{"id":18316,"date":"2020-02-25T23:45:03","date_gmt":"2020-02-25T22:45:03","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=18316"},"modified":"2020-02-25T23:54:39","modified_gmt":"2020-02-25T22:54:39","slug":"a-new-generation-of-bailaores-earn-great-acclaim-at-the-festival-de-jerez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/a-new-generation-of-bailaores-earn-great-acclaim-at-the-festival-de-jerez\/","title":{"rendered":"A new generation of bailaores earn great acclaim at the Festival de Jerez"},"content":{"rendered":"

The bailaor <\/em>Antonio Fern\u00e1ndez \u2018El Farru\u2019<\/strong>, member of a family of unquestionable renown in flamenco history, was the star of the Festival de Jerez on Sunday, February 23rd<\/sup>. He keeps the style, with a vertiginously fast footwork. Yet, without a doubt, it\u2019s really exciting to see another generation upholding the legacy of his forebears. To that effect, El Farru presented in Jerez a good show with a simple plot where rhythm and velocity were in the spotlight. Antonio displayed different versions of himself in Por un sue\u00f1o<\/em>, because if there\u2019s anything that typifies the art of this family is their versatility. Although he\u2019s better known as bailaor<\/em>, he can also stand his ground with personality and style in cante<\/em> and flamenco guitar, although his performance also featured the seasoned quality of the guitars of Jos\u00e9 G\u00e1lvez<\/strong>\u00a0and\u00a0Rom\u00e1n Vicenti<\/strong>. It cannot be denied that El Farru gives it all and his presence is solid, until his mother Rosario Montoya \u2018La Farruca\u2019 <\/strong>steps in, leaving her mark por alegr\u00edas<\/em> with naturality and personality. Antonio performed a sole\u00e1<\/em> and a seguiriya<\/em>, as well as footwork and an elegant tribute to Paco de Luc\u00eda. The percussion of Pira\u00f1a<\/strong>\u00a0and the palmas and jaleos of\u00a0Torombo<\/strong>\u00a0and\u00a0Lolo<\/strong>\u00a0contributed to the success of this gala. Yet, it was when Mar\u00eda Viz\u00e1rraga<\/strong>\u00a0came in stage that the theater vibrated with excitement. El Farru met her por tangos<\/em> and they achieved a perfect communion of the Gypsy essence.<\/p>\n

\u00abWhen Mar\u00eda Moreno danced por sole\u00e1, the loudest applause in this festival was heard\u00bb<\/em><\/p><\/blockquote>\n

The next day, Monday, February 24th<\/sup> , Mar\u00eda Moreno<\/strong>, from C\u00e1diz, presented De la Concepci\u00f3n<\/em> in that same theater. Mar\u00eda has grown with the Festival de Jerez and seeing her acclaimed by the public illustrates not just the success of this bailaora<\/em> but also the success of the Festival itself. I\u2019ll explain. This event continues to encourage the new generations, giving them space and opportunities so they can express their artistic concerns. Moreno, who won the Revelation Prize in 2017, awarded by the specialized press, has given a step forward in her career and at times, such as when performing her sole\u00e1<\/em>, she’s able to leave her public in complete ecstasis. In her show she made use of the voices of Jos\u00e9 de Pura<\/strong>\u00a0and\u00a0Enrique El Extreme\u00f1o<\/strong>, two flamenco veterans who give character to every verse. At the beginning, they dared with a seguiriya<\/em>, but the show acquired another dimension when Mar\u00eda danced por sole\u00e1<\/em>. This performance earned the loudest applause heard so far in this festival. The bailaora<\/em> got back to her essence and recalled the C\u00e1diz of her childhood with impeccable movements of mant\u00f3n<\/em> and bata de cola<\/em> while dancing a canti\u00f1a<\/em>. She states that it has not been easy to get where she is now, but we shall reply: it has been worth it. Even as the sound quality failed at times.<\/p>\n

