{"id":22305,"date":"2020-10-13T11:44:44","date_gmt":"2020-10-13T09:44:44","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=22305"},"modified":"2020-10-13T11:44:44","modified_gmt":"2020-10-13T09:44:44","slug":"generations-tolerance-and-freedom","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/generations-tolerance-and-freedom\/","title":{"rendered":"Generations, tolerance and freedom"},"content":{"rendered":"<p class=\"p1\">Most flamenco followers, immersed in their own time frame, have little interest in recognizing, defining or evaluating the evolution of the art-form.<span class=\"Apple-converted-space\">\u00a0 <\/span>Flamenco is at the mercy of an implacable march towards a future we observe, but are helpless to alter in any meaningful way.<span class=\"Apple-converted-space\">\u00a0 <\/span>When abstract expressionist painters began to dominate the twentieth-century art-world, the angry phrase <i>I don\u2019t know anything about art, but I know what I like! <\/i>became symbolic of cultural ignorance.<span class=\"Apple-converted-space\">\u00a0 <\/span>It was a generational issue, little different from the one that has always affected flamenco, a genre which is both classic and inclined to evolve, a difficult balance which is part of its greatness.<\/p>\n<p class=\"p1\">Opposing tastes that respond to generational divisions, push and pull flamenco into a large, amorphous collection of dizzying variety.<span class=\"Apple-converted-space\">\u00a0 <\/span>It takes a flexible art-form, an AB-positive universal receiver to accept the impossible voice of <strong>Fernanda de Utrera<\/strong> as well as the lyrical sweetness of <strong>Roc\u00edo M\u00e1rquez<\/strong>, the intense <strong>Antonio Gades<\/strong> and our quirky genius <strong>Roc\u00edo Molina<\/strong>, or \u201ccuerda pel\u00e1\u201d (single-note guitar-playing) face to face with <strong>Paco de Luc\u00eda<\/strong>\u2019s lush harmony.<span class=\"Apple-converted-space\">\u00a0 <\/span>All these elements coexist today in flamenco\u2019s ecosystem of possibilities, and most followers of the art-form have a hard time assimilating the diversity.<\/p>\n<p class=\"p1\">In flamenco dance, we\u2019re basically dealing with two separate branches. On the one hand, theatrical dance, with its associated virtuosity, footwork, knee-drops, backbends, pirouettes and metaphysical librettos. Now conjure up the image lurking in your mind of a patio in Andalusia, 1960s, where untrained dancers draw us into their world of folksy humor and subtle but eloquent moves, expressive details that were never rehearsed in front of a mirror. No amazing virtuosity in the standard sense, but rather a different kind of amazing with minimalism taken to the frontier of great art in a way the interpreters themselves are unable to explain.<\/p>\n<p class=\"p1\">So here we are, the elders, from a time when stage surfaces weren\u2019t amplified, and we had to starch and iron cotton ruffles inch by inch, as there was no polyester. And when there was no water in the so-called dressing-room, we applied Max Factor pancake makeup with a sponge dipped in last night\u2019s Coca Cola. Ours is the generation that fell into the great flamenco rabbit-hole before Camar\u00f3n and Paco rewrote the rules to include the most important one of all: <i>freedom of expression<\/i>.<\/p>\n<p class=\"p1\">After nearly forty years as a humble interpreter, and only twenty as critic and writer, I always speak loudest for the artists.<span class=\"Apple-converted-space\">\u00a0 <\/span>In my opinion, the one and only viable rule, is there are no rules at all, but proceed at your own risk. One by one, and with rare exceptions, I\u2019ve seen my most cherished prejudices and preconceptions wither and lose relevance.<\/p>\n<p class=\"p1\">I remember when they first began to add flutes.<span class=\"Apple-converted-space\">\u00a0 <\/span>I was appalled.<span class=\"Apple-converted-space\">\u00a0 <\/span>The ethereal effect seemed like a punch in the gut to the fibrous flamenco I\u2019d known for so many years.<span class=\"Apple-converted-space\">\u00a0 <\/span>But I came to understand I was wrong, and that a well-placed well-played flute could add beauty without over-domesticating the final product.<span class=\"Apple-converted-space\">\u00a0 <\/span>Then, ditto with the violin.<span class=\"Apple-converted-space\">\u00a0 <\/span>Again I was wrong. The violin does not always work, but in the right hands can complement the oriental feel that moves in the shadows of flamenco music.<span class=\"Apple-converted-space\">\u00a0 <\/span>And the addition of percussion, including that <i>caj\u00f3n<\/i> that barged in through the back door when no one was looking, sat down and made itself at home.<span class=\"Apple-converted-space\">\u00a0 <\/span>I\u2019ve<span class=\"Apple-converted-space\">\u00a0 <\/span>met young flamenco fans who are convinced the caj\u00f3n is an ancient flamenco tradition, dating back to\u2026who knows?&#8230;el Planeta? This is when you have to bow down and give thanks to flamenco historians like Manuel Boh\u00f3rquez who put the chronology at the disposal of future generations.<\/p>\n<p class=\"p1\">In the guitar context, it really took only one individual to let the inevitable evolution flow copiously and honestly. Our forever-admired Paco de Lucia gave us, not only his boundless imagination and creativity, but an approach to flamenco that opened a very large door through which the rest of us passed with wonder, like children entering Disneyland for the first time.<\/p>\n<p class=\"p1\">Around the time flamenco record jackets stopped naming each form\u2026sole\u00e1, alegr\u00edas, whatever\u2026showing only the first line of the first verse (presumably for the purpose of legal registration), the pace of change seemed to accelerate. And people shout \u201ceverything evolves!\u201d.<span class=\"Apple-converted-space\">\u00a0 <\/span>Well, of course.<span class=\"Apple-converted-space\">\u00a0 <\/span>But, depending on the honesty of the evolution, contemporary flamenco can be as powerful as a siguiriya sung by [<i>insert name of your favorite singer<\/i>], or as irrelevant as the Yellow Pages.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>And people shout \u201ceverything evolves!\u201d.\u00a0 Well, of course.\u00a0 But, depending on the honesty of the evolution, contemporary flamenco can be as powerful as a siguiriya sung by [insert name of your favorite singer], or as irrelevant as the Yellow Pages.<\/p>\n","protected":false},"author":9,"featured_media":22303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-22305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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