{"id":35172,"date":"2022-07-06T13:52:54","date_gmt":"2022-07-06T11:52:54","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=35172"},"modified":"2023-12-08T12:54:02","modified_gmt":"2023-12-08T11:54:02","slug":"maria-jimenez-icon-of-popular-flamenco","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/maria-jimenez-icon-of-popular-flamenco\/","title":{"rendered":"Mar\u00eda Jim\u00e9nez, icon of popular flamenco"},"content":{"rendered":"

The Potaje Gitano de Utrera is a rite of early summer that has been a part of most of my adult life. In the festival heyday, flamenco was primarily a summertime event, and there was no Youtube to fill in the gaps if you missed the major events.<\/p>\n

 <\/p>\n

This year\u2019s 66th<\/sup> edition of flamenco\u2019s pioneering festival was dedicated to Mar\u00eda Jim\u00e9nez, a sort of lifetime achievement award for individuals whose career has developed alongside flamenco. A tsunami of memories flooded my mind when this major figure of pop flamenco of the 1970s appeared on the athletic field of the Colegio de los Salesianos \u2013 so many people rushed to greet her, I was lucky to get a brief glimpse of the legendary singer. Now physically diminished, but still bubbly and charming, she was clearly delighted by all the attention.<\/p>\n

 <\/p>\n

Mar\u00eda Jim\u00e9nez, from Triana, created her own musical niche: breathy ballads, often to slow buler\u00edas, a sound she helped popularize with songs of Paco Cepero and others who composed for her, as well as rumbas that might be soft and sweet, or punchy and aggressive. Her apex was the nineteen-seventies and early eighties, bringing a new aroma to popular flamenco also cultivated by other beautiful women like la Susi, Remedios Amaya, Ni\u00f1a Pastori and Laventa among others, featuring slick contemporary arrangements.<\/p>\n

 <\/p>\n

In hindsight all the pieces slide neatly into place. In the beginning of the modern era, God created Camar\u00f3n. Then came Las Grecas, who expanded our musical taste and vocabulary with non-words like \u201clocamenti\u201d, Lole and Manuel\u2019s dreamy flower talk, and the whole flamenco rock movement that followed. And in the middle of it all was Mar\u00eda Jim\u00e9nez, seducing audiences with her brash youth, blond hair and gossip-worthy adventures. She was our Andalusian Marilyn Monroe.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

My regular visits to the record department of the Corte Ingl\u00e9s in Seville\u2019s Plaza del Duque were no longer limited to straight-ahead cante. Now \u201coutsiders\u201d like Alameda, Triana, Pata Negra and so many other groups were playing in the same sandbox, demanding a niche. That was back when people made recordings, not for promotion, but to generate income. It was a treat to be able to listen to records at the store, mostly cassettes in those days, and you could slip over to the photocopy area to copy liner notes which nearly always included the verses.<\/p>\n

 <\/p>\n

I first saw Mar\u00eda Jim\u00e9nez around 1972 when she was billed as La Pipa, a featured artist at Los Gallos tablao in Sevilla. Despite the distinctly slick sound, Mar\u00eda Jim\u00e9nez belonged, and continues to belong to flamenco. It\u2019s not straight-ahead flamenco, but she never strays far, and her repertoire and delivery are Andalusian, music to be enjoyed when you need a rest from Talega or Peri\u00f1aca. Her close friendship with Bambino was well-known, and she appeared regularly in magazines and on television. Mar\u00eda was originally groomed to be the female answer to Bambino, but her own combustible personality took her way beyond that.<\/p>\n

 <\/p>\n

Mar\u00eda Jim\u00e9nez\u2019 greatest hits, Se Acab\u00f3, En la Oscuridad, Con Golpes de Pecho<\/em> and Sensaci\u00f3n<\/em> among others, identify those exciting times when derivative flamenco began an evolutionary process that continues to this day escorting us into the future. A delightful collaboration with Miguel Poveda, \u00a1Qu\u00e9 Felicidad La M\u00eda! <\/em>(30 A\u00f1os En La M\u00fasica)<\/em>, recorded in 2019, is a celebration of those times, of Mar\u00eda\u2019s cheeky charisma and of her exuberance.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a> \"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In the middle of it all was Mar\u00eda Jim\u00e9nez, seducing audiences with her brash youth, blond hair and gossip-worthy adventures. 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