{"id":38082,"date":"2022-11-19T13:59:19","date_gmt":"2022-11-19T12:59:19","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=38082"},"modified":"2022-11-19T13:59:19","modified_gmt":"2022-11-19T12:59:19","slug":"the-oneiric-conceptual-world-of-andres-marin-awarded-spains-dance-prize-for-2022","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-oneiric-conceptual-world-of-andres-marin-awarded-spains-dance-prize-for-2022\/","title":{"rendered":"The oneiric conceptual world of Andr\u00e9s Mar\u00edn, awarded Spain\u2019s Dance Prize for 2022"},"content":{"rendered":"

I hope my good friend, musicologist and guitarist, Norberto Torres, doesn\u2019t mind if I quote him from a private conversation we had in Nimes in 2007 just outside the theater where we\u2019d seen the work El Alba del \u00daltimo D\u00eda. <\/em>What with Norberto\u2019s taste for classic flamenco, and Andr\u00e9s Mar\u00edn always sniffing out new paths, it was an unlikely match. But Norberto\u2019s precise words were: \u201cI don\u2019t know what fusion is, but if this is it, I love it!\u201d And he said this, not only because of the entertainment value of the show, but because of its overall impact and originality, the intelligent use of the voices of Jos\u00e9 Valencia and Segundo Falc\u00f3n and the guitar of Salvador Guti\u00e9rrez, in addition to the piano of Pablo Su\u00e1rez and the exquisite percussion of Antonio Coronel. And all this, in turn, thanks to the good flamenco taste of Andr\u00e9s Mar\u00edn, recently named winner of Spain\u2019s National Dance Prize for 2022, in the category of creation (with Ana Morales in the category of interpretation).<\/p>\n

 <\/p>\n

This dancer, from the Macarena neighborhood of Seville, son of flamenco artists, with no formal training, has created an unmistakable artistic personality that stirs emotions with an image of composure and dignity. I don\u2019t know about the rest of you, but I don\u2019t buy the clenched fists and grimaces, the intense glances and the footwork overload so many resort to. Our man understands the eloquence of silence and minimalism, the glory of artists who follow this path. It\u2019s flamenco interpreted around the mental hearth, or\u2026wait for it\u2026or the kind that\u2019s danced with a live hen on one\u2019s head as Mar\u00edn did in his work Tu\u00e9tano. <\/em>Andr\u00e9s was harshly criticized for that prank that many saw as an absurd, meaningless gesture. Please don\u2019t ask me to justify it, because I cannot\u2026art exists to communicate that which can\u2019t be expressed through the usual routes. The live hen gets me, it was much more than a prank. More extravagant things have been done in the name of art without conveying any message.<\/p>\n

 <\/p>\n

Mar\u00edn constructs his image with skinny stretch pants, short hair combed back, a serene countenance and hip placement one zip-code away from his shoulder angle. All this, with occasionally robotic movements, and an unexpected sense of humor always on the ready. The overall lines and angles suggest Egyptian hieroglyphics. There\u2019s also a surreal tendency that recalls the work of Belgian painter Ren\u00e9 Magritte.<\/p>\n

 <\/p>\n

Andr\u00e9s will occasionally dance with his own projected shadow for a partner. His dancing is the perfect balance of precision without coldness, flamenco that\u2019s classy not down-trodden, and constructive evolution. Minimalism minimalized. Conceptual dance as Mar\u00edn described it in an interview we did some fourteen years ago when he was more appreciated abroad than in Spain.<\/p>\n

 <\/p>\n

His work, at times, is close to theater of the absurd as conceived by Ionesco, Beckett and others whose creations play with \u201cthe sudden transformation of the characters, progressive intensity of the initial situation and reversal of the premise\u201d, an academic description of this school. In La Pasi\u00f3n Seg\u00fan se Mire, <\/em>Mar\u00edn appears bare-chested and barefoot, wearing the typical Holy Week pointed penitent\u2019s cap and his trademark skinny stretch pants to guide us on his cerebral excursion to inner space.<\/p>\n

 <\/p>\n

The main message of this dancer with the Picasso aesthetic that made him worthy of this important prize, is relatively straight-forward: contemporary flamenco needn\u2019t be at odds with the classic variety, there\u2019s still plenty to be discovered, and flamenco is bigger than any passing craze. Congratulations Andr\u00e9s, and thank you for making us see flamenco with untainted vision.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The main message of this dancer with the Picasso aesthetic that made him worthy of this important prize, is relatively straight-forward: contemporary flamenco needn\u2019t be at odds with the classic variety, there\u2019s still plenty to be discovered, and flamenco is bigger than any passing craze.<\/p>\n","protected":false},"author":9,"featured_media":38080,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-38082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"\nThe oneiric conceptual world of Andr\u00e9s Mar\u00edn, awarded Spain\u2019s Dance Prize for 2022 - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-oneiric-conceptual-world-of-andres-marin-awarded-spains-dance-prize-for-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The oneiric conceptual world of Andr\u00e9s Mar\u00edn, awarded Spain\u2019s Dance Prize for 2022 - 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