{"id":27821,"date":"2021-07-16T20:14:50","date_gmt":"2021-07-16T18:14:50","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=27821"},"modified":"2021-07-16T20:14:50","modified_gmt":"2021-07-16T18:14:50","slug":"antonio-carmona-pichuli-from-cadiz-to-borinquen","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/antonio-carmona-pichuli-from-cadiz-to-borinquen\/","title":{"rendered":"Antonio Carmona \u201cPichuli\u201d, from C\u00e1diz to Borinquen"},"content":{"rendered":"

In the early nineteen-seventies, a young singer and guitarist from C\u00e1diz traded manzanilla wine for the pi\u00f1a colada of Borinquen, Puerto Rico that is, and a half-century later he\u2019s still living on that Caribbean island serving up the World Cultural Heritage known as flamenco, seasoned with the flavor of his hometown.<\/p>\n

Antonio Carmona, \u201cEl Pichuli\u201d, is as easy-going and friendly as you would expect from someone with his background.  We had a long phone conversation, he hasn\u2019t lost his Andalusian accent in these fifty years\u2026nor the quick sense of humor. Maestro Paco Cepero made the first recording of his long career with el Pichuli:  it was with Hispavox, I\u2019ve never forgotten the excitement.<\/em><\/p>\n

 <\/p>\n

Antonio, how did you get into flamenco singing, does anyone in your family sing?<\/strong><\/p>\n

I was born in \u201943 in the Mentidero neighborhood of C\u00e1diz.  My grandfather on my mother\u2019s side sang a wide variety of fandangos de Huelva, and my sister sings very well, both flamenco and lyrical Spanish music.<\/p>\n

What was the flamenco environment like in C\u00e1diz when you were young?  Did people sing in the bars or in private gatherings?  What guitarists were there in C\u00e1diz at that time?<\/strong><\/p>\n

There were some very good people in C\u00e1diz\u2026in addition to Aurelio, there was Paco Solano, El Caramelito, El Cojo Peroche, the brother of Manolo Vargas, what a cutup!  Everyone else was in Madrid already, or was planning on going there.  The one who sang in the bars and fiestas was me!…in all of them!  Paco el Ruise\u00f1or was singing in the Bar Las Cortes.  As far as guitarists, there was Antonio Carrasco el Botita and Miguel Armario \u201cBorrull\u201d.<\/p>\n

How did you learn to sing flamenco, and who taught you to play guitar?<\/strong><\/p>\n

I learned by myself as a child, listening to singing and guitar, no one taught me.<\/p>\n

How did you come to be selected to make the Antolog\u00eda de Cantes de C\u00e1diz with Aurelio Sell\u00e9s, Peric\u00f3n, Manolo Vargas and Paco del Solano?<\/strong><\/p>\n

Well, there was a guy, Luis Rodr\u00edguez, who had a music business.  He listened to me a lot, and liked the way I sang the forms of C\u00e1diz.  He asked me if I wanted to participate in that anthology of Hispavox whose president offered me other recording opportunities as well.  In 1965 I made the recording with Paco Cepero, and later on with Manolo Sanl\u00facar and F\u00e9lix de Utrera.  At 16 I joined the company of Beni de C\u00e1diz with la Perla, Mar\u00eda Vargas and many other major stars\u2026great memories.<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Did you personally meet the great Aurelio?<\/strong><\/p>\n

Of course I met him!  We traveled together to Madrid to make the recording.  I remember when I finished the alegr\u00edas<\/em> for that anthology, Aurelio exclaimed \u201cwow, if I had a voice like that now\u2026!\u201d His words came through on the recording, and I had to do it over [laughter].<\/p>\n

You spent some time in New York City, didn\u2019t you.  I heard you sang with a symphony orchestra.<\/strong><\/p>\n

When I went to New York with the Ballet de Antonio Santaella, I sang a pasodoble, Tesoro de Coplas,<\/em> at Carnegie Hall with a symphony orchestra.  In Spain, I also sang Ruedo de Oro <\/em>in 1961 in the film La Viudita Naviera <\/em>with Paquita Rico, and I participated in shows with Juanito Valderrama, Rafael Farina and Marife de Triana.<\/p>\n

In what year, and why did you leave C\u00e1diz?  Did you do the Madrid tablao circuit?  Did you plan to return to C\u00e1diz?<\/strong><\/p>\n

I left C\u00e1diz in \u201962 to work at the tablao Las Brujas, and later on, Manolo Portela placed me at Los Canasteros of Manolo Caracol. When the contract ended, Caracol wanted me to stay on, but I had work with the dancer El G\u00fcito at Las Cancelas in Zaragoza. I intended to stay in Madrid and develop my career.<\/p>\n

I\u2019d been in Puerto Rico in \u201967 with the company of Lolo de C\u00e1diz, and I really liked it, so in \u201971, when Antonio Santaella told me he was coming to the island and needed a singer and a guitarist, I jumped at the chance.  I never really went back to Spain because I got married here, and soon my daughter Roc\u00edo was born, the apple of my eye.  When she was small, she began singing, now she\u2019s a professional singer with an incredible voice, and a solid career in the United States.  I miss my hometown a lot, and visit whenever I can.  But I never stopped singing, playing the guitar and composing, it\u2019s the only profession I\u2019ve ever had.<\/p>\n

How do Puerto Ricans react to flamenco singing?  When I was there a couple of years ago, no one knew what T\u00edo Pepe was.<\/strong><\/p>\n

[Laughter]. Although they don\u2019t really understand it, they listen attentively, and if there\u2019s dancing, so much the better.  I would have liked to return to Spain and continue with my career there, but life is life\u2026<\/p>\n

What do you think about today\u2019s young flamenco singers in Spain?<\/strong><\/p>\n

Out of courtesy, I don\u2019t want to name anyone, but I think they\u2019re all fantastic!<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In the early nineteen-seventies, a young singer and guitarist from C\u00e1diz traded manzanilla wine for the pi\u00f1a colada of Borinquen, Puerto Rico that is.<\/p>\n","protected":false},"author":9,"featured_media":27811,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[194],"class_list":["post-27821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca","tag-cantaor-en"],"yoast_head":"\nAntonio Carmona \u201cPichuli\u201d, from C\u00e1diz to Borinquen - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/antonio-carmona-pichuli-from-cadiz-to-borinquen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antonio Carmona \u201cPichuli\u201d, from C\u00e1diz to Borinquen - 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