{"id":37718,"date":"2022-11-02T20:06:15","date_gmt":"2022-11-02T19:06:15","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=37718"},"modified":"2022-11-02T20:06:15","modified_gmt":"2022-11-02T19:06:15","slug":"the-fiesta-is-serious-business","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/","title":{"rendered":"The fiesta is serious business\u00a0"},"content":{"rendered":"

By now, most people reading this know I\u2019m deeply interested in the much under-rated festive type of flamenco, mostly buler\u00edas, but tangos and tanguillos as well. I hope to deal with this vast topic in occasional articles that not only recall past figures now nearly forgotten, but which highlight the importance of this facet, such an integral part of the flamenco persona. In Andalusia, neither C\u00f3rdoba nor Ja\u00e9n nor Huelva nor Almer\u00eda developed a repertoire of festive flamenco. That leaves us with M\u00e1laga, Granada, Seville and C\u00e1diz, in particular the latter two, to take up the slack.<\/p>\n

 <\/p>\n

It\u2019s simplistic to consider siguiriyas \u201cpure\u201d, and buler\u00edas not. Some music historians have theorized that the figure of the \u201cfestero\u201d, interpreters specialized in the festive forms of flamenco song and dance, suggests a culture of get-togethers, which in turn enhances the entire flamenco ecosystem, including the more sedate forms. Possibly over-compensating for past social injustice, writers, notably Lorca, cultivated the romantic flamenco clich\u00e9 of tragedy and darkness, to the detriment of the fiesta concept. In fact, it seems the greater the suffering and deprivation of any given setting, the more intense the fiesta. I observed this while interviewing field workers who used to subsist in the terrible conditions of makeshift barracks called ga\u00f1an\u00edas, <\/em>where some of the liveliest flamenco fiestas took place.<\/p>\n

 <\/p>\n

My fascination with the dimension of festive flamenco began to take shape years ago after a flamenco friend of mine saw the famous Bombero<\/em> routine of Nano de Jerez (Cayetano Gonz\u00e1lez Fernandez, 1948), a well-known fiesta shtick with much double entendre revolving around a fireman and his rescue efforts, with a buler\u00edas rhythm drone being the glue that holds it together and keeps the narrative moving along. The routine isn\u2019t Nano’s, although he has become known for it. This surrealistic bit, a chufla<\/em> in flamenco terms, was actually transmitted from the previous generation via a well-known fiesta artist called el Brillantina, (Manuel Rodr\u00edguez del Alba, Chiclana 1920-1970), very popular at the height of the tablao era, and who in turn learned it (\u201cstole it\u201d some would say) from Manuel de Jesulito (Manuel Fern\u00e1ndez Cantero, C\u00e1diz, d.1985) according to el Gineto de C\u00e1diz (Juan Jim\u00e9nez P\u00e9rez, 1925-2010) whom I interviewed in 2007.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

Baila Antonio Mairena por fiesta en Mor\u00f3n. Foto: Manuel P\u00e9rez<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

\u00abThe maestro Antonio Mairena, despite his own interest in the most serious forms, and his dignified countenance, was a fine buler\u00edas dancer and singer\u00bb<\/em><\/p><\/blockquote>\n

 <\/p>\n

 <\/p>\n

The above-mentioned flamenco friend, deeply attracted to sole\u00e1 and siguiriya, had virtually no interest in buler\u00edas or other festive forms, and was literally appalled at the Bombero<\/em> which he considered an “embarrassing insult to flamenco\u201d.  Suddenly all his talk of \u201ccante jondo\u201d and \u201cson\u00edos negros\u201d [dark sounds] <\/em>rang false. Without festive flamenco, without the street humor of the bartender on the corner, or the unmistakeable cheeky behaviour inherited from the historic \u201cmajos\u201d, jondo<\/em> pomp and circumstance is missing its yang. The maestro Antonio Mairena, despite his own interest in the most serious forms, and his dignified countenance, was a fine buler\u00edas dancer and singer. The foot-stomping and grimacing of uninitiated foreigners when they try to evoke flamenco is the result of a long process of being deprived of the surrealistic fiesta face of the art-form, in large part due to Hollywood’s deformation at a time when folkloric bits were the world’s introduction to the genre. Veteran Luisa Triana who is featured dancing in films of the era, explains it was cinematographically expedient to employ flamenco as a melodramatic art of angry sweaty people stomping out their angst, and the rest of the story never got told. <\/p>\n

 <\/p>\n

During the twentieth century, this artificial austerity and despair came to be thought of as representing the ever elusive \u201creal flamenco\u201d outsiders dream of being privileged enough to find, even when the quest is as futile as chasing rainbows to find the duende<\/em>.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>

