{"id":17423,"date":"2016-02-26T12:55:03","date_gmt":"2016-02-26T11:55:03","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=17423"},"modified":"2021-10-20T20:29:43","modified_gmt":"2021-10-20T18:29:43","slug":"palmas-a-compas-for-angelita-vargas","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/palmas-a-compas-for-angelita-vargas\/","title":{"rendered":"Palmas a comp\u00e1s for Angelita Vargas"},"content":{"rendered":"<p>Utrera is a town in the province of Seville that has its own, unique style of flamenco, the one given to it by the gypsies of the land, although it\u2019s also the birthplace of renowned non-gypsy flamenco artists such as Ni\u00f1o de Utrera, Curro de Utrera and Enrique Montoya. Gypsies has been integrated for centuries in this town, where the cantaora from Jerez, Mercedes Fern\u00e1ndez Vargas <em>La Sarneta<\/em>, lived, and where she died in 1912. She was the queen of sole\u00e1 in the XIX century (together Mar\u00eda la Andonda, from Ronda, M\u00e1laga) and she clearly left her mark there. Fernando el de Triana, in his anthological lyrics, wrote that the Utrera school closed when La Sarneta died, unaware that one girl, (the daughter of Jos\u00e9 el de Aurora and Chacha In\u00e9s) named Fernanda Jim\u00e9nez Pe\u00f1a, a.k.a. <em>Fernanda de Utrera, <\/em>was at the time already dreaming of embroidering in gold the new gypsy sole\u00e1: her own. Manuel Fern\u00e1ndez Granados, <em>Perrate, <\/em>son of a humble gypsy chair-maker, was already singing her sole\u00e1s when Triana wrote what he wrote.<\/p>\n<p>The cante of Utrera cannot be conceived without the gypsies, both those who sing, and those who don\u2019t. Thus was born El Potaje, the oldest flamenco summer festival in Spain, at a time when cante jondo was in danger of getting lost in the folds of commercial flamenco. Some time ago, the young gypsies of Utrera started gathering the testimony of the other gypsies in town, in a responsible way, and they continue to do so. These young gypsies created the Tac\u00f3n Flamenco festival, which last year honored the king of gyspy baile, Antonio el Farruco, and which this year will honor the great Angelita Vargas, bailaora from Seville who retired from the stage a few years ago because of a stroke. Angelita is one of thoses bailaoras born every half a century, possessing an unmatched purity, the essence of gypsy spontaneity and simplicity. Angelita dances just as if she were walking or talking, with the easiness of her everyday life, a life of hardships, struggles, tears and dreams broken over and over.<\/p>\n<p>She was never a trained, commercial bailaora, but was rather visceral and authentic, without following the pattern of any school. She was born in Seville, and that\u2019s already a guarantee, for all that Seville represents in the history of baile, from the days of those mythical boleras who would duel with the Cava of Triana gypsies in Seville\u2019s high-society parties, before getting on stage. Boleras like La Campanera, Manuela Perea <em>La Nena<\/em> or Petra C\u00e1mara, and gypsies like La Nistra, La Cuji\u00f1\u00ed or Lola Berm\u00fadez. It had to be Utrera which paid tribute to Angelita Vargas, as it was here where some <em>pata\u00edtas por buler\u00edas<\/em> by Bernarda or Pepa la Feonga would light up the late nights. This tribute is for Angelita, for her art and teaching legacy, but it\u2019s also a warning to the world of baile, which has been theatricalized and artificialized, with a few exceptions.<\/p>\n<p>Maybe that\u2019s the destiny of baile flamenco, I don\u2019t know, but that\u2019s not an excuse to let bailaoras such as Angelita Vargas to fall into oblivion, as it used to happen in the old days, when brilliant artists such as La Macarrona, La Malena, Fernanda Ant\u00fanez o La Chorr\u00faa would die of hunger and sadness at the Alameda de H\u00e9rcules in a Seville dazed by the lights of its theaters. Angelita no longer dances on stage, but she\u2019s still there, moving her hands with art, dancing with her shoulders, with her eyes and with her soul. Her artistic career has been remarkable, a monument to fidelity, always in tune with her upbringing, her life experiences and her origins. So, let\u2019s give a round of <em>palmas a comp\u00e1s<\/em> for Angelita and, aslo, for Utrera, which noticed that this great gypsy bailaora is still living and feeling. Next Sunday promises to be a great day. In Utrera, of course.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Her artistic career has been remarkable, a monument to fidelity, always in tune with her upbringing, her life experiences and her origins. So, let\u2019s give a round of palmas a comp\u00e1s for Angelita and, aslo, for Utrera, which noticed that this great gypsy bailaora is still living and feeling.<\/p>\n","protected":false},"author":6,"featured_media":17418,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-17423","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Palmas a comp\u00e1s for Angelita Vargas - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/palmas-a-compas-for-angelita-vargas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmas a comp\u00e1s for Angelita Vargas - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Her artistic career has been remarkable, a monument to fidelity, always in tune with her upbringing, her life experiences and her origins. 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