in the siguiriyas<\/em> category, among other prizes. He was a contemporary of Manolito de Mar\u00eda and Joaqu\u00edn el de la Paula, sharing the stage with major figures such as La Ni\u00f1a de los Peines, El Pinto, El Cojo de M\u00e1laga and Jos\u00e9 Cepero. In his youth, he had the opportunity to listen to Ni\u00f1o Medina and also performed alongside renowned artists such as the great Juan Talega in Dos Hermanas, and his admired Perrate de Utrera. In the Alameda de H\u00e9rcules in Seville, he met La Moreno and participated with his son Diego de Mor\u00f3n in the II Bienal de Arte Flamencoin Viejas Escuelas Cantaoras<\/em>.<\/p>\n

 <\/p>\n

Rounding out this rich r\u00e9sum\u00e9, Joselero and Diego del Gastor, along with dancer El Quino, formed a trio called Los<\/em>Gitanos Blancos,<\/em> performing numerous gigs throughout the province.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

I remember being in the countryside at dusk, the faint chorus of voices of farm laborers returning from the fields could be heard in the distance with some fandango<\/em> or sole\u00e1<\/em>. Much of Joselero de Mor\u00f3n’s life coincided with the challenging period of the evolution of the flamenco genre. A humble man from a town deep in Andalusia, where one day the decision was made to eliminate the train, leaving Mor\u00f3n de la Frontera as a destination with no exit. The overwhelming heat of summer, olive groves stretching like a blanket to the horizon, bread with lard and sales of sewing items between performances.<\/p>\n

 <\/p>\n

Joselero had his own personal version of the albore\u00e1,<\/em> assorted tangos<\/em> flavored with a taste of times gone by, and malague\u00f1as<\/em> in which his poignant sweet expression served him well. With a warm and natural voice, he gracefully navigated through canti\u00f1as de Pinini<\/em>, an authentic and instinctive aroma for buler\u00edas<\/em> imbued with his unique personality, as well as his characteristic, unmistakable sound in siguiriyas. <\/em>With sole\u00e1 he delivered the styles of Aniya la de Ronda, or “from my in-laws” as he used to say. In 1985, shortly after Joselero’s passing, Pedro Ruiz V\u00e1zquez wrote the following in the local newspaper El Gallo de Mor\u00f3n:<\/em><\/p>\n

 <\/p>\n

“Luis assimilated and made his own the sole\u00e1 styles which, after wandering through the Serran\u00eda de Ronda and Sierra de Grazalema, were brought to Mor\u00f3n by Diego del Gastor’s parents: Juan Amaya and Barbarita Flores. Joselero was the natural custodian of that beautiful and invaluable gift turned into song, which, like Wise Men from the East, the people of Gastor bestowed upon us.”<\/p>\n

 <\/p>\n

In his final years, you would see Joselero on the street, lean and weary, an eloquent portrait of the inner song of a bygone era that was fading away.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

As almost everyone knows, Joselero from Mor\u00f3n was neither named Jos\u00e9 nor was he from Mor\u00f3n. Luis Torres C\u00e1diz was born in La Puebla de Cazalla in 1910 to parents from Osuna and Estepa. He lived in Mor\u00f3n for forty years, from adolescence, working as a street vendor of lace and sewing items.<\/p>\n","protected":false},"author":9,"featured_media":44175,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-44180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"\nJoselero de Mor\u00f3n remembered - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/joselero-de-moron-remembered\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joselero de Mor\u00f3n remembered - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"As almost everyone knows, Joselero from Mor\u00f3n was neither named Jos\u00e9 nor was he from Mor\u00f3n. Luis Torres C\u00e1diz was born in La Puebla de Cazalla in 1910 to parents from Osuna and Estepa. 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