{"id":38117,"date":"2022-11-20T11:12:36","date_gmt":"2022-11-20T10:12:36","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=38117"},"modified":"2023-12-08T12:54:30","modified_gmt":"2023-12-08T11:54:30","slug":"a-posthumous-book-by-manuel-herrera-rodas-has-been-released","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/actualidad-en\/a-posthumous-book-by-manuel-herrera-rodas-has-been-released\/","title":{"rendered":"A posthumous book by Manuel Herrera Rodas has been released"},"content":{"rendered":"

Between the end of the 1970s and the beginning of the 1980s, many of the artists who had been fundamental to the dissemination of flamenco singing, guitar playing, and dancing were living in precarious conditions. To remedy this, Manuel Herrera and a group of aficionados championed the creation of ITEAF, the Instituci\u00f3n para la Tercera Edad de los Artistas Flamencos (Institution for the Elderly Flamenco Artists), which raised assistance funds. Herrera worked with many of these flamenco artists and gave them the opportunity to recount their lives in detailed interviews. Biographical, artistic, and anthropological records of the highest order, which the author worked on during the coronavirus lockdowns, shortly before his death two years ago, thus preventing them from being lost.<\/p>\n

 <\/p>\n

All of this, literary and photographic, is collected in the flamenco volumes. \u2018Viaje a la Generaci\u00f3n Perdida\u2019, which is prepared meticulously, is published by Almuzara in collaboration with Fundaci\u00f3n Machado, Fundaci\u00f3n Cajasol, Fundaci\u00f3n Blas Infante and the Federaci\u00f3n de Entidades Flamencas de la provincia de Sevilla. They joined forces to bring to light the last work of the man who was promoter and director of the Flamenco Biennial in the 1998, 2000 and 2002 editions, and who was in charge of the Jueves Flamencos del Monte and Cajasol for three decades.<\/p>\n

 <\/p>\n

“Flamencos. Viaje a la Generaci\u00f3n Perdida brings together thirty five interviews conducted in the 1980s with old singers, dancers, and guitarists such as T\u00edo Borrico, Antonia La Gallina, El Negro del Puerto, Luis Maravillas, La Perrata and Eduardo de la Malena, among others\u201d.<\/i><\/p>\n

 <\/p>\n

\u2018Flamencos. Viaje a la Generaci\u00f3n Perdida\u2019 brings together thirty five interviews conducted in the 1980s with old singers, dancers, and guitarists such as T\u00edo Borrico, Antonia La Gallina, El Negro del Puerto, Luis Maravillas, La Perrata and Eduardo de la Malena, among others. Many of these artists are forgotten today, nevertheless they are fundamental pillars in the spreading of the pure art.<\/p>\n

 <\/p>\n

Manuel Herrera Rodas (Casariche 1937- Los Palacios 2020) was always committed to the preservation, promotion, and introduction of flamenco into schools as a sign of identity for the Andalusian people. He created the magazine \u2018Sevilla Flamenca\u2019, and was also a writer and director. He is the author of several books: \u2018A la sombra de la Alameda\u2019, \u2018vida y obra de Eduardo de la Malena\u2019, \u2018Andaluc\u00eda, tierra, hombres y afanes o Del flamenco a todas las m\u00fasicas\u2019. He was awarded the Cross of Alfonso X in 1983 and in 2021 he was declared Adopted Son of Seville. His opening speech for the 2020 Biennial at the Real Alc\u00e1zar, given months before his death, showed his unending love for Andalusia, the land where he was born, and for flamenco, his true passion.<\/p>\n

 <\/p>\n

The book presentation was part of the scheduled events for the XXII Bienal de Flamenco held last September, but the time needed to edit the book made the presentation impossible. The presentation finally took place this Tuesday, 15 November, in the Antonio Machado hall of the Fundaci\u00f3n Cajasol, calle Chicarreros, 1. The book was presented by Antonio Zapata, ex-president of the Pe\u00f1a El Taranto and ex-president of the ITEAF.<\/p>\n

 <\/p>\n

Translation: John Lucey<\/h6>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In the book ‘Flamencos. 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