{"id":19120,"date":"2015-12-02T12:17:34","date_gmt":"2015-12-02T11:17:34","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=19120"},"modified":"2020-04-16T12:19:25","modified_gmt":"2020-04-16T10:19:25","slug":"arcangel-on-the-tablao","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/arcangel-on-the-tablao\/","title":{"rendered":"Arc\u00e1ngel on the Tablao"},"content":{"rendered":"<p>Arc\u00e1ngel, the cantaor from Huelva, didn\u2019t record his new album (<em>Tablao<\/em>) live to show that he\u2019s a good cantaor, because he\u2019s been a good cantaor from his very beginnings as a performer. He was born with the gift of a great voice, unlike those who are cantaores because they wanted to, regardless if they had or not that innate talent. Arc\u00e1ngel was born to sing Andalusian music, the cante flamenco, Gypsy-Andalusian or jondo, whatever they call it. Anyone can learn the singing techniques, but without the gifts of voice, art, communication and rhythm, it\u2019s difficult to become great in this genre, such as Arc\u00e1ngel is already. He isn\u2019t \u201cthe greatest\u201d, because there isn\u2019t a \u201cgreatest\u201d, but he\u2019s one of the great. He\u2019s a cantaor with a very particular sound and voice, a melodic one, a bit Arabic and a bit Gypsy, but essentially Andalusian. Some people tried to discredit him by labelling him <em>morentista<\/em>, but Arc\u00e1ngel is far from being a copyist of Granada\u2019s master. He\u2019s more Caracol than Morente, in his stamina, in his handling of mid and low tones, in the connection of the stanzas. In his style one can perceive a bit of Carmen Linares and El Pele, and also, harder to notice, of Rengel and Rebollo.<\/p>\n<p>Arc\u00e1ngel is a sponge, a cantaor who has known how to learn from everything he\u2019s liked, as he\u2019s a great aficionado too, something few are aware of. He certainly has been influenced by Morentes, no question about it. He greatly admires the master and it shows when he sings, it shows in the ways he sets his voice, harmonious and polyphonic, in the way his tunes go up and down without messing up the melody, in the way he strives to join verse and music like a happy marriage: music and message as an act of love, of frenzied passion. <em>Tablao<\/em> is a jewel, a production touched by the magic wand of one phenomenon, Isidro Mu\u00f1oz, with three amazing guitarists in one single album, insanity: Miguel \u00c1ngel Cort\u00e9z, Diego del Morao and Dani de Mor\u00f3n. Arc\u00e1ngel sings fantastically in this album: he\u2019s centered, completely flamenco, at ease, like a master. It\u2019s a truly enchanting and fascinating album. It was recorded live, in <em>tablaos<\/em> such as <em>El Corral de la Morer\u00eda<\/em> in Madrid and <em>El Arenal<\/em> in Seville, two venues with a long history, two temples of the best flamenco. The young master wanted to highlight the importance of the <em>tablaos<\/em>, \u201cthe university of flamenco\u201d, as he recently called them. He\u2019s absolutely right. <em>Tablaos<\/em> have been essential in the history of this art, because almost all great masters have performed in them, from the <em>caf\u00e9 cantantes<\/em> of the XIX century, which were also <em>tablaos<\/em>, until the present time. Artists have been created in tablaos, where they have polished their styles, soaked rhytms and knowledge, and become great masters.<\/p>\n<p>Cante and toque have conquered the big stages many decades ago, but it\u2019s a good thing to go down to the arena of intimacy, of social gatherings, of small places, to reencounter the basics, with the public just a few feet away from the performers. Malague\u00f1as, tangos, buler\u00edas, canti\u00f1as. Traditional palos with new literary messages and an interesting revision of the musical and melodic aspects. More time will be needed to delve into Tablao\u2019s contents, there is much to discuss, but at a glance, one can be sure that Arc\u00e1ngel has banged his fist on the table, or rather, on the tablao, to say that cante is not just a matter of having a gift or talent, but a matter of study, of creative fantasy and, above all, <em>pasi\u00f3n jonda<\/em>. Come in, sit down, listen\u2026 and breathe.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arc\u00e1ngel has banged his fist on the table, or rather, on the tablao, to say that cante is not just a matter of having a gift or talent, but a matter of study, of creative fantasy and, above all, pasi\u00f3n jonda. Come in, sit down, listen\u2026 and breathe.<\/p>\n","protected":false},"author":6,"featured_media":19117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[194],"class_list":["post-19120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new","tag-cantaor-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arc\u00e1ngel on the Tablao - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/arcangel-on-the-tablao\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arc\u00e1ngel on the Tablao - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Arc\u00e1ngel has banged his fist on the table, or rather, on the tablao, to say that cante is not just a matter of having a gift or talent, but a matter of study, of creative fantasy and, above all, pasi\u00f3n jonda. 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