{"id":17398,"date":"2015-10-14T10:12:25","date_gmt":"2015-10-14T08:12:25","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=17398"},"modified":"2020-01-18T10:13:17","modified_gmt":"2020-01-18T09:13:17","slug":"the-future-of-the-penas-flamencas","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/","title":{"rendered":"The future of the pe\u00f1as flamencas"},"content":{"rendered":"<p>Pe\u00f1as appeared in Andalusia more than half a century ago, and these days there are pe\u00f1as all over the world. I remember that Enrique Morente was intrigued by this phenomenon, which seems to be unique to flamenco. The pe\u00f1as were born when meeting to sing or talk about cante in taverns began to be frowned upon, to the point that some taverns even forbade singing altogether. All the great artists of the last fifty years have performed in pe\u00f1as, although nowadays pe\u00f1as are unable to afford the fees charged by the better-known artists, since pe\u00f1as are not like those tablaos for tourists, but rather cultural centers with a very different role than the commercial venues. Many of the pe\u00f1as are veritable museums, such as M\u00e1laga\u2019s \u201cJuan Breva\u201d, Granada\u2019s \u201cLa Plater\u00eda\u201d and Seville\u2019s \u201cTorres Macarena\u201d, to name only three of the oldest and most important in the world. They also function as flamenco archives and meeting places for aficionados, besides promoting new talent and allowing the lesser-known artists (who are ignored by the festivals and cultural cycles) to make a living. The <em>Confederaci\u00f3n Andaluza de Pe\u00f1as Flamencas<\/em> has existed for several decades, promoting cultural weeks, contests for new talent and conference cycles, sometimes with the help of government subsidies. In total there are about four hundred pe\u00f1as in Andalusia, so in all we\u2019re talking about thousands of members, rich and poor, local and foreign, of all religions and ideologies. Flamenco cannot be understood without the pe\u00f1as, but the truth is that they are going through hard times due to the financial crisis. The Junta de Andaluc\u00eda has cut subsidies in half, and some venues are not only in danger to close down, but have even been sealed off by the authorities. This is what happened to the pe\u00f1a \u201cTorres Macarena\u201d in Seville, a venue that, more than a meeting place, is an institution of Seville which has done more for flamenco than the Junta de Andalusia itself. A few days ago, Jos\u00e9 Mar\u00eda Segovia Salvador, current president of the pe\u00f1as of Seville, and former president of the pe\u00f1as of Andalusia, told me that the Confederation will have to pay back 150,000 euros of subsidies, due to bureaucratic issues, even as this money has already been allocated to several activities. It feels as if there\u2019s no interest in having pe\u00f1as in the cities and towns anymore, as if there were a plan to phase out the pe\u00f1as once flamenco has been consolidated in the theatres, many of them belonging to the Junta de Andalucia and to the city councils (the increasingly scarce private theatres only offer commercial flamenco). Such policy of adjustments would be a grave mistake, as the pe\u00f1as have been for over half a century defending the Andalusian art and its protagonists: the artists of flamenco cante, baile and toque. They have done so mostly with their own means, although they have been subsided for many years, if we could call \u201csubsidy\u201d the meagre handouts they receive, which this year won\u2019t reach 60,000 euros, to be divided among hundreds of pe\u00f1as across Andalusia. Do the pe\u00f1as flamencas of Andalusia have a future? We\u2019ll see.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pe\u00f1as appeared in Andalusia more than half a century [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":11437,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-17398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The future of the pe\u00f1as flamencas - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The future of the pe\u00f1as flamencas - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Pe\u00f1as appeared in Andalusia more than half a century [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-14T08:12:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-18T09:13:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"The future of the pe\u00f1as flamencas\",\"datePublished\":\"2015-10-14T08:12:25+00:00\",\"dateModified\":\"2020-01-18T09:13:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/\"},\"wordCount\":560,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/\",\"name\":\"The future of the pe\u00f1as flamencas - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg\",\"datePublished\":\"2015-10-14T08:12:25+00:00\",\"dateModified\":\"2020-01-18T09:13:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg\",\"width\":1300,\"height\":800,\"caption\":\"La bailaora Alba Guerra. Homenaje a Jos\u00e9 Galv\u00e1n. Tertulia Flamenca Cantes Al Aire, Sevilla. Abril 2019. Foto: Quico P\u00e9rez-Ventana\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-future-of-the-penas-flamencas\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The future of the pe\u00f1as flamencas\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\",\"name\":\"Manuel Boh\u00f3rquez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"caption\":\"Manuel Boh\u00f3rquez\"},\"description\":\"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The future of the pe\u00f1as flamencas - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/","og_locale":"en_US","og_type":"article","og_title":"The future of the pe\u00f1as flamencas - Archivo Expoflamenco","og_description":"Pe\u00f1as appeared in Andalusia more than half a century [&hellip;]","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2015-10-14T08:12:25+00:00","article_modified_time":"2020-01-18T09:13:17+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"The future of the pe\u00f1as flamencas","datePublished":"2015-10-14T08:12:25+00:00","dateModified":"2020-01-18T09:13:17+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/"},"wordCount":560,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg","articleSection":["Bordonazo NEW"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/","name":"The future of the pe\u00f1as flamencas - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg","datePublished":"2015-10-14T08:12:25+00:00","dateModified":"2020-01-18T09:13:17+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/DN144-0248-Alba-Guerra-Tertulia-Cantes-Al-Aire-Sevilla-Foto-Quico-Perez-Ventana-abr19.jpg","width":1300,"height":800,"caption":"La bailaora Alba Guerra. Homenaje a Jos\u00e9 Galv\u00e1n. Tertulia Flamenca Cantes Al Aire, Sevilla. Abril 2019. Foto: Quico P\u00e9rez-Ventana"},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-future-of-the-penas-flamencas\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"The future of the pe\u00f1as flamencas"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/17398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=17398"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/17398\/revisions"}],"predecessor-version":[{"id":17399,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/17398\/revisions\/17399"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/11437"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=17398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=17398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=17398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}