{"id":31644,"date":"2022-01-22T13:46:42","date_gmt":"2022-01-22T12:46:42","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=31644"},"modified":"2022-01-23T19:25:28","modified_gmt":"2022-01-23T18:25:28","slug":"marelu-the-legendary-singer-from-extremadura","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/marelu-the-legendary-singer-from-extremadura\/","title":{"rendered":"Marelu: the legendary singer from Extremadura"},"content":{"rendered":"

In the early 1970\u2019s, Madrid was a seething hub of flamenco activity, and artists came up from Andalusia and beyond in search of relatively generous salaries. That was when I met Extremadura singer Magdalena Mont\u00e1\u00f1ez Salazar, Marelu, <\/em>in a small nightclub just off the Gran V\u00eda, the main drag, where guitarist Montoyita senior, and dancer Jes\u00fas Ronde\u00f1o were also appearing. She had already recorded, and was making the rounds of the capital\u2019s flamenco tablaos such as Cuevas de Nemesio, los Canasteros, Arco de Cuchilleros and Torres Bermejas among others.<\/p>\n

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It was the heyday of Extremaduran flamenco singing transplanted to Madrid by the great Porrinas de Badajoz, supported by the talent of young singers from the region such as Juan Cantero, Ram\u00f3n el Portugu\u00e9s and Guadiana and the Indio Gitano to name a few. According to Juan Vargas, a well-known guitarist from Extremadura: Marelu was, without a doubt, one of the most important ones, her numerous recordings were very successful, she had many followers and Camar\u00f3n admired her profoundly. Marelu is very well-known even among people who are not flamenco fans.<\/em><\/p>\n

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She was born in 1952 on the Calle Alta in Badajoz. In a recent telephone conversation, she said she has beautiful memories of those beginnings always close to her heart, although she moved to Madrid for professional reasons at a very young age. She has lived in Barcelona for years, and has family in M\u00e1laga as well. Marelu is the niece of the late Eugenio de Badajoz, Porrina\u2019s son-in-law, dancer and artistic director of Torres Bermejas.<\/p>\n

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Flamencologist Paco Zambrano, former president of the Asociaci\u00f3n de Arte Flamenco de Badajoz and current coordinator of the Centro Extreme\u00f1o de Flamenco, tells me: Marelu is a very resourceful artist, able to sing and dance to any kind of music. She has an extensive discography, somewhat disorganized, in which she mixes traditional flamenco with commercial songs, although she sings nearly all the flamenco song-forms and styles. <\/em>Zambrano praises what he describes as her velvet voice. <\/em>I\u2019d say it\u2019s a luminous voice with a moving instinctive delivery that gets you hooked from the start and goes well with her exotic beauty.<\/p>\n

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\"\"<\/a><\/p>\n

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As a young girl, she won first prize in a flamenco singing contest on Radio Extremadura. The famous singer Antonio Molina heard one of her records and took her on tour with his company throughout Spain and France. It was a time of flamenco evolution, and Marelu worked alongside artists who were making it take shape such as Camar\u00f3n, Pansequito, Amina and Turronero, with guitarists Enrique de Melchor, F\u00e9lix de Utrera, Paco Cort\u00e9s and Paco Cepero who took an active interest in her career.<\/p>\n

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She has a powerful artistic personality, while at the same time everything she interprets is soaked in the unmistakable perfume of Extremadura. Of course she does a fine job with the characteristic tangos and jaleos, but is also adept at fandangos, alegr\u00edas, rumbas and numerous songs composed for her by her regular guitarist, Paco Cepero \u2013 De Badajoz yo me he ven\u00edo <\/em>and Paco oh oh <\/em>are creations that indelibly marked that era.<\/p>\n

 <\/p>\n

During our conversation, I asked her opinion of contemporary flamenco, and she replied: I think it\u2019s fine that young artists do new or experimental things, each person is a world unto him or herself, and that needs an outlet.<\/em><\/p>\n

 <\/p>\n

When I ask her to give a succinct explanation of what makes Extremadura\u2019s flamenco different from that of the mainstream, she says: it\u2019s calm and laidback, these are cantes with a special flavor of their own, just as Jerez has its buler\u00edas and C\u00e1diz its tangos. <\/em>Absolutely, Marelu, but we just wanted to hear it from the queen of Extremadura flamenco.<\/p>\n

 <\/p>\n

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\"\"<\/a><\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

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