El Brillantina. Foto gentileza de 8TV Chiclana.<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Manuel de Jesulito. Captura del Condegitano.<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Without festive flamenco, without the street humor of the bartender on the corner, or the unmistakeable cheeky behaviour inherited from the historic \u201cmajos\u201d, jondo pomp and circumstance is missing its yang.<\/p>\n","protected":false},"author":9,"featured_media":37709,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-37718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"\nThe fiesta is serious business\u00a0 - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The fiesta is serious business\u00a0 - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Without festive flamenco, without the street humor of the bartender on the corner, or the unmistakeable cheeky behaviour inherited from the historic \u201cmajos\u201d, jondo pomp and circumstance is missing its yang.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-02T19:06:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Estela Zatania\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Estela Zatania\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/\"},\"author\":{\"name\":\"Estela Zatania\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/b2b4ceb47802c5e3c98b75966c5ab4e1\"},\"headline\":\"The fiesta is serious business\u00a0\",\"datePublished\":\"2022-11-02T19:06:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/\"},\"wordCount\":733,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg\",\"articleSection\":[\"Estela Flamenca\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/\",\"name\":\"The fiesta is serious business\u00a0 - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg\",\"datePublished\":\"2022-11-02T19:06:15+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg\",\"width\":1300,\"height\":800,\"caption\":\"El Nano de Jerez y Eduardo Rebollar. Foto: Estela Zatania\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/the-fiesta-is-serious-business\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The fiesta is serious business\u00a0\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/b2b4ceb47802c5e3c98b75966c5ab4e1\",\"name\":\"Estela Zatania\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/ddbd1f5963ed7fd49feef2e88a939d9eeeb5d9fc68ffb6c1e3a152f4554d1d0f?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/ddbd1f5963ed7fd49feef2e88a939d9eeeb5d9fc68ffb6c1e3a152f4554d1d0f?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/ddbd1f5963ed7fd49feef2e88a939d9eeeb5d9fc68ffb6c1e3a152f4554d1d0f?s=96&r=g\",\"caption\":\"Estela Zatania\"},\"description\":\"Jerezana de adopci\u00f3n. Cantaora, guitarrista, bailaora y escritora. Flamenca por los cuatro costados. Sus art\u00edculos han sido publicados en numerosas revistas especializadas y es conferenciante biling\u00fce en Europa, Estados Unidos y Canad\u00e1.\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/estelazatania\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The fiesta is serious business\u00a0 - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/","og_locale":"en_US","og_type":"article","og_title":"The fiesta is serious business\u00a0 - Archivo Expoflamenco","og_description":"Without festive flamenco, without the street humor of the bartender on the corner, or the unmistakeable cheeky behaviour inherited from the historic \u201cmajos\u201d, jondo pomp and circumstance is missing its yang.","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2022-11-02T19:06:15+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg","type":"image\/jpeg"}],"author":"Estela Zatania","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Estela Zatania","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/"},"author":{"name":"Estela Zatania","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/b2b4ceb47802c5e3c98b75966c5ab4e1"},"headline":"The fiesta is serious business\u00a0","datePublished":"2022-11-02T19:06:15+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/"},"wordCount":733,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg","articleSection":["Estela Flamenca"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/","name":"The fiesta is serious business\u00a0 - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg","datePublished":"2022-11-02T19:06:15+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/expoflamenco-el-nano-de-jerez-y-eduardo-rebollar-foto-estela-zatania.jpg","width":1300,"height":800,"caption":"El Nano de Jerez y Eduardo Rebollar. Foto: Estela Zatania"},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-fiesta-is-serious-business\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"The fiesta is serious business\u00a0"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/b2b4ceb47802c5e3c98b75966c5ab4e1","name":"Estela Zatania","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/ddbd1f5963ed7fd49feef2e88a939d9eeeb5d9fc68ffb6c1e3a152f4554d1d0f?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/ddbd1f5963ed7fd49feef2e88a939d9eeeb5d9fc68ffb6c1e3a152f4554d1d0f?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ddbd1f5963ed7fd49feef2e88a939d9eeeb5d9fc68ffb6c1e3a152f4554d1d0f?s=96&r=g","caption":"Estela Zatania"},"description":"Jerezana de adopci\u00f3n. Cantaora, guitarrista, bailaora y escritora. Flamenca por los cuatro costados. Sus art\u00edculos han sido publicados en numerosas revistas especializadas y es conferenciante biling\u00fce en Europa, Estados Unidos y Canad\u00e1.","url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/estelazatania\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/37718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=37718"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/37718\/revisions"}],"predecessor-version":[{"id":37719,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/37718\/revisions\/37719"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/37709"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=37718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=37718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=37718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}