{"id":17406,"date":"2015-10-26T10:25:53","date_gmt":"2015-10-26T09:25:53","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=17406"},"modified":"2020-01-18T10:27:30","modified_gmt":"2020-01-18T09:27:30","slug":"manuel-gerena-the-forbidden-voice","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/manuel-gerena-the-forbidden-voice\/","title":{"rendered":"Manuel Gerena: the forbidden voice"},"content":{"rendered":"<p>Spain has forgotten its singer-songwriters, and Andalusia, part of Spain, has forgotten its flamenco singer-songwriters. Manuel Gerena has always been the quintessential flamenco singer-songwriter, the most \u201cguerrilla\u201d of them all, creator of his own lyrics and cantaor on his own right. His style is devoid of any superfluous ornaments, although it\u2019s often said that he isn\u2019t a good cantaor, as if that mattered when the point is to send messages to the people through music, through his voice, as this cantaor from Puebla de Cazalla, in the province of Seville, has been doing for over fifty years. He didn\u2019t became cantaor due to a family tradition, but due to the fact that cantaores like him were needed in an Andalucia which was in the hands of pro-Franco landlords and priests. Puebla de Cazalla is a town of farm labourers, men and women raising their children doing any work they could. Like his father, Manuel Fern\u00e1ndez Natera \u201c<em>El Vapora\u201d, <\/em>Genera was a humble electricician, although before that he worked in his family\u2019s local ferry service, distributing packages. He was also a farm labourer, earning a woman\u2019s salary, since children weren\u2019t as productive as grownup men. A lot of work and little schooling, althought that didn\u2019t prevent him from having access to reading, to poetry, to cante. He became a professional cantaor in 1968, one year before the death of Ni\u00f1a de los Peines. Back then, cante wasn\u2019t rebellious, maybe just slightly so. Gerena wasn\u2019t rebellious either, and he stuck to the classics of his time, to the masters who were trying to preserve old cante, such as Mairena, El Gallina, Juan Talega or Fosforito.<\/p>\n<p>It wasn\u2019t easy to sing subversive lyrics in Franco\u2019s time, but in eventually Gerena started writing and singing them. By 1975 Gerena had stablished himself as a rebel, and that year he launched his ground-breaking record \u201cCantando a la Libertad\u201d, produced by Gonzalo Garc\u00eda Pelayo, which definitely set the course in the career of this singer-songwriter. Gerena had been the persecuted and forbidden voice of cante jondo for a long time, although he was sheltered by left-leaning intellectuals who dedicated whole pages to him in newspapers and magazines, and who sometimes used Gerena to tease the authorities. Gerena filled theatres, summer cinemas and all sorts of venues in Spain and abroad. His concerts were banned, sometimes resulting in disturbances and public protests. He passport was confiscated and he was even jailed a few times. He became a high-profile personality, as popular as the best bullfighters, politicians or famous singers. When democracy arrived and the prohibitions were lifted, though, he was forgotten, even as Gerena never quit the stages, never stopped recording, and never gave up publishing books with his lyrics, which sold better than books written by the best authors. He\u2019s still there, in the trenches, committed to his ideals and to the weakest in society. Next Thursday, the 29 of October, he\u2019ll be horoured with a tribute in the Auditorio Marcelino Camacho, in Madrid, on the occasion of his 70<sup>th<\/sup> birthday, and the 50<sup>th<\/sup> anniversary of his professional career in cante. That should not be the last tribute awarded to him, since, with all his defects and virtues, his lights and his shadows, Gerena is one of the most important voices in Andalusian music. He\u2019s a living history of cante, a living history of the struggle for social and political justice, and a living history of our culture.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Duerme, compa\u00f1era,<\/em><br \/>\n<em>Duerme mientras quedo<\/em><br \/>\n<em>labr\u00e1ndole al hijo<\/em><br \/>\n<em>libertad, si puedo.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Sleep, partner<br \/>\nSleep while I remain<br \/>\nworking for my son&#8217;s<br \/>\nfreedom, if I can<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With all his defects and virtues, his lights and his shadows, Gerena is one of the most important voices in Andalusian music. He\u2019s a living history of cante, a living history of the struggle for social and political justice, and a living history of our culture.<\/p>\n","protected":false},"author":6,"featured_media":17402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-17406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Manuel Gerena: the forbidden voice - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/manuel-gerena-the-forbidden-voice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manuel Gerena: the forbidden voice - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"With all his defects and virtues, his lights and his shadows, Gerena is one of the most important voices in Andalusian music. He\u2019s a living history of cante, a living history of the struggle for social and political justice, and a living history of our culture.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/manuel-gerena-the-forbidden-voice\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-26T09:25:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-18T09:27:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/01\/expoflamenco-manuel-gerena-foto-el-correo-de-andalucia.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/manuel-gerena-the-forbidden-voice\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/manuel-gerena-the-forbidden-voice\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Manuel Gerena: the forbidden voice\",\"datePublished\":\"2015-10-26T09:25:53+00:00\",\"dateModified\":\"2020-01-18T09:27:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/manuel-gerena-the-forbidden-voice\\\/\"},\"wordCount\":622,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/manuel-gerena-the-forbidden-voice\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/expoflamenco-manuel-gerena-foto-el-correo-de-andalucia.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/manuel-gerena-the-forbidden-voice\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/manuel-gerena-the-forbidden-voice\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/manuel-gerena-the-forbidden-voice\\\/\",\"name\":\"Manuel Gerena: the forbidden voice - 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