{"id":21485,"date":"2020-09-08T20:20:08","date_gmt":"2020-09-08T18:20:08","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=21485"},"modified":"2020-09-08T20:22:35","modified_gmt":"2020-09-08T18:22:35","slug":"fearing-the-critics-in-sevilles-bienal-festival","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/","title":{"rendered":"Fearing the critics in Seville\u2019s Bienal festival?"},"content":{"rendered":"<p>A few days ago, <strong>Antonio Zoido Naranjo<\/strong>, director of the <a href=\"http:\/\/www.labienal.com\/\"><em>Bienal de Flamenco<\/em><\/a>, said that some artists refuse to perform in this flamenco festival of Seville because they are \u201cafraid of the critics\u201d. I can attest to this, so Zoido was not lying. Any artist who refuses to perform in the best flamenco festival in the world for such reason is clearly lacking a lot of self-confidence, or at least that is what people say. I am aware that some artists do not believe that the flamenco critics of Seville are equipped to judge the kind of shows that are performed in our days. Yet, they should say so openly, publicly, without any fear. My take is that there are artists that are not equipped to perform at the <em>Bienal<\/em> and are only featured because they have pulled strings through influential friends or links to political parties. If we speak clearly once and for all, it will be better for everyone.<\/p>\n<p>I remember, for example, when <strong>Jos\u00e9 Luis Ortiz Nuevo<\/strong>\u00a0was forced to assign the Maestranza Theater to <strong>Chiquetete <\/strong>because the latter had performed in the election campaign of the Andalucista Party, of which that director from M\u00e1laga was a member. Do you think that was a one-off? No, such things happen in every edition of the festival. One look at the program is enough to figure out which artists were invited due to their influential connections. Yet, there are worthy artists who must beg on their knees for the opportunity to perform in any stage, such as <em>bailaor<\/em> <strong>El Junco<\/strong> or <em>cantaora<\/em> <strong>Antonia Contreras<\/strong>. There are flamenco critics from certain media outlets who decide who performs at the <em>Bienal<\/em> and who doesn\u2019t, and then even write the review of their shows. Flamenco critics have degenerated, so I am not surprised that some artists rather perform in the festivals of Jerez or Nimes, rather than in Seville.<\/p>\n<blockquote><p><em>\u00abThe minute that an independent, unbiased critic is published, the problems with the artists start. With the mediocre artists, that is, because Paco de Luc\u00eda\u00a0was criticized a few times at the Bienal and he never said he was afraid of critics\u00bb<\/em><\/p><\/blockquote>\n<p>Artists who are afraid of critics are not worthy of calling themselves \u201cartist\u201d. Do you know what <strong>Antonio Mairena <\/strong>once said? \u201cWe flamenco artists are lucky to have the right of being criticized, because in the old days we didn\u2019t even have that [privilege]\u201d. He was intelligent, without a doubt. But then, critics who agreed with his perspective, the so-called <em>mairenistas<\/em>, would send their critics to Mairena for his approval before they were published. And whoever criticized that great <em>cantaor<\/em> from Mairena del Alcor ended up destroyed and ostracized by Mairena\u2019s followers. I remember how a great star of <em>cante<\/em> trashed a show review by a critic at the Lope de Vega theater, telling him: \u201cThis is worthless, write something else\u201d. The next day an article was published in a newspaper of Seville titled \u201cThe Great Night of Juan el Grande\u201d. Something like that, because I am writing by memory.<\/p>\n<p>The minute when an independent, unbiased critic is published, the problems with the artists start. With the mediocre artists, that is, because <strong>Paco de Luc\u00eda<\/strong>\u00a0was criticized a few times at the <em>Bienal<\/em> and he never said he was afraid of critics. His biggest fear, though, was when guitarists of Seville watched his performance from the first row. That\u2019s what he told me in Madrid, when he presented his album <em>Concierto de Aranjuez<\/em>\u00a0(1991), before <strong>F\u00e9lix Grande<\/strong>. \u201c<strong>Riqueni<\/strong>\u00a0and\u00a0<strong>Manolo Franco<\/strong> would sit up close and would not take their eyes off my guitar, watching everything I do\u201d, he told us. That was said by Paco, who was a god. And now there is some second-rate artist saying he won\u2019t perform at the <em>Bienal<\/em> because he\u2019s afraid of <strong>Manuel Mart\u00edn Mart\u00edn<\/strong>\u00a0or myself.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artists who are afraid of critics are not worthy of calling themselves \u201cartist\u201d. Do you know what Antonio Mairena once said? \u201cWe flamenco artists are lucky to have the right of being criticized, because in the old days we didn\u2019t even have that [privilege]\u201d. He was intelligent, without a doubt.