{"id":19808,"date":"2020-06-02T22:20:53","date_gmt":"2020-06-02T20:20:53","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=19808"},"modified":"2020-06-02T22:20:53","modified_gmt":"2020-06-02T20:20:53","slug":"baile-in-our-days","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/baile-in-our-days\/","title":{"rendered":"Baile in our days"},"content":{"rendered":"<p>It\u2019s complicated to give an opinion about baile (good or bad) nowadays, without naming names, particularly regarding bailaores, because as soon as one name is mentioned, we get in trouble with their fans in the social networks. Frankly, I believe that <em>baile flamenco<\/em> is going in a direction that doesn\u2019t quite inspire optimism about its future. To be able to dance flamenco well is extremely difficult. Yet, how do we define \u201cto dance well\u201d in an art as diverse and complex as flamenco? What is the model that should be followed?\u00a0 Should any model be followed at all?<\/p>\n<p>The other day I watched some girls of about 10 or 12 years old in a video that became viral on the internet and I thought to myself \u201cThat\u2019s good dancing, with freshness, art and assertiveness\u201d. The girls were way better than many professional bailaores, including some stars of baile, because they had not acquired any vices yet, although that doesn\u2019t mean they won\u2019t acquire bad habits in the future. Why is that we like so much those old gypsy <em>bailaoras<\/em> from Jerez, whom we sometimes see dancing in videos on the internet? Because, despite being in their 70s, they still have the freshness of childhood and have no vices. Perhaps that\u2019s because they have never danced in theaters or in dance companies.<\/p>\n<p>Do you know what was the answer of the great cantaor Tom\u00e1s Pav\u00f3n when an aficionado asked why he didn\u2019t perform in theaters? He said it was because the public sometimes forced cantaoras and cantaoras to sing in a certain way, and he was right. With baile nowadays it\u2019s the same thing. If you check some of the flamenco dance videos these days, it might seem as if baile was something to be performed in a gym, yet strength is not everything, particularly if there\u2019s no control over strength. Rafael El Negro, the great bailaor from Triana, was an athlete, yet he controlled his strength and never used it to go around jumping and running on stage.<\/p>\n<p>Besides, the bailaores in those days used to dance por sole\u00e1 and would do the full exercise. Nowadays, they do three or four theatrical poses and then go straight to an endless buler\u00eda that becomes tedious and artless, although there are exceptions. It\u2019s very unusual to see bailaores these days who stand up and mark with art, awing the public not with brute force, but with their skill and good taste. When this happens, then it\u2019s amazing. Like those girls, for example, dancing at the Casa Patas tablao in Madrid.<\/p>\n<p>Farruco was a genius in baile and his style is a school followed my many young bailaores. However, I don\u2019t think they have quite understood that school, just like those who sing like Camar\u00f3n have not understood his style either, the message about his concept of cante. It\u2019s not a matter of imitating the baile of Antonio Farruco, but rather of studying his style and using it to re-interpret his forms, his school. That\u2019s what Enrique Morente did with Chac\u00f3n, or what Antonio Mairena did with Ni\u00f1a de los Peines, Manuel Torres and Joaqu\u00edn el de la Paula.<\/p>\n<p>I don\u2019t mean to say that young bailaores must dance like the critics want, that\u2019s not it (although people may think so). Yet, if baile flamenco doesn\u2019t have a purpose, a good school and, above all, art, then all that remains is the gym, the muscle, and that\u2019s not flamenco, but an imitation, a caricature. \u201cI have my own style\u201d, some would say. What style? Mario Maya did have his own style, with all his role models. The same goes for Antonio Gades, Farruco, Vicente Escudero or the great Antonio. That\u2019s why today they\u2019re role models of baile, because they were, geniuses, creators, artists.<\/p>\n<p>Technically, it may seem that most young bailaores in our days are greatly skilled. I repeat, technically, because technique is something learned, acquired, although some people might have a natural talent. Yet, when it comes to art (and I don\u2019t care about who might take this personally), how many young bailaores have it? I know three or four who have it, yet they barely ever perform in a theater, because most of those who buy the tickets can\u2019t tell the difference between a fake pose, a circus turn and the natural gift that only a very few possess.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Technically, it may seem that most young bailaores in our days are greatly skilled. I repeat, technically, because technique is something learned, acquired, although some people might have a natural talent.<\/p>\n","protected":false},"author":6,"featured_media":19806,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-19808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baile in our days - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/baile-in-our-days\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baile in our days - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Technically, it may seem that most young bailaores in our days are greatly skilled. I repeat, technically, because technique is something learned, acquired, although some people might have a natural talent.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/baile-in-our-days\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2020-06-02T20:20:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/06\/expoflamenco-bailaor-flamenco-foto-perezventana.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/baile-in-our-days\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/baile-in-our-days\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Baile in our days\",\"datePublished\":\"2020-06-02T20:20:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/baile-in-our-days\\\/\"},\"wordCount\":760,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/baile-in-our-days\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/expoflamenco-bailaor-flamenco-foto-perezventana.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/baile-in-our-days\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/baile-in-our-days\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/baile-in-our-days\\\/\",\"name\":\"Baile in our days - 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