{"id":24536,"date":"2021-02-12T23:03:02","date_gmt":"2021-02-12T22:03:02","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=24536"},"modified":"2021-02-12T23:03:33","modified_gmt":"2021-02-12T22:03:33","slug":"flamenco-extremadura-an-alternative-dimension","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/flamenco-extremadura-an-alternative-dimension\/","title":{"rendered":"Extremadura, an alternative dimension"},"content":{"rendered":"<p>Some five decades ago, the tectonic plates of flamenco began to shift and slide when Paco de Lucia awakened us from our long flamenco hibernation. <em>&nbsp;\u201cWhy should we speak with ten words when we can use a thousand?\u201d, <\/em>thus spake the genius from Algeciras.&nbsp; And since great music was coming from his guitar, we rubbed our eyes, snapped to attention and followed the Pied Piper. Flamenco got a face-lift and in a short time the man himself would observe that flamenco guitar had become infected with what he humorously referred to as \u201cthe Paco virus\u201d.<\/p>\n<p>So let\u2019s take stock\u2026 As far as distinguishable schools of flamenco guitar go, aside from Paco, in very broad terms, we\u2019ve got the punchy Jerez sound, the powerful pulse of Granada, and the unmistakable aroma of Mor\u00f3n de la Frontera as interpreted by Diego del Gastor and his people.&nbsp; Great guitarists throughout Spain and the rest of the world, but the well-defined schools of flamenco guitar are these.<\/p>\n<p>However, there is another distinct alternative dimension just beyond the frontier of Andalusia.&nbsp; Flamenco from Extremadura has a unique unashamed sweetness laced with melancholy.&nbsp; Far from the typically aggressive flamenco of the mainstream, Extremaduran flamenco communicates its message with a gently trotting seductive rhythm, unexpectedly flattened notes and a predilection for the luminous C and G chords that characteristically sprinkle the most representative forms.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_24532\" style=\"width: 1310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-24532\" class=\"size-full wp-image-24532\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo.jpg\" alt=\"\" width=\"1300\" height=\"1306\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo.jpg 1300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo-300x300.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo-1019x1024.jpg 1019w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo-150x150.jpg 150w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo-768x772.jpg 768w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo-114x114.jpg 114w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo-600x603.jpg 600w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-portada-desde-mis-entranas-miguel-vargas-javier-fernandez-de-molina-y-luis-ledo-100x100.jpg 100w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-24532\" class=\"wp-caption-text\">Portada de &#8216;Desde mis entra\u00f1as&#8217;, del guitarrista extreme\u00f1o Miguel Vargas.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Despite his relative youth, Miguel Vargas (Beja, Portugal, 1956), is considered to have given form and entity to the Extremadura guitar sound.&nbsp; Traditional song-forms attributed to the Verdino family, and which had for decades been accompanied by the tapping of canes, acquired an unmistakable aroma and dimension in Miguel\u2019s guitar.&nbsp; His first recording, \u201cDesde mis Entra\u00f1as\u201d, recently released, is a tribute to his late son, Domingo, a powerful emotional stimulus that permeates each moment of the guitarist\u2019s eloquent understated style.&nbsp;<\/p>\n<p><em>Cuerda pel\u00e1<\/em>, single-note thumbwork, which in Extremadura is called <em>punteo<\/em>, the absence of contemporary harmony, and a predilection for \u201cpor arriba\u201d (Am, G, F, E) are also trademarks of Diego del Gastor, and yet, you could never mistake one style for the other, each has a potent and unique personality.&nbsp;<\/p>\n<p>After Porrinas de Badajoz (Jos\u00e9 Salazar Molina), one of the first professional flamenco singers from Extremadura, triumphed in Madrid in the 1950s, flamenco fans went on to discover the fresh sound of Marelu, Juan Cantero, Ram\u00f3n el Portugu\u00e9s, Guadiana and other singers from the region who migrated to Madrid.&nbsp; Singers in the capital at the time, such as Juan Villar and Turronero, latched on to the sound and incorporated elements of it in their repertoires.<\/p>\n<p>Familiar but different sounds, a kind of flamenco we considered \u201cfrom the fringe\u201d, began to circulate in the mainstream, thanks in large part to Camar\u00f3n, whose delivery and countenance were perfectly suited to this <em>canastero<\/em> flamenco that had existed for decades in intimate gatherings, weddings and livestock fairs in Extremadura.<\/p>\n<p>\u201cDesde mis Entra\u00f1as\u201d is a labor of love colored by Miguel\u2019s cultural pride and the personal loss of his son.&nbsp; His music is an alternative dimension with stylistic shading that speaks of families and oral tradition from a time when flamenco was not a professional path, but a way of building and preserving an identity.<\/p>\n<p>The recording includes the warm rich voice of veteran cantaor Guadiana for fandangos and jaleos, the pride of Extremadura. &nbsp;Popular singer Potito adds his personality with sole\u00e1 and some contemporary buler\u00edas, and young Francisco Escudero,<em> Perrete<\/em>, interprets his vision of sole\u00e1 with a clean honest delivery and creative melodic paths.&nbsp; And in all three singers, melisma that leads always to Extremadura.<\/p>\n<p>Also on the recording is Miguel\u2019s son, guitarist Juan Vargas, with the percussion of Ram\u00f3n Porrina and Jos\u00e9 Jim\u00e9nez who is on bass as well.<\/p>\n<p>With \u201cDesde mis Entra\u00f1as\u201d, Miguel Vargas has taken on the noble task of protecting and preserving the cultural resource that is flamenco from Extremadura, more fragile than ever in these difficult times.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_24534\" style=\"width: 1310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-24534\" class=\"size-full wp-image-24534\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-guitarrista-extremeno-miguel-vargas-foto-jean-louis-duzert.jpg\" alt=\"\" width=\"1300\" height=\"800\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-guitarrista-extremeno-miguel-vargas-foto-jean-louis-duzert.jpg 1300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-guitarrista-extremeno-miguel-vargas-foto-jean-louis-duzert-300x185.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-guitarrista-extremeno-miguel-vargas-foto-jean-louis-duzert-1024x630.jpg 1024w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-guitarrista-extremeno-miguel-vargas-foto-jean-louis-duzert-768x473.jpg 768w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2021\/02\/expoflamenco-guitarrista-extremeno-miguel-vargas-foto-jean-louis-duzert-600x369.jpg 600w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><p id=\"caption-attachment-24534\" class=\"wp-caption-text\">El guitarrista extreme\u00f1o Miguel Vargas. Foto: Jean Louis Duzert<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With \u201cDesde mis Entra\u00f1as\u201d, Miguel Vargas has taken on the noble task of protecting and preserving the cultural resource that is flamenco from Extremadura, more fragile than ever in these difficult times.<\/p>\n","protected":false},"author":9,"featured_media":24530,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-24536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Extremadura, an alternative dimension - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/flamenco-extremadura-an-alternative-dimension\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Extremadura, an alternative dimension - 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