{"id":25352,"date":"2021-03-26T22:09:30","date_gmt":"2021-03-26T21:09:30","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=25352"},"modified":"2021-03-31T19:09:36","modified_gmt":"2021-03-31T17:09:36","slug":"moron-de-la-frontera-flamenco-dance-country","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/moron-de-la-frontera-flamenco-dance-country\/","title":{"rendered":"Mor\u00f3n de la Frontera: flamenco dance country"},"content":{"rendered":"

Flamenco. Mor\u00f3n de la Frontera. The first image that plays on the viewing screen of the mind is that of guitarist Diego del Gastor. Then we probably think of Joselero, a fine singer, deserving of more attention. Neither of the two was born in Mor\u00f3n, but their names are forever linked to the town\u2019s flamenco identity.<\/p>\n

But what about dance? Few people would think of Mor\u00f3n as a hot-spot for flamenco dance, and yet the town has produced a surprising number of excellent dancers, in both the classic flamenco style and the festive line. With a current population of fewer than 28,000, Mor\u00f3n has more professional dancers per capita than other flamenco cities with far more people.<\/p>\n

The formerly unpublished photograph reproduced here dates from around 1950, and is an amazing glimpse at the beginnings of flamenco dance in Mor\u00f3n 70 years ago. On the left is Amparo Soto, daughter of the legendary singer Manuel Torre, and wife of Pepe R\u00edos, seen here posing with Carmen Torres Amaya, known as \u201cLa Ni\u00f1a Amparo\u201d, daughter of Joselero and aunt of today\u2019s Pepe Torres. Mor\u00f3n\u2019s first bailaora, she performed in the 1960s at the famed Guajiro<\/em> in Seville, and is remembered by Matilde Coral. The seated guitarist barely visible at the right is my dear friend, Manolo Morilla. According to relatives, this photo is one of a series taken in the late 1940s. <\/p>\n

 <\/p>\n

\"\"<\/a>

Amparo Soto, Pepe R\u00edos, Ni\u00f1a Amparo y Manolo Morilla. Foto: G\u00f3mez Teruel<\/p><\/div>\n

 <\/p>\n

In the post-war period, Jos\u00e9 R\u00edos Vargas El Quino<\/em>, dancer and singer, and his sidekick, the above-mentioned Joselero, were inseparable. Their pioneering trio with Diego del Gastor, \u201cLos Gitanos Blancos\u201d, is remembered by oldtimers who were lucky enough to coincide with them at fiestas in the 1950s and early 60s.  Manolo Morilla, who also accompanied el Quino, considered him the best dancer to come out of Mor\u00f3n.  With a slim Quijote physique, he danced \u201cfrom the waist up\u201d, and had a \u201chistrionic sense of humor\u201d according to Morilla. El Quino was honored in Mor\u00f3n in 1970 at the 8th<\/sup> edition of the Gazpacho Andaluz.<\/p>\n

Pepe R\u00edos, (1928-1993), nephew of Diego del Gastor and son-in-law of Manuel Torre, had an elegant style in the line of his contemporary, Rafael el Negro (1935-2010), that surely influenced the following generation of dancers from Mor\u00f3n, most notably his nephew Pepe Torres, whose interview<\/u><\/strong>  Pepe Torres, flamenco dancer – Expoflamenco<\/a>  recently appeared in Expoflamenco. Pepe R\u00edos danced in the companies of Manuel Vallejo, Manolo Caracol, Pastora Pav\u00f3n and Paquera among many others, and for years had a popular dance school in Seville.<\/p>\n

From the same era was Manuel N\u00fa\u00f1ez Pe\u00f1a \u201cEl Marquesito\u201d (1926-1970), grandson of Pinini, uncle of Fernandillo de Mor\u00f3n and father of today\u2019s Luis Marquesito, also a fine dancer, living in Utrera. Jos\u00e9 Huertas (1970) has performed and choreographed with the Antonio Gades company, was guest artist of the Ballet Nacional for an international tour in 2002 and has a company of his own. Carlos Troya (1972) can be seen dancing in the Saura film Flamenco. Since 2002 he has directed the dance workshop of Mor\u00f3n\u2019s Fundaci\u00f3n Fernando Villal\u00f3n.<\/p>\n

One of the most important dance talents from Mor\u00f3n is Juana Amaya (1968), whom I remember seeing dance when she was only 11, and already impressing knowledgeable audiences.  At the age of 16 she partnered maestro Mario Maya, and while still very young, teamed up with her cousin, dancer Ram\u00f3n Barrull (1964-2003), father of Jairo Barrull (1983), both fine professional dancers from Mor\u00f3n with a long list of performances and collaborations at the most important international festivals. In 2003 Juana\u2019s intensity and temperament were a good match with Pepe Torres\u2019 sublime elegance, making a fine trio with Farruquito, who had already reached superstar status by then.  Juana\u2019s daughter Nazaret Reyes has proven to be a worthy heir to her mother\u2019s talent and Mor\u00f3n\u2019s dance tradition. <\/p>\n

Another of Mor\u00f3n\u2019s brightest dance stars is Juan Carlos Ram\u00edrez \u201cJuan de Juan\u201d (1979).  His style, though based on Farruco\u2019s approach, includes absolutely original flashes of genius. For several years he was first dancer and guest artist with Antonio Canales, before making his own company.<\/p>\n

The intense dance ecosystem of Mor\u00f3n has also produced noteworthy teachers such as Juan Triana and Angel Atienza, each of whom runs prestigious flamenco dance schools in Seville.<\/p>\n

Located deep in buler\u00edas country, Mor\u00f3n has yielded fine singer\/dancers, \u201cfesteros\u201d, whose eloquent minimalism laced with chascarillos<\/em> (a sort of humorous charade) was typical of rural Andalusia. In addition to El Quino mentioned above, there was the popular Fernandillo de Mor\u00f3n whom we lost way too soon as the result of a traffic accident on his way home from a flamenco festival. El Andorrano, son of Joselero, might prefer to be considered a flamenco singer, but he\u2019s known for his fiesta dancing brimming with personality and unique moves. Manolito Flores has an unusual style he says to have learned from his family.  He was an irreplaceable element of the popular group Son de la Frontera. <\/p>\n

Other professional dancers to come out of Mor\u00f3n in recent years are Carmen Lozano, Teresa V\u00e1zquez \u201cLa Debla\u201d, Lidia Valle and Mercedes de Mor\u00f3n, all of whom have had top-notch groups of their own, and Francisco Javier Velasco, from a Mor\u00f3n family, first dancer of Spain\u2019s National Ballet. All in all, an impressive output for a sleepy town deep in Andalusia where \u201cthe train don\u2019t stop\u201d.<\/p>\n

Top image: Juan de Juan and Nazaret Reyes, Gazpacho de Mor\u00f3n 2003. Photo by Estela Zatania<\/h6>\n

 <\/p>\n

\"\"<\/a>

Ramo\u0301n Barrull, Juan Toro (flamenco\u0301logo), Juana Amaya y Jairo Barrull. Feria del Flamenco 2001. Foto: Estela Zatania<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

La bailaora Juana Amaya. Foto: Estela Zatania<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Andorrano. Foto: Daniel Seymour.<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

El bailaor Pepe Torres. Foto: Estela Zatania<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

El bailaor Juan de Juan. Foto: Estela Zatania<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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Cantaora, guitarrista, bailaora y escritora. Flamenca por los cuatro costados. 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