{"id":43156,"date":"2023-07-20T13:08:48","date_gmt":"2023-07-20T11:08:48","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=43156"},"modified":"2023-07-20T13:08:48","modified_gmt":"2023-07-20T11:08:48","slug":"manuela-carrasco-of-the-jeros-sharing-joy-and-sorrow","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/manuela-carrasco-of-the-jeros-sharing-joy-and-sorrow\/","title":{"rendered":"Manuela Carrasco of the Jeros: sharing joy and sorrow"},"content":{"rendered":"

I don\u2019t know if flamenco actually resides in people\u2019s blood as some believe. But you can\u2019t overlook the weight of the sociology, and by association, the importance of the family unit which throughout history has occupied a fundamental role in the transmission and preservation of this art-form.<\/p>\n

 <\/p>\n

A few years ago, I had the opportunity to meet and extensively interview older individuals who had lived and worked for long periods, years, in the large estates of Jerez and its surroundings. The harshness of the conditions, the absence of comforts, entertainment, or privacy, all tempered with the balm of flamenco, led to a way of life that left a lasting impact on all those involved. Extreme poverty, accompanied by humor and resignation, shaped human values that were more than compatible with flamenco.<\/p>\n

 <\/p>\n

Those people, their faces filled with joy and sorrow, shared their memories with me, and we cried together. Now only two or three remain… I didn’t take into account back then the inevitable outcome of the life cycle. One of the most relevant individuals with a lot to share was Manuela Carrasco Jim\u00e9nez (Jerez de la Frontera, 1925-2012), known in her youth as “Rubita Jero”. She was the sister of the popular Manolito Jero, singer and dancer with a big personality who made a living performing at private parties, fairs, theaters, and in variety shows. He even shared the stage with renowned artists such as Chocolate and Ni\u00f1o Ricardo. Manuela spoke to me about “the father of these two young guitarists” [Pedro and Antonio Jero], “my brother\u2019s sons\u201d, and pointed out he was a very talented dancer. \u201cEveryone copied the dance of Manolito Jero”.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

Vareando olivos en el cortijo La Bernala. Archivo de Manuela Carrasco Jime\u0301nez.<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Manolito Jero. Archivo Manuela.<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

The guitarist “Pedro” mentioned by Manuela, known as “Ni\u00f1o Jero” or “Periqu\u00edn,” refers to Pedro Carrasco Romero (Jerez de la Frontera, 1954-2013) who recently passed away. More Jerez than a dry oloroso<\/em> sherry, he embodied a festive spirit rooted in deep flamenco traditions, a way of life learned from his popular father, in the nurturing environment of the farms and courtyards of that time.<\/p>\n

 <\/p>\n

During the era of Los Montoya<\/em> who popularized domestic flamenco represented on theater stages with artists such as Antonia la Negra, Carmen and Carmelilla Montoya and Juan Montoya, there was a guitarist with abundant long hair and a big smile. It wasn’t until a few years later that I realized that guitarist was Periqu\u00edn, no longer with the hair but still carrying the unmistakable flavor of flamenco inherited from his own people. In this way, the Montoya family from Triana received a whiff of those intense experiences from the fields of Jerez.<\/p>\n

 <\/p>\n

Extract from the declarations of Manuela Carrasco Jim\u00e9nez<\/h3>\n

“When we arrived at night, we\u2019d freshen up, get ourselves ready\u2026you combed your hair, put on another dress… We\u2019d eat in front of the rustic fireplace, and the cook would place about eight large bowls called lebrillos<\/em> that contained boiled chick-peas. With a spoon in one hand, we\u2019d take a step forward and then back, that’s how we ate, standing up, with a slice of bread in the other hand. The fields are the people of Santiago… a few went on horseback, but the rest walked, five hours on foot, in the cold, in the rain, in the heat, no matter what… The journey was made shorter with singing. We would wake up at six, and be in the field by eight, working seven days a week. We sang in the field, but mostly in the farm workers’ quarters [called ga\u00f1an\u00edas<\/em>]. Every night, we\u2019d spend at least a while singing. And on rainy days, we\u2019d go out to gather snails or asparagus, and then spend the whole day in the ga\u00f1an\u00eda singing. Buler\u00eda, sole\u00e1, siguiriya… things of Torre, of Caracol, of Juanichi\u2026 In the field were T\u00edo Parrilla, El Borrico, La Peri\u00f1aca, El Serna… When the landowner wanted to have a celebration with his friends, he\u2019d call the field boss and say, \u2018Look, it’s so-and-so’s birthday, let’s throw a party\u2019. The ones who sang the best would go, and each one would do what they knew. Some landowners would even dance, and the celebration would last until dawn\u201d.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

Juan Villar y Periqu\u00edn Ni\u00f1o Jero. Foto: Estela Zatania<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Periqu\u00edn Ni\u00f1o Jero en la Fiesta de la Buler\u00eda<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The guitarist “Pedro” mentioned by Manuela, known as “Ni\u00f1o Jero” or “Periqu\u00edn,” refers to Pedro Carrasco Romero (Jerez de la Frontera, 1954-2013) who recently passed away. More Jerez than a dry oloroso sherry.<\/p>\n","protected":false},"author":9,"featured_media":43146,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-43156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"\nManuela Carrasco of the Jeros: sharing joy and sorrow - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/manuela-carrasco-of-the-jeros-sharing-joy-and-sorrow\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manuela Carrasco of the Jeros: sharing joy and sorrow - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"The guitarist "Pedro" mentioned by Manuela, known as "Ni\u00f1o Jero" or "Periqu\u00edn," refers to Pedro Carrasco Romero (Jerez de la Frontera, 1954-2013) who recently passed away. 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