{"id":41633,"date":"2023-05-06T22:39:28","date_gmt":"2023-05-06T20:39:28","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=41633"},"modified":"2023-05-06T22:41:39","modified_gmt":"2023-05-06T20:41:39","slug":"daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/","title":{"rendered":"Daniela Tugues: \u00abI want to use all my knowledge to help flamenco flourish in Venezuela\u00bb"},"content":{"rendered":"

During the summer of 2022, Tugues showcased her spectacle, Multiversos<\/em> at la Caracol\u00e1 festival. She produced \u2018Flamencura Latina\u2019 in Lebrija. Daniela Tugues Correa<\/strong>: flamenco \u2018bailaora\u2019, dance director, choreographer, \u2018biodanza\u2019 pioneer, poet, lyricist and dream repairwoman. She says she got into flamenco because it\u2019s there, the same words used by George Mallory a century ago when asked why he wanted to climb Everest. She featured in Carlos Saura\u2019s film, Flamenco<\/em>, directed musicals here and there, fell in love with a man from Lebrija, and now is set on proudly representing flamenco in her home country, Venezuela. \u201cArtists and schools focus on surviving, rather than paying for courses in Spain or bringing teachers over to give classes, and that\u2019s been going on for a while. But living in this bubble<\/em> has given the Venezuelan woman a new aesthetic and a strong sense of authenticity,\u201d she says.<\/p>\n

 <\/p>\n

\u2013 Your Instagram profile describes you as a \u2018Hispano-American mestiza artist\u2019 as well as a \u2018dance director, choreographer and dance performer\u2019. Sounds good! Which label do you most identify with?<\/strong><\/p>\n

\u2013 Dance performer.<\/p>\n

 <\/p>\n

\u2013 You were born in Venezuela. How did flamenco find its way to you?<\/strong><\/p>\n

\u2013 In Venezuela, our Spanish roots touch almost everyone and almost all of our culture. Having been an oil-exporting country, we got rich. Through this, we became a hub for migration, employment and a destination for flamenco artists and Roma families, many of whom made a living through flamenco, giving classes and through shows. In the 70s, wealthy entrepreneurs brought flamenco artwork from Spain and stayed for extended periods, like when Camar\u00f3n de la Isla came to our country and didn\u2019t want to leave. I wouldn\u2019t be surprised if the lyric \u2018Caribbean sun, hit me in the face, I want to go back tanned to Spain,\u2019 from his \u2018buler\u00eda\u2019 was written on our beautiful beaches. In fact, the \u2018cantaor\u2019 Pedro Genil was one of the many who fell in love with a Venezuelan. He shares countless stories about the origins of flamenco in Venezuela, including ones featuring his colleague, Camar\u00f3n. With regard to how flamenco found its place in my life, I can simply say that it was there. I wanted to dance folklore, I asked in a school nearby to my house and they said: \u2018There\u2019s no folklore here, but we have flamenco, which is similar.\u2019 That\u2019s how it found me and 45 years later I\u2019m still a part of it.<\/p>\n

 <\/p>\n

\u2013 And how did your flamenco shoes end up in Lebrija, and the flamenco hub that is Seville?<\/strong><\/p>\n

\u2013 Through love. I fell in love with a man from Lebrija who lives and breathes flamenco, so not so much to do with work.<\/p>\n

 <\/p>\n

 <\/p>\n

\u00abYou walk through Seville whilst the man painting the walls sings a \u2018fandango\u2019. The cleaner sings. Everyone claps. The city breathes flamenco and dances to \u2018buler\u00edas\u2019. In contrast, outside of Andaluc\u00eda, it\u2019s hidden amongst the rocks and you have to be veryyyy dedicated to find it and practice it properly\u00bb<\/em><\/p><\/blockquote>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

La bailaora Daniela Tugues, fotografiada por Paco Rosso – Antidanza en el Parque Mar\u00eda Luisa, Sevilla.<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

\u2013 In 2022, you participated in the Caracol\u00e1 festival in Lebrija. How did you find it?<\/strong><\/p>\n

\u2013 It\u2019s a special treasure. The organisers wanted to make it an open-air event in the Juan Diaz de Solis square. They wanted to do something different, so those less familiar with flamenco would come, and that\u2019s how I ended up getting called. They said, \u2018we want you to do your thing\u2019. My thing is when flamenco is merged with Hispano-America, our own fusion. That\u2019s the reason I was at such a prestigious and traditional Andalusian festival. I was immensely satisfied with the appreciation for my work.<\/p>\n

