{"id":19897,"date":"2020-06-09T16:35:03","date_gmt":"2020-06-09T14:35:03","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=19897"},"modified":"2020-06-09T16:35:03","modified_gmt":"2020-06-09T14:35:03","slug":"alburquerque-takes-on-the-challenge-of-a-virtual-festival","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/alburquerque-takes-on-the-challenge-of-a-virtual-festival\/","title":{"rendered":"Alburquerque takes on the challenge of a virtual festival"},"content":{"rendered":"

Across the board, flamenco professionals are struggling to find their way through a maze of artistic, economic and social challenges. Marisol Encinias, Executive Director of the Alburquerque Flamenco Festival, is responsible for the longest-running flamenco festival outside of Spain. In this interview she explains how this major event is dealing with dramatic conditions.<\/p>\n

 <\/p>\n

In the world of flamenco, the Alburquerque Festival is well-known. To what extent do Americans in general know about the event?<\/strong><\/p>\n

Flamenco artists certainly know our festival.\u00a0 I think it\u2019s becoming better-known in the United States, but we need to continue to expand awareness.\u00a0 I hope this edition will make it possible for more people to see the type of work we do.<\/p>\n

The 33rd Alburquerque Flamenco Festival includes over 50 featured artists, as well as a long list of instructors and speakers.\u00a0 How is this going to happen?\u00a0<\/strong><\/p>\n

Everything will take place online.\u00a0 Individuals can purchase viewing and class passes.\u00a0 We\u2019re using Vimeo for performances and Zoom for classes.\u00a0 Lectures are free and will be streamed through YouTube and Facebook live.\u00a0 We expect many people to tune in for this special edition of the festival in 2020, and consider coming to join us in 2021 to experience it live.<\/p>\n

The CDC continues to recommend caution about gatherings of large groups, particularly for events such as concerts and recitals. This obviously affects the focus of the Alburquerque flamenco festival.\u00a0 What kind of venue, is now viable for the presentation of flamenco shows?\u00a0 <\/strong><\/p>\n

Artists from Spain have been recording from home or in small groups without an audience. Members of Yjastros, our large resident company, have been performing and recording in open spaces in Albuquerque in order to be able to social distance during performance.<\/p>\n

Are there any guidelines about artists social distancing or keeping to other protective measures during a performance?\u00a0 <\/strong><\/p>\n

I don\u2019t think we\u2019ll see dancers performing in face masks. It might even be dangerous, depending on how strenuously someone is dancing. Possibly guitarists could wear a mask. It\u2019s difficult to distance on stage, but it can be done.\u00a0\u00a0<\/strong><\/p>\n

Is the tablao expected to reopen?<\/strong><\/p>\n

Unfortunately, it\u2019s not safe to work in tablaos and theaters yet.\u00a0 For now, we have to share in this format.\u00a0 In the United States it\u2019s unclear when such venues will be allowed.\u00a0 Our tablao in Albuquerque is not currently open.<\/p>\n

 <\/p>\n

\"Cartel<\/a>

Cartel del 33\u00ba Festival Flamenco Alburquerque Online. 12 a 20 de junio de 2020.<\/p><\/div>\n

 <\/p>\n

Does the National Institute of Flamenco see on-line performance as a temporary solution, or is this part of the \u201cnew normal\u201d?\u00a0 <\/strong><\/p>\n

I hope temporary! Nothing replaces live interaction. I can\u2019t wait to go back to \u201cnormal\u201d performance.\u00a0 It\u2019s my hope that artists can share flamenco for this edition, even if that means it\u2019s more informal. Connections are being made, artists share and viewers receive, even if it has to be through a screen for now.<\/p>\n

Has economic support, whether institutional or private, been forthcoming as in other years?<\/strong><\/p>\n

We\u2019ve been able to move forward with this year\u2019s festival because of support. For this 33rd<\/sup> edition we have funding from the National Endowment for the Arts as well as local Government support from the City and County.\u00a0 This is making it possible for us to do the festival online, and we are very grateful.\u00a0 It\u2019s taken many years to be able to secure this support. I hope these entities, as well as Spanish ones, will help us continue to promote flamenco in a way this art-form deserves.<\/p>\n

Do you think flamenco will evolve differently than if there had never been a pandemic?\u00a0 \u00a0Will fewer people be interested in flamenco as a career?\u00a0 <\/strong><\/p>\n

Here in the U.S., and it seems in Spain as well, people are demanding to be heard. I hope everyone can take a step back and hear what others have to say. Workers need to be supported and respected. People are making noise now, and it\u2019s a good thing.<\/p>\n

I believe that one decides to be an artist or chooses flamenco as a career if they come to the realization that this is what they have <\/em>to do.\u00a0 Flamenco for them will not suffice as a hobby.\u00a0 The same goes for dancers, musicians and artists in other genres.\u00a0 Most artists are incredibly smart and industrious, they could surely be successful in another field, but being an artist is how they see themselves.\u00a0 This pandemic may weed people out sooner, but I believe those who are meant to work in this career path will stick with it and will come to feel that their work is valued and supported in society.\u00a0<\/strong><\/p>\n

What about public attitudes?\u00a0 Does performance art still seem viable?\u00a0 Do you think people will be reluctant to attend small indoor shows with or without distancing and other precautions? <\/strong><\/p>\n

I believe that many people will be reluctant to attend indoor performance: it\u2019s about 50\/50.\u00a0 Half the people ask why you\u2019re not opening up, and the other half say don\u2019t open up, or at least we won\u2019t go.\u00a0 At this point my take on it is we can\u2019t assure people it\u2019s safe until we feel it\u2019s truly safe, we can\u2019t continue with pre-covid business as usual. That means we have to be creative and remind people why art and flamenco are important and necessary.<\/p>\n

The National Institute of Flamenco has always had social and educational goals beyond the artistic value of performance.\u00a0 Could you elaborate on this?<\/strong><\/p>\n

My mother and grandmother began building the work we do in flamenco by building a community. My grandmother had a school and performed. My mother worked as a dancer and began teaching at the University, founding the festival 33 years ago in order to educate the community and herself about flamenco. She was teaching, but wanted to be able to show people in the U.S. some of the world\u2019s best flamenco. My brother Joaquin and I began to join her in moving the work forward. We have a non-profit arts organization dedicated to the presentation and teaching of flamenco. People of all ages and abilities study in our school.<\/p>\n

We produce our annual festival where we continue to present quality flamenco artists here in Albuquerque, New Mexico. We also run the above-mentioned tablaos in Albuquerque and Santa Fe, and have a professional repertory company with my brother Joaquin as its Artistic Director. The company performs in theatre seasons and has in its repertory archive works created by Joaquin and many of Spain\u2019s top choreographers.\u00a0 My mother helped to develop the flamenco program of study at the University of New Mexico where a student can get a degree in dance with specialization in flamenco.\u00a0 It\u2019s an incredible program with guest teachers in residence each spring and fall semester, many of Spain\u2019s best artists.<\/p>\n

 <\/p>\n

Information about the Alburquerque Flamenco Festival: http:\/\/www.nifnm.org\/<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Across the board, flamenco professionals are struggling to find their way through a maze of artistic, economic and social challenges. 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