<\/p>\n","protected":false},"author":6,"featured_media":21465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-21485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fearing the critics in Seville\u2019s Bienal festival? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fearing the critics in Seville\u2019s Bienal festival? - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Artists who are afraid of critics are not worthy of calling themselves \u201cartist\u201d. Do you know what Antonio Mairena once said? \u201cWe flamenco artists are lucky to have the right of being criticized, because in the old days we didn\u2019t even have that [privilege]\u201d. He was intelligent, without a doubt.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-08T18:20:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-08T18:22:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/09\/expoflamenco-manolo-franco-foto-perezventana.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Fearing the critics in Seville\u2019s Bienal festival?\",\"datePublished\":\"2020-09-08T18:20:08+00:00\",\"dateModified\":\"2020-09-08T18:22:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/\"},\"wordCount\":663,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/expoflamenco-manolo-franco-foto-perezventana.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/\",\"name\":\"Fearing the critics in Seville\u2019s Bienal festival? - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/expoflamenco-manolo-franco-foto-perezventana.jpg\",\"datePublished\":\"2020-09-08T18:20:08+00:00\",\"dateModified\":\"2020-09-08T18:22:35+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/expoflamenco-manolo-franco-foto-perezventana.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/expoflamenco-manolo-franco-foto-perezventana.jpg\",\"width\":1300,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fearing-the-critics-in-sevilles-bienal-festival\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fearing the critics in Seville\u2019s Bienal festival?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\",\"name\":\"Manuel Boh\u00f3rquez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"caption\":\"Manuel Boh\u00f3rquez\"},\"description\":\"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fearing the critics in Seville\u2019s Bienal festival? - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/","og_locale":"en_US","og_type":"article","og_title":"Fearing the critics in Seville\u2019s Bienal festival? - Archivo Expoflamenco","og_description":"Artists who are afraid of critics are not worthy of calling themselves \u201cartist\u201d. Do you know what Antonio Mairena once said? \u201cWe flamenco artists are lucky to have the right of being criticized, because in the old days we didn\u2019t even have that [privilege]\u201d. He was intelligent, without a doubt.","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2020-09-08T18:20:08+00:00","article_modified_time":"2020-09-08T18:22:35+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/09\/expoflamenco-manolo-franco-foto-perezventana.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"Fearing the critics in Seville\u2019s Bienal festival?","datePublished":"2020-09-08T18:20:08+00:00","dateModified":"2020-09-08T18:22:35+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/"},"wordCount":663,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/09\/expoflamenco-manolo-franco-foto-perezventana.jpg","articleSection":["Bordonazo NEW"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/","name":"Fearing the critics in Seville\u2019s Bienal festival? - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/09\/expoflamenco-manolo-franco-foto-perezventana.jpg","datePublished":"2020-09-08T18:20:08+00:00","dateModified":"2020-09-08T18:22:35+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/09\/expoflamenco-manolo-franco-foto-perezventana.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/09\/expoflamenco-manolo-franco-foto-perezventana.jpg","width":1300,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fearing-the-critics-in-sevilles-bienal-festival\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Fearing the critics in Seville\u2019s Bienal festival?"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/21485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=21485"}],"version-history":[{"count":2,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/21485\/revisions"}],"predecessor-version":[{"id":21487,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/21485\/revisions\/21487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/21465"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=21485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=21485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=21485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}