Other venues also experienced moments of brilliance by less experienced, younger artists with an unquestionably bright future ahead. On Sunday, Sala Compa\u00f1\u00eda<\/em> hosted the two winners of the 6th<\/sup> edition of Tur\u00edn de la Frontera<\/em> contest. On one hand, Maise M\u00e1rquez<\/strong>, with\u00a0Habla la Tierra,<\/em>\u00a0and on the other, Ellos,\u00a0<\/em>by\u00a0Gabriel Mat\u00edas<\/strong>.<\/em>\u00a0The bailaora<\/em> from Murcia based her show on cantes de levante<\/em>, in a retrospective of her origins. In half an hour, she showcased her style and skill. The same goes for Gabriel, who payed a tribute to bailaores<\/em> of the stature of Mario Maya, El G\u00fcito and Tom\u00e1s de Madrid. Both left a very good feeling and hope in the future of this art genre.<\/p>\n

\u00abIn C\u00e1mara abierta, the young Paula Comitre adapts to the dark, empty stage devoid of props, where her own beautiful movements become light\u00bb<\/em><\/p><\/blockquote>\n

Paula Comitre<\/strong> deserves special mention. This bailaora from Seville aimed high in her premiere at the Festival de Jerez, in the Sala Pa\u00fal<\/em> venue. Born in 1994, she can now say she\u2019s been able to carve her own space in baile flamenco<\/em> sharing experiences with great stars like Rafaela Carrasco, David Coria and Mercedes de C\u00f3rdoba, who were advisors in the choreography of this production. In order to add color to her baile<\/em> and to voice her message in support of bailaoras, she has at hand the experienced cantaores Jes\u00fas Corbacho, Miguel Ortega<\/strong>\u00a0and\u00a0Antonio Campos<\/strong>. In C\u00e1mara abierta<\/em>, the young artist adapts to the dark, empty stage devoid of props, where her own beautiful movements become light. She delights us por tarantos<\/em>, serrana y liviana<\/em>, and canti\u00f1as<\/em>. With each baile, she pays tribute to unforgettable names such as Carmen Rojas, Carmen Amaya, Pastora Imperio\u2019s Seville school and Matilde Coral, respectively.<\/p>\n

Image above: El Farru and his mother, Rosario Montoya La Farruca. Photo: Javier Fergo<\/strong><\/h6>\n

 <\/p>\n

\"El<\/a>

El Farru. Teatro Villamarta, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Rosario<\/a>

Rosario Montoya La Farruca. Teatro Villamarta, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Mar\u00eda<\/a>

Mar\u00eda Moreno. Teatro Villamarta, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Gabriel<\/a>

Gabriel Mat\u00edas. Sala Compa\u00f1\u00eda, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Maise<\/a>

Maise M\u00e1rquez. Sala Compa\u00f1\u00eda, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Maise<\/a>

Maise M\u00e1rquez. Sala Compa\u00f1\u00eda, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Paula<\/a>

Paula Comitre. Sala Pa\u00fal, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Paula<\/a>

Paula Comitre. Sala Pa\u00fal, Festival de Jerez 2020. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Farru and Mar\u00eda Moreno greatly succeeded at the Villamarta Theater with their respective productions. The former performed his renaissance-man profile in ‘Por un sue\u00f1o’, dancing, singing and playing the guitar. The bailaora from C\u00e1diz in turn earned an standing ovation for her masterful sole\u00e1 <\/p>\n","protected":false},"author":8,"featured_media":18253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[70],"tags":[],"class_list":["post-18316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles"],"yoast_head":"\nA new generation of bailaores earn great acclaim at the Festival de Jerez - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/a-new-generation-of-bailaores-earn-great-acclaim-at-the-festival-de-jerez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A new generation of bailaores earn great acclaim at the Festival de Jerez - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Farru and Mar\u00eda Moreno greatly succeeded at the Villamarta Theater with their respective productions. The former performed his renaissance-man profile in 'Por un sue\u00f1o', dancing, singing and playing the guitar. 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