{"id":15251,"date":"2019-09-12T21:13:40","date_gmt":"2019-09-12T19:13:40","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=15251"},"modified":"2019-09-12T21:16:20","modified_gmt":"2019-09-12T19:16:20","slug":"the-poet-and-rosalia","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-poet-and-rosalia\/","title":{"rendered":"The Poet and Rosal\u00eda"},"content":{"rendered":"<p>I\u2019ll never understand the attitude that <strong>Jos\u00e9 Luis Ortiz Nuevo<\/strong>\u00a0has taken towards pop star <strong>Rosal\u00eda<\/strong>. He is, without a doubt, the flamencologist I respect and admire the most, but regarding the singer from Barcelona I completely disagree. I respect his opinion, of course, but what he has said in <a href=\"https:\/\/www.eldiario.es\/andalucia\/lacajanegra\/cajon_flamenco\/quiere-ver-machismo-flamenco-ve_0_940706029.html\">an interview<\/a>\u00a0by\u00a0<strong>Alejandro Luque<\/strong>\u00a0to\u00a0<em>Eldiario.es<\/em>\u00a0is quite bold:<\/p>\n<p><em>\u00abIn each of her songs there are fourteen or twenty hints of flamenco. What she does is what Siverio did in the 19<sup>th<\/sup> century and what Pastora Pav\u00f3n did in the 20<sup>th<\/sup> century. We should be lighting candles in her honor and thanking her for all the great things she does in behalf of this art<\/em>\u00bb.<\/p>\n<p>This is not something said by some random cheesemaker from Ronda, but by one of the most prestigious personalities in flamenco. Perhaps he is right and it\u2019s the rest of us who have failed to realize the importance of Rosal\u00eda as a <em>flamenco revolutionary<\/em>. Frankly, when people started talking about her, I took my time to listen to her singing and I swear by God that to this day I have never heard any <em>cante<\/em> by her showing she\u2019s half-capable of singing flamenco. It\u2019s just loads of <em><a href=\"https:\/\/www.expoflamenco.com\/archivo\/en\/blog-archivo\/ojana-detector\">ojana<\/a><\/em>, she lacks the strength needed to finish her <em>cantes <\/em>and she fakes her voice like I have never heard anyone before. To compare this girl with <strong>Silverio<\/strong>\u00a0and <strong>Ni\u00f1a de los Peines<\/strong>\u00a0is, with all respect due to the master from Archidona, nonsense.<\/p>\n<p>I ask myself, without attempting to create controversy, what have we been standing up for, in the last two hundred years? I think we\u2019ve all been trying to defend what we consider to be flamenco, with varying degrees of success. If now the Poet is standing up for Rosal\u00eda with such zeal, I don\u2019t understand anything at all. Yet, is Jos\u00e9 Luis right on account of who he is? Not necessarily. I think that what he has said is an outrage and I\u2019ll try to argue this with respect and, I insist, without seeking to create controversy.<\/p>\n<blockquote><p><em>\u00abDo you really believe that young cantaoras are going to pick Rosal\u00eda as their role model? That would be a disaster for cante jondo<\/em><em>\u00bb<\/em><\/p><\/blockquote>\n<p>When Silverio started performing in the 1850s, <em>cante<\/em> was still evolving, the styles were being set and flamenco\u2019s <em>caf\u00e9s cantantes<\/em> didn\u2019t exist yet. He started singing in the <em>bolero<\/em> academies of <strong>Manuel<\/strong>\u00a0and\u00a0<strong>Miguel de la Barrera<\/strong>, as did others such as <strong>Sartorio, Lorente, El Peinero<\/strong>\u00a0or\u00a0<strong>Juraco<\/strong>. Silverio sang the fashionable <em>cantes<\/em> of that time, such as the <em>ca\u00f1a<\/em>, the <em>ronde\u00f1as de El Negro<\/em> or the <em>seguiriyas<\/em>. Apparently, he didn\u2019t have his own repertoire and he didn\u2019t came up with a new style, but followed the standards of that time, influenced by the Gypsy school of <strong>El Fillo<\/strong>, according to what he told <strong>Dem\u00f3filo<\/strong>.<\/p>\n<p>The fact is that he became greatly successful and within a few years almost everyone was singing like him, even the Gyspy <em>cantaores<\/em>: <strong>Mar\u00eda Borrico, Fernando Ortega\u00a0<\/strong><em><strong>El Mezcle<\/strong><\/em>, etc. It was a revolution in <em>cante<\/em>, without a doubt, not just from a musical perspective, but also from a business aspect, because he created a flamenco company which toured all of Spain at a time when the <em>arte jondo<\/em> was struggling to be known. Can you imagine if all girls now wanted to imitate Rosal\u00eda? What would become of <em>cante<\/em>?<\/p>\n<p>A bigger outrage is comparing her with Ni\u00f1a de los Peines, who bridged the tradition of the 19<sup>th<\/sup> century with the modernity of the 20<sup>th<\/sup> century. She was a true revolutionary of <em>cante<\/em>, without any doubt. All <em>cantaoras<\/em> who followed took her as their role model, and female flamenco singers became important in <em>cante<\/em> as never before. Pastora did\u2019t create a new style. She drew from tradition, from her own family and from the artists of her days: <strong>La Sarneta, La Trini, La Juanaca, Carmen la Trianera, La Serrama<\/strong>\u00a0or\u00a0<strong>La Andonda<\/strong>. Do you really believe that young cantaoras are going to pick Rosal\u00eda as their role model? That would be a disaster for <em>cante jondo<\/em>.<\/p>\n<p>Rosal\u00eda is a successful artist who uses flamenco elements in her songs, that\u2019s all. Having other five or six singers like her would be great for Spanish music, but not for flamenco. This art doesn\u2019t need Rosal\u00eda at all, as she doesn\u2019t even know how to sing flamenco, or even how to sit in a bulrush chair.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If now the Poet is standing up for Rosal\u00eda with such zeal, I don\u2019t understand anything at all. Yet, is Jos\u00e9 Luis right on account of who he is? Not necessarily. I think that what he has said is an outrage <\/p>\n","protected":false},"author":6,"featured_media":15235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-15251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Poet and Rosal\u00eda - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-poet-and-rosalia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Poet and Rosal\u00eda - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"If now the Poet is standing up for Rosal\u00eda with such zeal, I don\u2019t understand anything at all. 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