{"id":28180,"date":"2021-07-28T12:28:25","date_gmt":"2021-07-28T10:28:25","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=28180"},"modified":"2021-07-28T12:28:25","modified_gmt":"2021-07-28T10:28:25","slug":"flamencos-guitarist-dancers","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/flamencos-guitarist-dancers\/","title":{"rendered":"Flamenco\u2019s guitarist dancers"},"content":{"rendered":"

Singers love to do their bit of fiesta dancing at the end of shows, or at informal gatherings, but a few guitarists have cultivated their dance proficiency as well. It\u2019s always entertaining to see these usually serious musicians have their bit of fun dancing. Some began dancing as children before devoting themselves to the guitar. Others picked up moves along the way to give free rein to their dance instincts. The following guitarists who are\/were good dancers come to mind\u2026 have I overlooked anyone important?<\/p>\n

Manuel Fern\u00e1ndez \u201cParrilla de Jerez\u201d <\/strong>(Jerez de la Frontera 1945-2009), the son of T\u00edo Parrilla, was bound to pick up his father\u2019s original dance style. Although he devoted his life to the guitar, Parrilla would often delight audiences with his buler\u00edas pata\u00edta,<\/em> subtle, understated and precise. One unforgettable moment years ago was seeing him dance, visibly moved, to the projected image of the great singer Paquera de Jerez, his artistic partner of many years.<\/p>\n

Two legendary Granada guitarists, Juan Maya \u201cMarote\u201d<\/strong> (1936-2002) and Juan Carmona \u201cHabichuela\u201d <\/strong>(1933-2016), started out as dancers in the caves of Sacromonte. Marote only changed to playing guitar when he had to sit in one day for the regular guitarist, and did such a fine job, the boss told him from that point on he was to be the guitarist for the zambra<\/em> (typical Granada tablao show). Both Juan Habichuela and Marote went on to become great guitarists for accompaniment.<\/p>\n

Another dancer who became a renowned guitarist after switching from dance, is Jos\u00e9 Luis Postigo<\/strong> from Seville (1950).  His dance career was underway when he was hired for a festival, not to dance, but to play guitar, and that set his course for the future.<\/p>\n

 <\/p>\n

\"\"<\/a>

Mari\u0301a Vargas, Pepa de Utrera, Fosforito, y baila Juan Carmona Habichuela. Foto: Archivo Mar\u00eda Vargas<\/p><\/div>\n

 <\/p>\n

It was Gaspar de Utrera who once told me Mor\u00f3n guitarists Paco and Juan del Gastor <\/strong>(1944 and 1947), were the best dancers among guitarists.  I only saw them dance briefly a few times at fiestas in Mor\u00f3n, but that was enough to ratify Gaspar\u2019s opinion.<\/p>\n

Madrid-born guitarist Victor Monge \u201cSerranito\u201d <\/strong>recently received Spain\u2019s Medalla de Oro al M\u00e9rito en las Bellas Artes for his long and brilliant career in flamenco. I actually can\u2019t remember in which Madrid tablao I saw him years ago, but I do recall being impressed by the well-chosen dance bits of this accomplished guitarist.<\/p>\n

The Amador family of flamenco artists has given us many versatile individuals. Ram\u00f3n Amador <\/strong>(Seville 1955-2016), was a terrific guitarist for accompaniment, in addition to singing, and delighting audiences with his dance moves.<\/p>\n

For being such an expansive, dynamic flamenco performer, Diego Carrasco <\/strong>(Jerez de la Frontera 1954), has an elegant understated dance style that some of today\u2019s young flamenco dancers could learn from. Diego glides across the stage, executing seemingly effortless turns and subtle movements, always a joy to watch.<\/p>\n

We\u2019d all seen the great Jerez guitarist Manuel Moreno Junquera \u201cMora\u00edto\u201d<\/strong> (Jerez de la Frontera 1956-2011) do his delightful buler\u00eda dance at the end of countless shows. But for me there\u2019s a special memory I treasure. It was the morning after the \u201cPrendi\u201d, the flamenco Holy Week icon that, in addition to being a religious symbol, serves as a fine excuse for flamencoing. <\/strong>There was a small fiesta in the street outside the Gitaner\u00eda bar in Santiago, and I stopped to watch, so pleased to see Mora\u00edto there looking well and happy. At that point he was wearing a large-brimmed hat that disguised the ravages of his treatment. Someone started singing buler\u00edas, and Manuel jumped to his feet. I was standing nearby watching, and he pulled me over to dance with him, his broad smile glowing, and for that brief moment, everything was perfect and time stood still. Less than 4 months later, Mora\u00edto was gone.<\/p>\n

Top image: Parrilla de Jerez baila con Paquera. Photo: Estela Zatania<\/h6>\n

 <\/p>\n

\"\"<\/a>

Mora\u00edto y Jos\u00e9 Merc\u00e9. Foto: Estela Zatania<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Al baile, Diego Carrasco. Foto: Garc\u00eda Gordillo<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Something about the nature of flamenco causes it to be multidisciplinary. Dancers sing, singers dance, guitarists may do either or both. <\/p>\n","protected":false},"author":9,"featured_media":28181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[1625],"class_list":["post-28180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca","tag-flamenco-en"],"yoast_head":"\nFlamenco\u2019s guitarist dancers - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/flamencos-guitarist-dancers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flamenco\u2019s guitarist dancers - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Something about the nature of flamenco causes it to be multidisciplinary. 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