{"id":21329,"date":"2020-08-31T22:16:41","date_gmt":"2020-08-31T20:16:41","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=21329"},"modified":"2020-08-31T22:18:34","modified_gmt":"2020-08-31T20:18:34","slug":"miguel-poveda-and-the-new-artists","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/miguel-poveda-and-the-new-artists\/","title":{"rendered":"Miguel Poveda and the new artists"},"content":{"rendered":"<p>He does it because he can. I mean, the fact that <strong>Miguel Poveda<\/strong>\u00a0brings colleagues to his shows as supporting artists, to give them more exposure. That is also a way to increase the public attending his shows, a strategy already used in the old days by <strong>Marchena<\/strong>\u00a0and\u00a0<strong>Valderrama<\/strong>, among other big stars of <em>cante<\/em>. Pepe Marchena had a company that toured every year all over Spain, and if he was going to perform in a small town like, say, Arahal, the Master of Masters would stop by the town a few days before the concert and ask around whether there were any good local performers to include in his lineup. There was always someone and they would sign them up for just one show.<\/p>\n<p>What was the point of that strategy? The locals would get all excited and no one would want to miss one of their own \u2014 such as <strong>Ni\u00f1o de Arahal,\u00a0<\/strong><em><strong>El Rubicano<\/strong><\/em>, <strong>El Plancho Viejo <\/strong>or<strong> Realito<\/strong>, the grandfather of <em>cantaor<\/em>\u00a0<strong>Jes\u00fas Carrillo<\/strong>\u00a0\u2014performing with <em>maestro<\/em> Marchena. If any of them outdid Marchena, the master would come out and say: \u201cYes, but there is only one Marchena, and that\u2019s me\u201d. Because most <em>cantaores<\/em> in those towns at that time tried to emulate him.<\/p>\n<blockquote><p><em>\u00abMiguel Poveda is the only one capable of leasing a big arena and filling all of it or selling ten thousand tickets in Seville. In the old days that was achieved by Marchena and Valderrama, and more recently by Camar\u00f3n de la Isla\u00bb<\/em><\/p><\/blockquote>\n<p>Miguel Poveda, who is a smart guy, does this and it goes well for him because, on top of that, his elected artists then shower him with praises in the social networks and confront anyone who dares to criticize the master. This artist from Barcelona doesn\u2019t come close to being the best <em>cantaor<\/em> of our days, but he is a big star, the only one capable of leasing a big arena and filling all of it or selling ten thousand tickets in Seville. In the old days that was achieved by Marchena and Valderrama, and more recently by <strong>Camar\u00f3n de la Isla<\/strong>. Valderrama used to bring Camar\u00f3n to perform in his shows when few people had heard of him, and the same goes for guitarist <strong>Pepe Habichuela<\/strong>. Valderrama introduced the public to dozens of new artists of <em>cante<\/em> and guitar, and that is why he is admired by so many artists.<\/p>\n<p>What Miguel does is praiseworthy, because sometimes he brings to his shows <em>cantaores<\/em> or <em>cantaoras<\/em> who are better than him. I remember how great was <strong>Mar\u00eda Terremoto<\/strong>\u00a0performing <em>por buler\u00edas<\/em> in Barcelona a few years ago. Thus, it is only fair to point out that such gestures are important and that he should keep doing this. In fact, he could help them even more, because he is the only one with the means to do so.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>He does it because he can. I mean, the fact that Miguel Poveda brings colleagues to his shows as supporting artists, to give them more exposure. That is also a way to increase the public attending his shows, a strategy already used in the old days by Marchena and Valderrama<\/p>\n","protected":false},"author":6,"featured_media":21324,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[194],"class_list":["post-21329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new","tag-cantaor-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Miguel Poveda and the new artists - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/miguel-poveda-and-the-new-artists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Miguel Poveda and the new artists - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"He does it because he can. I mean, the fact that Miguel Poveda brings colleagues to his shows as supporting artists, to give them more exposure. 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