{"id":17298,"date":"2020-01-13T20:29:37","date_gmt":"2020-01-13T19:29:37","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=17298"},"modified":"2020-01-13T20:39:41","modified_gmt":"2020-01-13T19:39:41","slug":"changes-in-the-nimes-festival","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/changes-in-the-nimes-festival\/","title":{"rendered":"Changes in the N\u00eemes Festival"},"content":{"rendered":"<p>I\u2019ve only attended France\u2019s <a href=\"https:\/\/theatredenimes.com\/festival-flamenco\/\">Festival de N\u00eemes<\/a> once, and I had a wonderful time. That was the last time I gave <strong>Mora\u00edto Chico<\/strong> a hug, which seemed like an inevitable farewell. He passed away later that year. This flamenco festival was one of the main references of this genre in the south of France, particularly because it featured traditional, non-commercial flamenco. I said \u201cfeatured\u201d because it has changed, and now in this new stage it has shamelessly followed the steps of other international festivals which disregard the essence of this difficult Spanish art form.<\/p>\n<p>Why has it changed, if it was working just fine? It&#8217;s a trend. I feel bad for the artists who keep flamenco\u2019s essence, those of Jerez, Lebrija or Utrera, who have so little support. This has always been the case, since the 19<sup>th<\/sup> century. In our days we cherish artists who were disregarded by the critics and agents of their time. I mean cantaores like <strong>Tom\u00e1s Pav\u00f3n<\/strong>\u00a0or\u00a0<strong>Juanito Mojama<\/strong>, guitarists like\u00a0<strong>Melchor de Marchena<\/strong>\u00a0or\u00a0<strong>Currito el de la Jeroma<\/strong>\u00a0or bailaoras like\u00a0<strong>la Macarrona<\/strong>\u00a0o\u00a0<strong>la Malena<\/strong>, who died old and forgotten in Seville\u2019s Alameda district.<\/p>\n<blockquote><p>\u00abThe new director has other ideas regarding what 21<sup>st<\/sup> century flamenco should be like\u00bb<\/p><\/blockquote>\n<p>The good job of <strong>Patrix Bellido<\/strong>, former director of the French festival, appreciated by all flamencos, will be remembered for his uncompromising commitment to the most authentic and least commercial flamenco. The new director, <strong>Francois No\u00ebl<\/strong>, has other ideas regarding what 21<sup>st<\/sup> century flamenco should be like. Not long ago, he said he liked <strong>Ni\u00f1o de Elche<\/strong>, which is fine because people are free to like whatever they want. Yet, that gives you an idea of why this festival has changed.<\/p>\n<p>I don\u2019t understand why there have been changes to something that worked so well, with sold-out shows and a great atmosphere. A few years ago, I was again invited to this festival, but I was unable to attend for personal reasons. Yet, I have to admit that, even if I could, I would hardly accept an invitation now, because I don\u2019t like the changes and I think that this festival of N\u00eemes has lost its identity. One thing is to feature avant-garde flamenco artists, but quite another is to ruin a 30-year old wonderful festival.<\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align: right;\"><strong>Image above: Festival de N\u00eemes Facebook page<\/strong><\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I don\u2019t understand why there have been changes to something that worked so well, with sold-out shows and a great atmosphere. One thing is to feature avant-garde flamenco artists, but quite another is to ruin a 30-year old wonderful festival.<\/p>\n","protected":false},"author":6,"featured_media":17295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-17298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Changes in the N\u00eemes Festival - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/changes-in-the-nimes-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Changes in the N\u00eemes Festival - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"I don\u2019t understand why there have been changes to something that worked so well, with sold-out shows and a great atmosphere. One thing is to feature avant-garde flamenco artists, but quite another is to ruin a 30-year old wonderful festival.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/changes-in-the-nimes-festival\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-13T19:29:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-13T19:39:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2020\/01\/expoflamenco-nimes-2019-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/changes-in-the-nimes-festival\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/changes-in-the-nimes-festival\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Changes in the N\u00eemes Festival\",\"datePublished\":\"2020-01-13T19:29:37+00:00\",\"dateModified\":\"2020-01-13T19:39:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/changes-in-the-nimes-festival\\\/\"},\"wordCount\":413,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/changes-in-the-nimes-festival\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/expoflamenco-nimes-2019-1.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/changes-in-the-nimes-festival\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/changes-in-the-nimes-festival\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/changes-in-the-nimes-festival\\\/\",\"name\":\"Changes in the N\u00eemes Festival - 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