{"id":18049,"date":"2020-02-16T21:01:10","date_gmt":"2020-02-16T20:01:10","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=18049"},"modified":"2020-02-16T21:05:52","modified_gmt":"2020-02-16T20:05:52","slug":"mario-escudero-maestro-and-inspiration-forever","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/mario-escudero-maestro-and-inspiration-forever\/","title":{"rendered":"Mario Escudero, maestro and inspiration forever"},"content":{"rendered":"<p>I\u2019ve never been able to do that thing that journalists do when they write about noteworthy people or events that occurred a round number of years ago. Flamenco guitarist Mario Escudero was born in Alicante on October 11, 1928, and died in Florida, USA, November 19, 2004, but I didn\u2019t feel like waiting four years for the \u201c20 years ago\u201d headline, because it was today, February 13<sup>th<\/sup>, 2020 that I felt compelled to remember my much-admired guitar teacher.<\/p>\n<p>When my first teacher, Fernando Mart\u00ednez of San Sebastian died unexpectedly, I had to get my jondo fix from another source.\u00a0 Mar\u00edo Escudero had recently set up a guitar studio in New York with classical guitarist Juan de la Mata.\u00a0 Mario\u2019s young son would sometimes be in the studio learning to place his little fingers on a small guitar.\u00a0 On one occasion Paco happened to be there waiting for my class to finish in order to practice with Mario.<\/p>\n<p>Mario Escudero often scolded me for not strictly alternating fingers to play picado.\u00a0 He took me to meet Sabicas, and showed me some great bits and pieces, never a whole composition.\u00a0 He explained the basics of music, for which I\u2019m forever grateful, and taught me to use the barred G minor in cante accompaniment, harbinger of the expanded musicality that was becoming popular in contemporary flamenco.\u00a0 Mario encouraged me to accompany dance classes and small performances, although I was too young to enter establishments where alcohol was served, so it was mostly community centers, schools and such.\u00a0 At one point, he sat me down, solemnly informed me that \u201cgirls do not play flamenco guitar\u201d, and suggested I take up singing or dancing to satisfy my hunger for flamenco.\u00a0 Today\u2019s feminists are appalled that he would have discouraged my enthusiasm, but that bit of wisdom spared me years of disappointment and frustration.<\/p>\n<p>Google helps fill in some data.\u00a0 Mario\u2019s full name was Mario Escudero Valero Jim\u00e9nez Valverde, and the family was actually from Camas, Seville with roots in Ciudad Real as well as the Navarre region and other parts of northern Spain.\u00a0 As a young man he studied with several maestros, most notably, Ram\u00f3n Montoya. \u00a0Mario Escudero was the bridge between the grand era of Montoya, Ricardo and Sabicas, and the brave new world propitiated and set in motion by Paco de Luc\u00eda, who would become Escudero\u2019s prot\u00e9g\u00e9.<\/p>\n<p>As an adolescent, Mario accompanied renowned dancer Vicente Escudero (no family connection), and also went on to play for Jos\u00e9 Greco, Antonio and Rosario and Carmen Amaya whose sister he married.\u00a0 He accompanied an impressive number of great flamenco singers such as Tom\u00e1s Pav\u00f3n, La Ni\u00f1a de los Peines, Jos\u00e9 Cepero, Antonio Mairena, Juanito Mojama, El Sevillano, Canalejas, Pepe de la Matrona and Peric\u00f3n de C\u00e1diz among others.\u00a0 He also appeared in several films such as <em>Caf\u00e9 Cantante<\/em> (1951) in which he accompanies \u00c1ngel Pericet and Curro Terremoto with other stars of the era.<\/p>\n<p>Mario Escudero, like Sabicas who also settled in New York, believed in the viability of the flamenco guitar as a solo concert instrument capable of conquering a global audience.\u00a0 His many compositions include the brilliant buler\u00eda piece called <em>\u00cdmpetu<\/em>, which many people mistakenly believe was written by Paco de Luc\u00eda who did record it, as did Gerardo N\u00fa\u00f1ez.<\/p>\n<p>The day Mario said to come to the studio the following evening to hear a terrific young guitarist, I remember saying \u201cPaco who?\u201d\u00a0 Too young to disobey, and old enough to know I should do as I was told, I waded through ankle-deep slush to reach the studio for what I was sure would be a bore that only grown-ups could appreciate.\u00a0 Ten or twelve key New York flamenco people stood in the small rehearsal studio with black walls as we watched the future of flamenco guitar take shape before our very eyes in the form of this boy, Paco de Luc\u00eda.<\/p>\n<p>Mario\u2019s fame grew steadily, nearly rivaling that of Sabicas.\u00a0 He loved to tell the anecdote of the hand-written letter his father Jes\u00fas mailed from Madrid addressed simply \u201cMario Escudero, guitarrista, USA\u201d, which was delivered to his home about one year after it was sent.\u00a0 Sabicas would often quip about their friendship: <em>\u201cI steal his music, and he steals my girlfriends\u201d. <\/em><\/p>\n<p>Mario returned briefly to Spain where he had hoped to spend his golden years as a senior member of the flamenco community, and he did make some appearances, such as solo guitarist at the 18<sup>th<\/sup> Gazpacho Andaluz de Mor\u00f3n de la Frontera.\u00a0 In 1987, the C\u00e1tedra de Flamencolog\u00eda in Jerez honored him with its award for flamenco achievement.<\/p>\n<p>However, illness cut short his dream, and he returned to the United States for care.\u00a0 The last I heard of Mario Escudero was a telephone call from his nurse in Miami.\u00a0 She told me her patient was doing quite well, was in good spirits and played the guitar every day, which sounded like very good news.\u00a0 But she then added \u201cone question: the guitar doesn\u2019t have all its strings, do you think we should get him the ones that are missing?\u201d.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_18047\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-18047\" class=\"size-full wp-image-18047\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-foto-james-scalese.jpg\" alt=\"El guitarrista Mario Escudero. Foto: James Scalese\" width=\"800\" height=\"500\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-foto-james-scalese.jpg 800w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-foto-james-scalese-300x188.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-foto-james-scalese-768x480.jpg 768w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-foto-james-scalese-600x375.jpg 600w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-18047\" class=\"wp-caption-text\">El guitarrista Mario Escudero. Foto: James Scalese<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_18045\" style=\"width: 510px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-solista-en-gazpacho-andaluz-1984.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-18045\" class=\"size-full wp-image-18045\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-solista-en-gazpacho-andaluz-1984.jpg\" alt=\"El guitarrista Mario Escudero aparece como solista en el Gazpacho Andaluz de 1984.\" width=\"500\" height=\"800\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-solista-en-gazpacho-andaluz-1984.jpg 500w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/02\/expoflamenco-mario-escudero-solista-en-gazpacho-andaluz-1984-188x300.jpg 188w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><p id=\"caption-attachment-18045\" class=\"wp-caption-text\">El guitarrista Mario Escudero aparece como solista en el Gazpacho Andaluz de 1984.<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>it was today that I felt compelled to remember my much-admired guitar teacher.<\/p>\n","protected":false},"author":9,"featured_media":18043,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-18049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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