{"id":17381,"date":"2020-01-15T18:58:02","date_gmt":"2020-01-15T17:58:02","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=17381"},"modified":"2020-01-15T18:59:22","modified_gmt":"2020-01-15T17:59:22","slug":"leaving-the-flock","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/leaving-the-flock\/","title":{"rendered":"Leaving the flock"},"content":{"rendered":"<p><strong>David Palomar<\/strong>, born in C\u00e1diz in 1977, is a <em>cantaor<\/em> with lots of art. Not because he\u2019s from C\u00e1diz, he\u2019s just a great artist, period. \u00a0He\u2019s a good singer, too. Perhaps not as good as to be considered one of the greatest <em>cantaores<\/em> in history, but he\u2019s a good aficionado and he is well-versed in his school, the school of C\u00e1diz, naturally. What is the school of C\u00e1diz? It\u2019s the legacy of great masters of <em>cante<\/em> \u2014 <strong>El Mellizo, Paquirri, Andr\u00e9s el Loro, the Ortegas, the Espeletas, Curro Dulce, Aurelio, Peric\u00f3n, Manolo Vargas, La Perla, Chano\u2026 <\/strong>\u2014 and it\u2019s also a particular way of conceiving life from a flamenco perspective. C\u00e1diz is something else, it\u2019s unique, and Palomar is a perfect example of a <em>cantaor<\/em> from C\u00e1diz committed to his school and to that very personal way the artists of those parts have of understanding life and art.<\/p>\n<p>Despite being a good <em>cantaor <\/em>and even better artist \u2014 few others are able to match his ease when performing on a stage \u2014 this master is not as highly regarded as to be considered a leading flamenco star. He makes a living off <em>cante<\/em>, but he has higher ambitions. Thus, it\u2019s understandable that he wants to explore other musical genres and he has stated that his new album will feature a different way of singing this art form. I don\u2019t quite understand why he now says that we have to either evolve or give up on flamenco, just because he hasn\u2019t been terribly successful. Flamenco has been evolving for two hundred years, courtesy of many talented artists, from <strong>Silverio<\/strong> to <strong>El Pele<\/strong>, and Palomar himself is a good example of this evolution, because he has injected a new freshness to the <em>cantes<\/em> of C\u00e1diz.<\/p>\n<blockquote><p><em>\u00abI can only say one thing, if you allow me. Flamenco is not kind to those who leave the flock to seek a better life elsewhere\u00bb<\/em><\/p><\/blockquote>\n<p>It\u2019s reasonable that he wants to widen its artistic horizons and try new adventures, something that most <em>cantaores<\/em> have done. Yet, this should not be the result of disappointment or frustration, but rather a product of his legitimate artistic interests. To be fair, I think he\u2019ll have greater success with modern music than with traditional cante, and it\u2019s a good thing he\u2019s trying out other genres, because he has talent. It\u2019s not easy to make a living off pure, traditional <em>cante jondo<\/em>, something few <em>cantaores<\/em> managed to achieve, and even those who succeeded had to cope with very hard times. Chac\u00f3n was the king of <em>cante<\/em> and he always sang traditional <em>palos<\/em>, although he was much criticized when he started singing his new <em>malague\u00f1as<\/em>. <strong>Manuel Torres, Tom\u00e1s Pav\u00f3n, Juan Talega<\/strong>\u00a0and\u00a0<strong>Mairena<\/strong>\u00a0stuck to traditional flamenco, and all except Mairena (who was very thrifty and once won the lottery) died dirty poor.<\/p>\n<p>David Palomar is free to do whatever he wants with his career, of course. He wants to make a better living off art and explore new paths, and that\u2019s a highly respectable thing to do. Yet, I can only say one thing, if you allow me. Flamenco is not kind to those who leave the flock to seek a better life elsewhere.<\/p>\n<h6 style=\"text-align: right;\"><strong>Photo: David Palomar Facebook page<\/strong><\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00e1diz is something else, it\u2019s unique, and Palomar is a perfect example of a cantaor from C\u00e1diz committed to his school. It\u2019s understandable that he wants to explore other musical genres, but I don\u2019t quite understand why he now says that we have to either evolve or give up on flamenco, just because he hasn\u2019t been terribly successful. Flamenco has been evolving for two hundred years.<\/p>\n","protected":false},"author":6,"featured_media":17350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[194],"class_list":["post-17381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new","tag-cantaor-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Leaving the flock - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/leaving-the-flock\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leaving the flock - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"C\u00e1diz is something else, it\u2019s unique, and Palomar is a perfect example of a cantaor from C\u00e1diz committed to his school. 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