 <\/p>\n

\u2013 Have you attended any other major flamenco events?<\/strong><\/p>\n

\u2013 At the 19th<\/sup> Bienal de Sevilla 2016, I was an artistic director, lyricist, and choreographer. I composed the music and the lyrics for the opening \u2018sevillanas\u2019 in the musical Sirenita entre mares andaluces<\/em>, starring flamenco artists such as El Torombo, Manuela R\u00edos, Juan Jos\u00e9 Villar, Juan Villar hijo and \u00c1ngeles Toledano amongst others. In 2008 and 2009, I was on the poster at Casa Patas, Madrid for a week. In 2002, I was invited to the 1st<\/sup> Festival Latinoamericano in Costa Rica. I also performed at the Festival de Escuelas Flamencas in Miami, USA.<\/p>\n

 <\/p>\n

\u2013 Do you think it\u2019s especially difficult for a Latino artist to find their way professionally in flamenco in the birthplace of the art form, Andalusia?<\/strong><\/p>\n

\u2013 I do think so, above all when you speak your own language. But I also think if you work hard and dedicate your life to it, you can become respected, although it takes time.\u201d<\/p>\n

 <\/p>\n

\u2013 How would you define flamenco in your country, Venezuela at this moment in time?<\/strong><\/p>\n

\u2013 I think flamenco in Venezuela has declined because of the economic and social crisis in the country. Artists and schools focus on surviving, rather than paying for courses in Spain or bringing teachers over to give classes, and that\u2019s been going on for a while. But living in this bubble<\/em> has given the Venezuelan woman a new aesthetic and a strong sense of authenticity, although the technique may not be the best and there is still a lot to learn.<\/p>\n

 <\/p>\n

\u2013 Are there any artists who stand out to you as professionals?<\/strong><\/p>\n

\u2013 There are Venezuelans who dance flamenco and do stand out internationally like Mariana Mart\u00ednez, Carmen Garza, Mariana Darias, Daniella Hern\u00e1ndez y Stefany Vivas amongst others. Those who dance a fusion of styles or less purist styles like Siudy Garrido, Ana Loynaz, Patricia Cinquemani\u2026 Within the country, everything is very raw but done with a ravenous desire. There are school heads with ample knowledge of the flamenco world like, Gabriela Alfonzo, El Torbellino, John Molina\u2026 Younger figures include Daniel Riera, La Polaca, La Cayetana, Ynes Mary P\u00e9rez and more.<\/p>\n

 <\/strong><\/p>\n

\u2013 Are there good quality teachers and enough students to demand this level of teaching, particularly in dance?<\/strong><\/p>\n

\u2013 Yes, there are teachers who can teach flamenco to a good level, but we are missing singers and guitarists. The very foundation of flamenco is its music, and what we have in that area is insufficient. I went back to Venezuela on the 3rd<\/sup> of December 2022 and what most stimulates me is helping my friends who are fighting for Venezuelan flamenco. I want to use the techniques I\u2019ve learned in Spain as well the as 45 years I\u2019ve spent studying the dance to help people. I can combine this with everything I\u2019ve learned through professional practice. I want to use everything I know to help flamenco flourish in Venezuela.<\/p>\n

 <\/p>\n

 <\/p>\n

\u00abListen to flamenco during the day, at night, in the shower. Study its origins. Watch flamenco. Experience flamenco. Imitate it initially until you learn the basics, but then be yourselves. Respect your elders, because they pathed the way for us. Write about it. Stay disciplined, humble and open to learning from the major players in the field\u00bb<\/em><\/p><\/blockquote>\n

 <\/p>\n

 <\/p>\n

\u2013 In 1994, who took part in the film Flamenco<\/em> by Carlos Saura. Tell us how you became part of that incredible ensemble of artists and what the experience meant to you?\u201d<\/strong><\/p>\n

\u2013 Firstly, it was an incredible acknowledgement of my discipline, hard work and arrogance to be cast. Then again it was also a lesson in humility and professionalism to meet people in film like Carlos Saura and Vitorio Storaro or in music like Isidro Mu\u00f1oz, Jos\u00e9 Antonio Rodr\u00edguez and Pepe de Luc\u00eda, and in dance like Merche Esmeralda. To see them operate as such pure professionals, without any fuss, fully absorbed by their tasks, working with humility, without shouting and with utter respect to the plan. That for me was the most important thing. I was a young 26-year-old. Very lucky, of course. It all felt like school for me. What did it mean for me? The recognition of my talent opened so many doors. The film was an important reference for anyone who was interested in me, as summed up by an interview with a Venezuelan media company: \u2018How good must a Venezuelan woman have to be to be recognised in a documentary about flamenco in Spain?<\/p>\n

