{"id":17722,"date":"2015-10-02T20:05:55","date_gmt":"2015-10-02T18:05:55","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=17722"},"modified":"2020-01-31T20:06:53","modified_gmt":"2020-01-31T19:06:53","slug":"the-year-of-juan-valderrama","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-year-of-juan-valderrama\/","title":{"rendered":"The Year of Juan Valderrama"},"content":{"rendered":"<p>Next year, from January 1st to December 31st, will be the year of don Juan Valderrama Blanca (a.k.a. Juanito Valderrama), as it will mark the centenary of his birth, which happened on the 24th of May of 1916, in Torredelcampo, a town in the province of Jaen. He was one of the best <em>cantaores<\/em> in history, although the purists have denied him credit because he did what every other great <em>cantaor<\/em> of his time did: sing more than just classic <em>cante<\/em>, and with great success at that, since whoever has talent for <em>cante<\/em> succeeds in whatever they do.\u00a0 Manolo Caracol, Pepe Marchena, Pepe Pinto, Enrique Morente and Camar\u00f3n, they all sang more than just classic <em>cante<\/em>. The centenary of such a great flamenco artist should focus on his <em>cantaor<\/em> aspect more than on his better-known career as singer of <em>coplas<\/em> and <em>canciones<sup>1<\/sup>. <\/em>The wider public, especially the young aficionados, haven\u2019t had access to his whole discography and would only know about his more publicized and popular works, his <em>canciones<\/em>, which include widely-known themes such as \u201cEl Emigrante\u201d, \u201cMadre Hermosa\u201d or \u201cMi Primera Comuni\u00f3n\u201d. His genius is not in the <em>canciones<\/em>, which for him were a piece of cake, but in his <em>tarantas<\/em>, <em>cartageneras<\/em>, <em>malague\u00f1as<\/em>, <em>cantes de ida y vuelta<\/em> and <em>fandangos<\/em>, and let\u2019s not forget his interpretations of palos with heavier <em>jondo <\/em>weight, such as the <em>seguiriyas<\/em>, the <em>soleares<\/em>, the <em>ca\u00f1a<\/em>, the <em>serranas<\/em> or the <em>canti\u00f1as<\/em>.<\/p>\n<p>If there ever were a true master of <em>cante andaluz<\/em> in the XX century, that would be Valderrama, a <em>cantaor largo<sup>2<\/sup><\/em> with extensive knowledge of not just the palos, but of the different schools and of the repertoires of the great masters of old (and those of his own time too). I was lucky to have often enjoyed his pleasant and enlightening company, to have made presentations with him all over Andalusia, and to have spent dozens and dozens of hours chatting with him in his home or in mine, and I can assure that he was the wisest of them all. He had an incredible memory. When talking about Ram\u00f3n Montoya and Juan Mojama, he would even remember where they had coffee together when they went to make a recording together. He knew better than anyone all about Ni\u00f1a de los Peines, Tom\u00e1s Pav\u00f3n, Manuel Vallejo, Caracol and el Pinto, not because he had heard it from someone else, but because he had known them personally. All these experiences enabled him to be a bridge between that generation and his own, and that makes him an indispensable reference.\u00a0 While he was a genius as an artist, as an entrepreneur he was a role model, according to today\u2019s professionals who worked with him in his Company. He gave opportunities to many people and he discovered young talent who later would achieve fame. Few people know that Camar\u00f3n and Pepe Habichuela worked in his Company when the wider public had barely ever heard of them. Yet, if an artist shall be judged by his discography, especially a musician, that\u2019s where the focus should be made, for the occasion of his centenary, so everyone knows what kind of cantaor and artist Juan Valderrama was, if anyone doesn\u2019t know it yet. The master has more than enough merits to ensure that his legacy doesn\u2019t end up forgotten, and is available to those young performers wanting to drink from a pure and guaranteed spring of many palos of cante flamenco.<\/p>\n<p>&nbsp;<\/p>\n<p><sup>1 <\/sup>While the Word \u201c<em>canciones<\/em>\u201d literally means \u201c<em>songs<\/em>\u201d, in this case it refers to a specific style of Spanish popular song.<\/p>\n<p><sup>2<\/sup> <em>Cantaor largo<\/em> (\u201clong\u201d<em>cantaor<\/em>) is a <em>cantaor<\/em> well versed and talented in many different styles (<em>palos<\/em>) of <em>cante<\/em>, as opposed to <em>cantaor corto<\/em>(\u201cshort\u201d <em>cantaor<\/em>), who are <em>cantaores<\/em> who specialize in a few <em>palos<\/em>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The master has more than enough merits to ensure that his legacy doesn\u2019t end up forgotten, and is available to those young performers wanting to drink from a pure and guaranteed spring of many palos of cante flamenco.<\/p>\n","protected":false},"author":6,"featured_media":17720,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-17722","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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