{"id":20477,"date":"2020-07-09T11:47:18","date_gmt":"2020-07-09T09:47:18","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=20477"},"modified":"2020-07-09T11:47:39","modified_gmt":"2020-07-09T09:47:39","slug":"antonio-moya-culture-is-an-important-element-of-society-and-we-make-culture","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/antonio-moya-culture-is-an-important-element-of-society-and-we-make-culture\/","title":{"rendered":"Antonio Moya: \u00abCulture is an important element of society, and we make culture\u00bb"},"content":{"rendered":"

Antonio Moya (Nimes, 1965), guitarist, or \u201ctocaor\u201d as he prefers to be called, is a young old hand whose date of birth situates him at the frontier of the changing of the guard, from classic flamenco to contemporary. He’s chosen his team, and has no qualms about expressing his thoughts on the topic.<\/em><\/p>\n

Born in France to a family of Andalusian immigrants, his wife is flamenco singer Mari Pe\u00f1a, and he\u2019s been living in Utrera for many years. Moya is also artistically connected to Lebrija and Mor\u00f3n de la Frontera, and delivers some of the best guitar-playing of this area whose aroma of earth and olive tres is present in his playing, with a subtle modern patina. He has accompanied great stars of our time, and recorded with Bernarda de Utrera, Pepa de Benito, Gaspar de Utrera, Enrique Extreme\u00f1o and Tom\u00e1s de Perrate among others.<\/em><\/p>\n

 <\/p>\n

Antonio, what do you think about the closing of traditional flamenco venues?<\/strong><\/p>\n

I think the gradual disappearance of flamenco tablaos<\/em> and pe\u00f1as <\/em>is a major catastrophe. Flamenco doesn\u2019t belong to the \u201cintellectualists\u201d, these people who know everything, or almost everything, from books and records. Flamenco is oral transmission, something which my dear and much-missed mentor, Pedro Bac\u00e1n, defended passionately.\u00a0 It\u2019s about living it, day in and day out, feeling it night after night.<\/p>\n

The family gatherings with flamenco have nearly disappeared (not in the case of my own family I\u2019m happy to say), the improvised singing in any neighborhood bar, the get-togethers. Tablaos and pe\u00f1as are the only places you can still see the glowing embers of flamenco. As far as I\u2019m concerned, the case of Casa Patas is an authentic catastrophe, because in that small venue, where there were\u00a0 many tourists every night, there was also an important number of local flamenco people, and in some way it became a point of encounter for flamenco artists who happened to be in Madrid at any given time.\u00a0 An irreparable loss.<\/p>\n

In Utrera there\u2019s something activity among the young crowd, we\u2019ve got some new guitarists, dancers, high quality instrumentalists, piano, saxophone, percussion\u2026and singers. \u00a0My daughter Manuela is showing promise which makes me very proud.<\/p>\n

Is there a place for flamenco in the \u201cnew normal\u201d?<\/strong><\/p>\n

Like most of my fellow-artists, we\u2019ve suffered a complete collapse of our personal economy due to the cancellation of this entire season of shows in theaters, flamenco pe\u00f1as, festivals, fairs, private parties, etc\u2026 I think flamenco artists have been one of the groups hardest-hit by the crisis.\u00a0 We\u2019re at the tip of the economic pyramid, in other words, first come all the other sectors, food distribution, healthcare, construction, industry, etc\u2026\u00a0 Everything that makes an economy move. We\u2019re at the tail end of all activity, and considered a luxury item, which is logical, but that\u2019s not the whole story.\u00a0 Culture is also an important element of society, and we make culture.<\/p>\n

How would you define yourself in flamenco?<\/strong><\/p>\n

It seems I\u2019m classified as a defender of classic traditional flamenco with deep roots. I would say that what I defend, above all else, isn\u2019t an art-form that only has room for keeping the tradition of what has gone before. What I mean to defend tooth and nail is TRUTH, let me explain:<\/p>\n

If a singer, dancer or any artist in general, feels like singing, playing or dancing with a bagpipe or an accordion, why not?\u00a0 I\u2019m very open to incorporating new sounds, a different aesthetic which, although it might not follow strict guidelines, could sound flamenco.\u00a0 But we mustn\u2019t lose sight of that truth, that feeling, that character that makes our culture different from the rest. What annoys me the most, is creating for the sake of creating, wanting to invent a sole\u00e1 <\/em>which ends up sounding like anything but sole\u00e1, <\/em>because there\u2019s a lack of knowledge of the base.<\/p>\n

With the current state of things, we\u2019re suffering a series of \u201ccreations\u201d, \u201crevolutionary works\u201d that leave the flamenco essence way behind.\u00a0 It seems a certain sector is interested in destroying the tradition, believing themselves to be intellectual and cultural prodigies who seek to destroy what went before, failing to respect flamenco which they consider old-fashioned, a certain nihilism which is ridiculous and out of place from my point of view.\u00a0 And on top of everything else, they receive grants and funding and are contracted for major FLAMENCO festivals which, lest we forget, are financed with public money.\u00a0 That\u2019s when \u201cHouston, we have a problem\u201d.\u00a0 Especially when great artists are sitting at home because they\u2019re considered \u201cclich\u00e9\u201d.\u00a0 And precisely this movement, if it is indeed “clich\u00e9”, this started in France at the beginning of the twentieth century, that\u2019s a long time ago.<\/p>\n

Have you considered giving online classes as so many others are doing, or seen any live flamenco event through streaming?\u00a0 Do you think this is a viable alternative?<\/strong><\/p>\n

People from my generation still rack our brains somewhat when we have to deal with the latest internet technology and using social media.\u00a0 Nevertheless, with the project \u201cCasa Flamenca\u201d in Alburquerque, thanks to its two creators, dancer Valeria Montes and the terrific guitarist Juani de la Isla, I was able to give a master-class using Zoom.\u00a0 It was really a new experience for me, but very rewarding, and I had quite a few students.\u00a0 Of course, I missed the direct communication we\u2019re all accustomed to, but considering this situation we all have to deal with, I consider this to be a valid formula.\u00a0 It\u2019s a dignified alternative while we wait to return to a semblance of normalcy that allows us to pick up the contact with others in a direct fashion.<\/p>\n

 <\/p>\n

\"El

El guitarrista Antonio Moya. Foto: Juan Luis Monge<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Antonio Moya (Nimes, 1965), guitarist, is a young old hand whose date of birth situates him at the frontier of the changing of the guard, from classic flamenco to contemporary. He has accompanied great stars of our time, and recorded with Bernarda de Utrera, Pepa de Benito, Gaspar de Utrera, Enrique Extreme\u00f1o and Tom\u00e1s de Perrate among others.<\/p>\n","protected":false},"author":9,"featured_media":20473,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68,72],"tags":[106],"class_list":["post-20477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca","category-interviews","tag-entrevista-en"],"yoast_head":"\nAntonio Moya: \u00abCulture is an important element of society, and we make culture\u00bb - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/antonio-moya-culture-is-an-important-element-of-society-and-we-make-culture\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antonio Moya: \u00abCulture is an important element of society, and we make culture\u00bb - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Antonio Moya (Nimes, 1965), guitarist, is a young old hand whose date of birth situates him at the frontier of the changing of the guard, from classic flamenco to contemporary. 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