 <\/p>\n

\u2013 Do you see flamenco through a different lens living in Andalusia compared to anywhere else in the world?\u201d<\/strong><\/p>\n

\u2013 Totally. You walk through Seville whilst the man painting the wall sings a \u2018fandango\u2019. The cleaner sings. Everyone claps. The city breathes flamenco and dances to \u2018buler\u00edas\u2019. In contrast, outside of Andaluc\u00eda, it\u2019s hidden amongst the rocks and you have to be veryyyy dedicated to find it and practice it properly.\u201d<\/p>\n

 <\/p>\n

\u2013 You are also a poet and lyricist. Do you combine these art forms with the \u2018jondura\u2019?\u201d<\/strong><\/p>\n

\u2013 Yes, totally. As I said before, I wrote lyrics for the music at the Bienal, I\u2019ve sent lyrics to flamenco lyric competitions, and I\u2019ve worked on flamenco musical adaptations of Disney films which have been shown in Argentina. This is one of the lyrics from La Sirenita in \u2018Guajira\u2019 form:<\/p>\n

 <\/p>\n

Love is crazy<\/em><\/p>\n

with good mates<\/em><\/p>\n

with honest friends<\/em><\/p>\n

devoid of sanity.<\/em><\/p>\n

They speak sweetly<\/em><\/p>\n

they\u2019re good at heart<\/em><\/p>\n

they bide their time<\/em><\/p>\n

to count the stars<\/em><\/p>\n

out at sea there are beautiful <\/em><\/p>\n

reflections of heaven<\/em><\/p>\n

 <\/em><\/p>\n

 <\/p>\n

\u2013 What message would you have for flamencos in Hispano-America and the rest of the world?\u201d<\/strong><\/p>\n

\u2013 Listen to Flamenco during the day, at night, in the shower. Study its origins. Watch Flamenco. Experience Flamenco. Imitate it initially until you learn the basics, but then be yourselves. Respect your elders, because they pathed the way for us. Write about it. Stay disciplined, humble and open to learning from the major players in the field. But above all be good people, because although you may not get all the success you want, your success will be present in your heart and in your peace of mind.<\/p>\n

 <\/p>\n

Translation by Matthew Osborne<\/h6>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

Daniela Tugues. Fotos: Instagram Daniela<\/p><\/div>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The Venezuelan artist forged her way as a flamenco \u2018bailaora\u2019, dance director and choreographer from Lebrija. \u201cWatch flamenco. Experience flamenco. Imitate it initially until you learn the basics, but then be yourselves,\u201d she says<\/p>\n","protected":false},"author":2,"featured_media":40814,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[257,72],"tags":[5751,1625],"class_list":["post-41633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-portada-en","category-interviews","tag-daniela-tugues-en","tag-flamenco-en"],"yoast_head":"\nDaniela Tugues: \u00abI want to use all my knowledge to help flamenco flourish in Venezuela\u00bb - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Daniela Tugues: \u00abI want to use all my knowledge to help flamenco flourish in Venezuela\u00bb - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"The Venezuelan artist forged her way as a flamenco \u2018bailaora\u2019, dance director and choreographer from Lebrija. \u201cWatch flamenco. 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Imitate it initially until you learn the basics, but then be yourselves,\u201d she says","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2023-05-06T20:39:28+00:00","article_modified_time":"2023-05-06T20:41:39+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2023\/03\/expoflamenco-bailaora-venezolana-daniela-tugues-2-foto-instagram-daniela.jpg","type":"image\/jpeg"}],"author":"Quico Perez-Ventana","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Quico Perez-Ventana","Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/"},"author":{"name":"Quico Perez-Ventana","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/dc31ed5ac7be46a78eca32f3830509b6"},"headline":"Daniela Tugues: \u00abI want to use all my knowledge to help flamenco flourish in Venezuela\u00bb","datePublished":"2023-05-06T20:39:28+00:00","dateModified":"2023-05-06T20:41:39+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/"},"wordCount":1709,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2023\/03\/expoflamenco-bailaora-venezolana-daniela-tugues-2-foto-instagram-daniela.jpg","keywords":["Daniela Tugues","flamenco"],"articleSection":["En portada EN","Interviews"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/daniela-tugues-i-want-to-use-all-my-knowledge-to-help-flamenco-flourish-in-venezuela\/","name":"Daniela Tugues: \u00abI want to use all my knowledge to help flamenco flourish in Venezuela\u00bb - 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