{"id":18733,"date":"2020-03-16T11:25:26","date_gmt":"2020-03-16T10:25:26","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=18733"},"modified":"2020-03-16T11:25:26","modified_gmt":"2020-03-16T10:25:26","slug":"the-integrity-and-power-of-diego-clavel","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-integrity-and-power-of-diego-clavel\/","title":{"rendered":"The integrity and power of Diego Clavel"},"content":{"rendered":"

How do you describe a flamenco singer?\u00a0 Well, they\u2019re usually extravagant, dynamic, expansive and bohemian with lots of attitude.\u00a0 Many nicknames have reflected this supposed quirkiness\u2026\u00a0El Chalao, El Loco Mateo<\/em> or the revered Manuel Torre often referred to as the Majareta<\/em>, nicknames which in Spanish affectionately refer to a touch of madness.<\/p>\n

But we need to put all that aside to speak of Diego Andrade Martag\u00f3n, \u201cDiego Clavel\u201d, one of the natural resources of La Puebla de Cazalla (1946), mentored and encouraged by painter and poet Francisco Moreno Galv\u00e1n who did the same for Jos\u00e9 Menese.\u00a0 Diego Clavel is best described as discreet, cerebral, reserved, knowledgeable and profoundly devoted to the art-form that brings us all together here at Expoflamenco.<\/p>\n

To call him studious would be a gross understatement. Among his numerous recordings are monographic masterworks that include the volumes devoted to siguiriya with 17 styles, malague\u00f1a with 47 styles (no, that\u2019s not a misprint), 60 fandangos de Huelva, 85 styles of sole\u00e1 and 33 styles of mining cante, all including details of origin and author, with the poetic wisdom of Diego\u2019s proviso: \u00a0Where do the cantes come from? I think that question is impossible to answer. Flamenco singing was, is and will always be there, and each person gave, gives and will give the best interpretation possible.<\/em><\/p>\n

I don\u2019t think there\u2019s any other singer whose identity is so closely linked to a single specific cante, namely the siguiriya of Manuel Molina. Not Lole\u2019s Manuel, but \u201cSe\u00f1\u00f3r\u201d Manuel Molina as he was often called, a nineteenth-century singer from Jerez.\u00a0 Diego worked up a strikingly dramatic version based on a sort of muted scream that has become his trademark.<\/p>\n

Diego Clavel wisely administers his unmistakable delivery without shouting or histrionics, internalizing emotions, only releasing the power of his voice at key moments to communicate his personal take on the most classic sort of cante. An \u201caficionado\u201d in the Spanish sense of eagerly delving into the most arcane forms, his repertoire includes many little-known or even obsolete cantes.\u00a0 Browsing my own chronicles of his performances I see he announced such elite items as \u201cmalague\u00f1as of the maestro Ojana which I learned from Vallejo, and one of Chac\u00f3n\u2019s ending with the cante of la Rubia de las Perlas\u201d, or the \u201ctaranta of Rojo el Alpargatero with verdial of V\u00e9lez\u201d in addition to sole\u00e1 apol\u00e1, fandango of Puente Genil, trillas, liviana, serrana and Mar\u00eda Borrico and all the standard forms you would expect from a professional of his caliber.<\/p>\n

I remember the year in La Puebla when Diego arrived on stage with the help of crutches, heroically determined to defend the tradition of ending the Reuni\u00f3n de Cante Jondo at 5 or 6 in the morning with a round of tonas. He not only delivered his usual high level, but was the only singer to show up for that grueling moment.<\/p>\n

Worthy of a chapter unto itself is Diego\u2019s astonishing buler\u00edas dance.\u00a0 Who could ever imagine such a reserved elegant artist capable of such authentic country-bumpkin humor!<\/p>\n

A half-century ago, on July 10th<\/sup>, 1971, Diego Clavel sang for the first time in the Reuni\u00f3n de Cante Jondo of La Puebla de Cazalla. I was there. \u00a0And so were Fosforito, Terremoto, Fernanda and Bermarda de Utrera, Curro Mairena, Jos\u00e9 Menese, Juan Habichuela, Parrilla de Jerez, Pedro Pe\u00f1a, Matilde Coral, Rafael el Negro and Farruco. That\u2019s a lot of flamenco all bunched up in one place, typical of the festivals of the era. Diego went on to sing in forty editions of the venerable event. Dedication, wisdom, integrity and a long honest career have earned him the admiration of his town and of flamenco followers everywhere. He will be honored at the 52nd edition of the Reuni\u00f3n, well-deserved recognition for an impeccable career.<\/p>\n

 <\/p>\n

\"El<\/a>

El cantaor Diego Clavel y el guitarrista Antonio Carri\u00f3n. Foto: Estela Zatania<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Dedication, wisdom, integrity and a long honest career have earned him the admiration of his town and of flamenco followers everywhere. He will be honored at the 52nd edition of the Reuni\u00f3n de Cante Jondo of La Puebla de Cazalla.<\/p>\n","protected":false},"author":9,"featured_media":18731,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[194],"class_list":["post-18733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca","tag-cantaor-en"],"yoast_head":"\nThe integrity and power of Diego Clavel - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/the-integrity-and-power-of-diego-clavel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The integrity and power of Diego Clavel - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Dedication, wisdom, integrity and a long honest career have earned him the admiration of his town and of flamenco followers everywhere. 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